Perceptual and experiential line diversity
I've had a thought over the years that maybe the lines are expressed differently not only depending on the individuals overall characteristics but also the cultural environment they come from.
The rave i'ching descriptions were filtered through Ra and may make sense to some and not to others or one might make their own version.
For those familiar, do you find the line descriptions universal or does how you experience those parts of your design (ie. you read a line that you can clearly see yourself acting out) differ due the cultural environment and if so, do any of them spring to mind? How do you interpret, translate, explain them so they feel like yours (not to mention they're kind of generalised since there's an added nuance of substructure which I'm, at that level blissfully ignorant of)?
Good day.