Does anyone have any suggestions on how to brace a free-standing multiboard wall to keep it from leaning forward?

Does anyone have any suggestions on how to brace a free-standing multiboard wall to keep it from leaning forward?

I built a free-standing multiboard wall for my desk, and I love it, but my hope of attaching it to my monitor to keep it stable really isn't working out that well.

Does anyone know of any braces or anything that attach to the back to keep it from leaning forward? Or any other solutions to keep it from leaning forward? As you can see in the picture I tried X braces and that keeps it rigid, but it's still pitching forward quite a bit.

Any suggestions welcome!

EDIT: You folks are just full of great ideas, thank you so much for your help!

u/GoForBaskets — 11 days ago

LPT:Use the detergent dispenser as the clean/dirty indicator in your dishwasher.

I've seen so many products/solutions to knowing whether your dishwasher is clean or dirty, and while this is a simple one it works for us:

Just make sure that when you empty the dishwasher you always put new detergent in at the end. That way, if the detergent dispenser is empty then you know the dishes are clean. If the detergent dispenser has something in it then you know the dishes are dirty.

I'm aware I am not revolutionizing the LPT community with this one, but I hope it helps somebody!

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u/GoForBaskets — 19 days ago

Jazz players: How do you articulate fast runs?

Can we talk about articulation schemes for fast lines?

I usually use an Arturo Sandoval-style slurred lines that I break on off-beats, or an alternate tonguing on the off-beats, like "tah tah-yah tah-yah tah-yah."

There's a lot of talk about doodle tonguing, but conversations with my colleagues reveal that "doodle tonguing" means a whole bunch of different things to different people.

What's your approach to articulation on fast runs?

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u/GoForBaskets — 1 month ago

Hey all! First I I want to say that as someone just starting out on piano: this place is great and I'm soaking up your wisdom every single day. Thanks to everybody who contributes.

I'm a jazz trumpet player who is just starting piano with the sole intent of being able to play through tunes, comping the chords for myself so I can hear the harmonies. Unless my ambition takes a turn, I will never play with a bass player, I will never play with a band, and I will never play for anyone but myself.

Right now I've been learning basically root position chords. L:1-3-7 R:2-5. I've been playing those up and down the keyboard and I've actually gotten pretty good at that.

As you folks more than anyone know, that just sounds like block <block> <block> <block> when I play through a tune.

I've read a lot online and seen a million different "systems" and "You only need to know two patterns!" for managing voice leading and mixing up the voicings, but everyone says something different and I'm just looking for something simple as the next step.

I know you all have a million ways that I "could" do it, but what do you suggest as another voicing pattern to alternate with the current chords that I've learned just to mix things up a little bit, keep me more centered on the keyboard and not jumping around as much, and make my voice leading sound a little better?

Thank you so much for any advice!

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u/GoForBaskets — 2 months ago

Bonjour!

I'm travelling to France next week and I was thinking it might be nice to look around for horns to bring back as a souvenir. I'll be in Paris and Brittany. Do you have any music stores, or flea markets, or any usual suspects to suggest where I might find a playable horn?

Thanks!

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u/GoForBaskets — 2 months ago