
Frank Lloyd Wright filled this house with nearly 400 art-glass “light screens.” Its complex was abandoned, partly demolished, then reconstructed: Martin House (1903–05)
Larkin Soap executive Darwin D. Martin gave Frank Lloyd Wright one of the defining commissions of his Prairie period. Wright treated the Buffalo estate as a “domestic symphony,” designing the buildings, furnishings and almost 400 pieces of art glass as a single composition.
The family abandoned the property in 1937. It sat vacant for years, and the pergola, conservatory and carriage house were demolished in 1962 for apartment buildings. A restoration begun in 1992 eventually removed those apartments and reconstructed the missing Wright buildings from the surviving plans. The work was completed in 2019. At what point does exact reconstruction become part of a landmark's authentic history?