I have a brand new open mold full suspension XC frame of very high quality. The manufacturer suggests a 190 x 50mm rear shock and it can be very difficult to find that size. The rear travel is 100-110mm. Do I have wiggle room on the shock length or stroke. Would a 185 or 195 length shock work? If I go for a shorter stroke, should I have a shorter eye to eye length? Any insights will really help. One issue with open mold frames is lack of documentation. Other than that this frame is a high quality frame and has NKS bearings (thank god I was prepared to replace them) it's a Meinier M09.
u/EZPeeVee
In storyboard format to avoid web crawlers. No names have been changed, people mentioned here can confirm this is a true story. Enjoy! I’m now writing for TAM because of this piece that I put out in the wild via insta. If you want to see more please, support TAM! It’s our only legit trade journal.
Last week I used ai to do a genealogy search to break past a family dead end and it was enlightening. Because I knew where the ai was wrong I found out how to properly correct it.
So a few days later, I decided to do a partial search to find out who my forebears in tattooing were. I knew Lou Sciberras had learned from Big Joe Kaplan. From there I found Joe had learned from Sailor Barney. I’ve always been proud of our oral tradition, but this time I think something got lost. It looks like Barney may have been self taught. The ai lumped him in with Blackie, Coney Island Freddie (who I knew personally) Philadelphia Eddie and a few others working Coney Island pre-ban. Eventually tattooing was outlawed in NYC and everyone went their separate ways. Big Joe was a Hell’s Angel, iirc, and he moved to Mt. Vernon, NY. I remember his shop and meeting his son, Adam Kaplan, he is a really cool, welcoming guy. It wasn’t a long visit, he offered me work, but it was too far away. The shop had really high ceilings and there was a motorcycle hanging above me, along with mounts of various hunting trophies. I regret never having met Big Joe, but he was much older at the time and harder to nail down.
I made sure to enter my students into record and the ai assured me future searches by people would include that as well.
Anyway, being part of the tattoos by Lou crew has always been a source of pride for me, but I notice a lot of today’s artists aren’t even aware of any of the people I’ve mentioned above. I know on the east coast of the US, many middle aged and older tattooers share the same lineage as I and sometimes I’ve spotted it visiting random shops and seeing how people set up. Over the years I’ve remarked on it, like “hey I do the exact setup as you, how do you know that?” And then I found out they have the same roots as me.
So how many of you come to tattooing from being a student of the old guard, and have you traced it? I’m not saying that people who are self taught’s work is any less valid, just trying to start a conversation about lineage and our past so that all of us can see it and appreciate it and pay homage to the last great oral tradition. It is fading and I think it should somehow be preserved. Hats off for the guys that have archived this on YouTube and folks like Mike McCabe who made the NYC tattoo book and incidentally did my first real tattoo in ‘88.