Club LD by night, mobile DJ on weekends. These are not the same job
I'm the in-house lighting designer at a 600-cap club in Phoenix Tuesday-Saturday, 9pm to 3am. Sunday-Monday I do mobile DJ gigs, mostly weddings and the occasional corporate. Both pay rent. Neither uses the same gear philosophy and the venn diagram is way smaller than I expected when I started doing both.
A few things that don't carry over:
- Install vs portable. At the club we have 16x Chauvet Maverick MK2 Spot + 8x GLP impression X4 hung on permanent truss. The Mavericks alone run about $5,000 each. There is exactly zero version of "I'll throw this in the CR-V Saturday morning" that involves a Maverick.
- Cue density. Club night I'm running 90 cues over a 4-hour set, each one timed to the resident DJ's transitions. Wedding I'm running 4 cues (ceremony / dinner / dance / first-dance dim). Different brain mode.
- Cost of failure. Club: a fixture craps out, swap it next morning, move on. Wedding: a fixture craps out during processional, the bride remembers it forever. So the gear has to be more reliable per dollar, not necessarily nicer.
- What it has to look like in photos. Club LDs design for "feels good in the room." Mobile DJs design for "looks good on the wedding videographer's 4K." Different aesthetic. Saturated club gels look brown on camera.
Anyone else doing both? Curious how you reconcile gear budgets. I keep trying to bring club aesthetics to mobile and it doesn't work.