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"I loved playing Lily Bloom. She's beauty. She's grace. She's Miss United States."

"I'll give you my location. My Only Fans. My Capital One log in."

Blake Lively's Interview for It Ends With Us: Part 1

A terrorist, bully, liar, manipulator, extortionist. Unsavvy, amateur, unreasonable, unhirable. Epic level stupid.

Her and her sociopathic arsonist husband.

1: Texts between Ryan Reynolds and Warren Zavala
2-3: Texts between Ange Giannetti and Sanford Panitch
4-5: Texts between Ange Giannetti and Sanford Panitch
6: Email between Tom Rothman and Tahra Grant
7: Texts between Josh Greenstein and Tahra Grant
8: Email between Tom Rothman and Tony Vinciquerra
9: Texts between Ange Giannetti and Sanford Panitch
10: Wayfarer’s First Amended Complaint
11: Wayfarer’s Timeline of Relevant Events
12-14: Ange Giannetti’s Deposition
15-16: News Nation Article: ‘No one wants to work with Blake Lively right now’

A terrorist, bully, liar, manipulator, extortionist. Unsavvy, amateur, unreasonable, unhirable. Epic level stupid.

Her and her sociopathic arsonist husband.

1: Texts between Ryan Reynolds and Warren Zavala
2-3: Texts between Ange Giannetti and Sanford Panitch
4-5: Texts between Ange Giannetti and Sanford Panitch
6: Email between Tom Rothman and Tahra Grant
7: Texts between Josh Greenstein and Tahra Grant
8: Email between Tom Rothman and Tony Vinciquerra
9: Texts between Ange Giannetti and Sanford Panitch
10: Wayfarer’s First Amended Complaint
11: Wayfarer’s Timeline of Relevant Events
12-14: Ange Giannetti’s Deposition
15-16: News Nation Article: ‘No one wants to work with Blake Lively right now’

Quotes:

Irene de Bari (actress from Jane the Virgin):

"I worked with Justin in Jane the Virgin and he was just the perfect gentleman. Extremely considerate and a very generous actor. Very respectful, I cannot imagine him ever behaving in an improper manner with a woman as one of the talks we had was exactly on the subject of always being mindful of women's sensibilities, especially in our industry."

Tia Streaty (actress from Jane the Virgin):

"I worked with him on Jane the Virgin. Had a kissing scene with him. When I tell you, he was the MOST respectful, down to earth actor I've worked with. He talked about his wife, made me extra comfortable, and was overall an amazing human being. This is just my story. Not to say any of this is true or untrue. But this is just my personal account of working with him. ❤️"

Jacquelyn London (editor from It Ends with Us):

"I’ve worked with Justin for many years and he actually brought me on for this project as well. He wanted to bring me on as another female editor, one that he knows has a history relating to the subject matter, that could help with some of those crucial scenes. This is absurd. It’s disgusting... This is not who Justin is whatsoever. I’ve worked on multiple projects with him, I’ve met his family. I can assure you none of this is true. This is the first time I’m actually commenting on any of this because this is insane and I just feel horrible for his family and for his kids."

Talia Spencer (storyboard artist from It Ends with Us):

"He was one of the few directors I've worked for that was very kind and respectful."

"In my opinion, I find it very hard to believe the allegations against him and considering his mission statement about the film, and him genuinely pitching that he was doing this film to help young women, I just find it hard to believe the allegations, to be honest."

"I would say I felt more comfortable being around Justin than a lot of film directors in my experience."

"I feel like maybe Blake smelled his kindness, mistook it for weakness, and tried to take advantage and take power."

"I think there was a massive compromise in terms of Justin's original version for the film."

Articles:

https://www.cbr.com/justin-baldoni-support-jane-the-virgin-guest-star-former-editor/

https://www.cbr.com/it-ends-with-us-crew-member-blake-lively-justin-baldoni-kindness-weakness/

Related Posts:

Every Woman who has come forward to support Justin Baldoni

Women who publicly spoke out in support of Justin Baldoni

Quotes:

Irene de Bari (actress from Jane the Virgin):

"I worked with Justin in Jane the Virgin and he was just the perfect gentleman. Extremely considerate and a very generous actor. Very respectful, I cannot imagine him ever behaving in an improper manner with a woman as one of the talks we had was exactly on the subject of always being mindful of women's sensibilities, especially in our industry."

Tia Streaty (actress from Jane the Virgin):

"I worked with him on Jane the Virgin. Had a kissing scene with him. When I tell you, he was the MOST respectful, down to earth actor I've worked with. He talked about his wife, made me extra comfortable, and was overall an amazing human being. This is just my story. Not to say any of this is true or untrue. But this is just my personal account of working with him. ❤️"

Jacquelyn London (editor from It Ends with Us):

"I’ve worked with Justin for many years and he actually brought me on for this project as well. He wanted to bring me on as another female editor, one that he knows has a history relating to the subject matter, that could help with some of those crucial scenes. This is absurd. It’s disgusting... This is not who Justin is whatsoever. I’ve worked on multiple projects with him, I’ve met his family. I can assure you none of this is true. This is the first time I’m actually commenting on any of this because this is insane and I just feel horrible for his family and for his kids."

