u/Consistent-Ring-1344

Freelance colorist looking for cinematography footage to practice and build portfolio

Hey everyone,

I’m currently trying to improve my portfolio and grading workflow in DaVinci Resolve, and I’ve been wondering where colorists usually find good indie film or cinematography footage to practice with.

Most of the footage packs online feel very commercial/demo-focused, and I’d love to practice more with real narrative scenes, short films, mixed lighting setups, and dialogue-heavy footage to better understand matching, skin tones, and look development.

For people already working in cinematography or post:

Where do you usually find good practice footage?

Are there communities where filmmakers share older projects or unused clips for learning purposes?

What kind of footage helped you improve the most when learning grading?

I’m especially interested in working with Log footage from different cameras and understanding how different cinematography styles translate through grading workflows.

Would appreciate any advice or resources. Thanks!

reddit.com
u/Consistent-Ring-1344 — 16 hours ago

Before & After color grade how’s the atmosphere feeling?

Before and after from a grading practice session.

Before image + format:

Camera: Blackmagic URSA Cine 17K 65
Codec: Blackmagic RAW Q1
Sensor: 8K 2.2:1 Open Gate (11680 x 5360)
Lens: 75mm Cooke Panchro 65/i @ T2.3
FPS: 24
ISO: 800
Shutter: 172.8°
White Balance: 5000K / Tint +5
Color Science: Generation 5
Filmbox Kodak Vision3 500T LUT was already baked into the source footage.

After image attached above.

Node tree attached above as well.

Workflow / node breakdown:
01 - DWG transform
02 - White balance adjustments
03 - Lift Gamma Gain balancing
05 - Saturation shaping
06 - Contrast work
08 - HDR exposure balancing
10 - Power window / masking work
12 - Toning adjustments
13 - Additional look refinement
14 - Film grain
15 - Rec709 output transform

What I was trying to achieve:

I wanted to push the shot toward a darker and more nostalgic cinematic mood while still keeping the image soft and natural. I tried focusing on subtle highlight rolloff, warm practical lighting, restrained saturation, and gentle contrast without making the shadows feel overly crushed. I was also trying to preserve the organic texture from the Cooke lenses and the baked-in film emulation while shaping the scene into a more emotionally heavy atmosphere.

Would really appreciate feedback on the contrast balance, skin tones, shadow density, and overall mood of the final grade.

Would love to hear feedback on the overall look and what could be improved.

Freelance colorist looking for cinematography footage to practice and build portfolio

Hey everyone,

I’m currently trying to improve my portfolio and grading workflow in DaVinci Resolve, and I’ve been wondering where colorists usually find good indie film or cinematography footage to practice with.

Most of the footage packs online feel very commercial/demo-focused, and I’d love to practice more with real narrative scenes, short films, mixed lighting setups, and dialogue-heavy footage to better understand matching, skin tones, and look development.

For people already working in cinematography or post:

Where do you usually find good practice footage?

Are there communities where filmmakers share older projects or unused clips for learning purposes?

What kind of footage helped you improve the most when learning grading?

I’m especially interested in working with Log footage from different cameras and understanding how different cinematography styles translate through grading workflows.

Would appreciate any advice or resources. Thanks!

reddit.com
u/Consistent-Ring-1344 — 2 days ago

Switching from CST Sandwich Workflow to ACES what’s the proper workflow?

Hey everyone,

I’ve been grading in DaVinci Resolve using a DaVinci YRGB workflow with CSTs (basically a CST sandwich workflow) up until now, and I’m trying to properly learn and switch over to ACES.

My current workflow is usually something like:

Camera Log → CST to working space → grading → CST back to Rec.709.

Now I’m a bit confused about what the proper ACES workflow should look like inside Resolve.

A few things I’m trying to understand:

Should I switch fully to ACEScct?

What’s the main advantage of ACES over a CST-based workflow?

In ACES, do you still use CST nodes often, or should everything be handled through IDTs/ODTs?

How should the node tree ideally look in an ACES project?

What’s the correct way to handle different camera formats in the same timeline?

How do you approach the look, creation and contrast in ACES compared to CST workflows?

I’m mainly trying to build a proper professional workflow instead of randomly converting color spaces without fully understanding what’s happening underneath.

Would really appreciate advice from people who moved from CST workflows to ACES and how you approached learning it inside Resolve.

reddit.com
u/Consistent-Ring-1344 — 2 days ago