Talia Spencer (storyboard artist from It Ends with Us):

"He was one of the few directors I've worked for that was very kind and respectful."

"In my opinion, I find it very hard to believe the allegations against him and considering his mission statement about the film, and him genuinely pitching that he was doing this film to help young women, I just find it hard to believe the allegations, to be honest."

"I would say I felt more comfortable being around Justin than a lot of film directors in my experience."

"I feel like maybe Blake smelled his kindness, mistook it for weakness, and tried to take advantage and take power."

"I think there was a massive compromise in terms of Justin's original version for the film."

Articles:

https://www.cbr.com/justin-baldoni-support-jane-the-virgin-guest-star-former-editor/

https://www.cbr.com/it-ends-with-us-crew-member-blake-lively-justin-baldoni-kindness-weakness/

Related Posts:

Every Woman who has come forward to support Justin Baldoni

Women who publicly spoke out in support of Justin Baldoni

Note: I made two versions of this post for the two subs since there were too many examples of Jacquelyn's work to fit into one gallery. The other post has different screencaps if anyone wants to check out more of her work.

After Jacquelyn London mentioned in her interview with Andy Signore at Popcorned Planet that she'd edited for Taylor Swift, I looked up her website and found the many projects she's worked on, including dozens of music videos, commercials, films, and more. Thought I'd highlight some of her work here.

Justin Baldoni specifically sought out Jacquelyn to edit It Ends With Us's climactic DV montage because he loved her editing style. Jacquelyn is also a DV survivor, bringing both her professional experience as an editor and her lived experience to one of the film's most important sequences.

Jacquelyn's montage received a standing ovation from the editorial team. Meanwhile, released court filings showed that her cut was removed during the competing edit, with text messages showing Blake Lively (Ryan Reynolds) refused to restore it.

Considering Blake and Ryan spent months smearing Justin and accusing him of being a "fauxminist" while rewriting and re-editing over the female voices Justin intentionally brought onto the film—including a DV survivor's edit of the film's climactic DV montage—I thought Jacquelyn's body of work deserved its own post.

Related Post:

According to Popcorned Planet, Wayfarer hired an editor who was a DV survivor to work on the DV scenes on IEWU and Ryan cut her edit of a DV scene with flashbacks

Note: I made two versions of this post for the two subs since there were too many examples of Jacquelyn's work to fit into one gallery. The other post has different screencaps if anyone wants to check out more of her work.

After Jacquelyn London mentioned in her interview with Andy Signore at Popcorned Planet that she'd edited for Taylor Swift, I looked up her website and found the many projects she's worked on, including dozens of music videos, commercials, films, and more. Thought I'd highlight some of her work here.

Justin Baldoni specifically sought out Jacquelyn to edit It Ends With Us's climactic DV montage because he loved her editing style. Jacquelyn is also a DV survivor, bringing both her professional experience as an editor and her lived experience to one of the film's most important sequences.

Jacquelyn's montage received a standing ovation from the editorial team. Meanwhile, released court filings showed that her cut was removed during the competing edit, with text messages showing Blake Lively (Ryan Reynolds) refused to restore it.

Considering Blake and Ryan spent months smearing Justin and accusing him of being a "fauxminist" while rewriting and re-editing over the female voices Justin intentionally brought onto the film—including a DV survivor's edit of the film's climactic DV montage—I thought Jacquelyn's body of work deserved its own post.

Related Post:

According to Popcorned Planet, Wayfarer hired an editor who was a DV survivor to work on the DV scenes on IEWU and Ryan cut her edit of a DV scene with flashbacks

I wanted to share one of Lauren Neidigh's tribute videos, where she brought together survivors' voices and stories to express their support for Justin Baldoni and explain why his situation resonated with them.

I've been listening to the song featured in this video again lately, which is what brought me back to this tribute. The cover was performed by Kylah Davis, the daughter of one of Lauren's viewers. Her voice and this song have really stayed with me, and I also wanted to share her channel because she has other beautiful covers worth listening to.

Original tribute video: Victims Throw Down Wave of Support for Justin Baldoni

Full performance: TRAUMA Cover (the 2020 anthem)

Kylah Davis's YouTube channel: Kylah Davis

There's also the added irony that while “focus group” has been repeatedly used as a punchline by Ryan Reynolds and Blake Lively, the documented test results for It Ends With Us showed Justin Baldoni’s cut consistently scoring higher with test audiences, including the film’s target demographic.

There's also the added irony that while “focus group” has been repeatedly used as a punchline by Ryan Reynolds and Blake Lively, the documented test results for It Ends With Us showed Justin Baldoni’s cut consistently scoring higher with test audiences, including the film’s target demographic.

Forcing their own 7-year-old daughter to repeatedly say sexually explicit and vulgar lines 70-500 times is fine, but Justin mentioning he was circumcised during a discussion about circumcision is labeled as "shocking" and "disturbing". Okay, Dickpool and Lady Dickpool.

Related Posts:

Blake Lively and Ryan Reynolds Insert Crude “Husk Fuck” Into Domestic Violence Film

Blake Lively Can Say "Sexy," "Yummy," "Ball Busting," "Never with Teeth," "Suppository," "Prostitute," and "Husk Fuck," but Justin Baldoni Calling Her Character's Wardrobe "Sexy" Is Somehow Sexual Harassment?

Blake Lively Putting Justin Baldoni in Yet Another Impossible Double Bind

Forcing their own 7-year-old daughter to repeatedly say sexually explicit and vulgar lines 70-500 times is fine, but Justin mentioning he was circumcised during a discussion about circumcision is labeled as "shocking" and "disturbing". Okay, Dickpool and Lady Dickpool.

Related Posts:

Blake Lively and Ryan Reynolds Insert Crude “Husk Fuck” Into Domestic Violence Film

Blake Lively Can Say "Sexy," "Yummy," "Ball Busting," "Never with Teeth," "Suppository," "Prostitute," and "Husk Fuck," but Justin Baldoni Calling Her Character's Wardrobe "Sexy" Is Somehow Sexual Harassment?

Blake Lively Putting Justin Baldoni in Yet Another Impossible Double Bind

Yesss, queen! Saw a glimpse of that fight energy yesterday, all while showing incredible grace and restraint. I fucking love Emily Baldoni! ❤️

https://storage.courtlistener.com/recap/gov.uscourts.nysd.634304/gov.uscourts.nysd.634304.1043.9.pdf

After watching the video Justin and Emily shared, I was reminded of this beautiful moment from the It Ends With Us premiere, and it felt particularly meaningful and timely to share it.

One thing Justin said really touched me: “There were so many of you who — when we didn’t have a voice — were our voice.”

That sentiment felt especially powerful and moving because Justin has spent so many years using his own voice, platform, privilege, and resources to advocate for others, amplifying marginalized voices, uplifting communities, and making space for people’s stories and experiences to be heard.

So seeing how moved he and Emily were by the support, love, and discernment they received from so many people across platforms, communities, and geographies was truly heartwarming. Someone who has spent so much of his life showing up for others got to feel what it means to have others show up for him.

-----

A little context for this video: this is Gabbie, who Justin invited, along with her husband Frank, to the It Ends With Us premiere. Gabbie shared this video on her TikTok with the following caption about what this experience meant to her: 

"This moment captured changed my life..

Why did I choose Justin Baldoni to meet on my bucket list? 🤔

He's inspired me to keep fighting he's pushed me within his films to not give up on myself.. meeting him, his beautiful wife Emily and his family. So real so kind so genuine they were so human ❤️

Justin's team took amazing care of Frank and i ❤️

Last night this moment was everything this night was to only celebrate Justin and his new movie It Ends With Us & instead he took a moment to celebrate me & my husband singing one of my favorite songs by Andy Grammer his best friend! Justin held my hand sang the song to me & at that moment this past year and half of fighting was worth it

hope when you see my story you see God works, don't ever give up on yourself no matter the circumstances..

to everyone who supports me i love you and thank you..

i hope y'all get the chance to watch It Ends With Us its a beautiful meaningful movie that truly will impact those battling with domestic abuse.. #itendswithus"

In her latest filing seeking an absurd $8,035,040.88 in attorneys' fees and costs over a single claim, Blake Lively once again accuses Wayfarer of evidence spoliation. Although as we’ve all repeatedly seen by now, every accusation from a narcissist is a confession.

With that in mind, I decided to compile the text message threads that show only one side of the conversation since Josh “Wormtail” Greenstein's messages just happen to be missing deleted. 

While gathering them, I also noticed a pattern:

Conversation	Date Range	Status
JG ↔ BL	April-July 2024	Both sides intact
JG ↔ RR	May 2024	Both sides intact
JG ↔ CH	May-Dec 2024	Both sides intact
JG ↔ Sony	April-Sept 2024	JG’s messages missing; only the other side remains
JG ↔ Sony	Dec 2024	All sides intact

For clarity: JG = Josh Greenstein, BL = Blake Lively, RR = Ryan Reynolds, CH = Colleen Hoover

For context:

• The Josh Greenstein/Sony-related threads occurred while Josh Greenstein was still at Sony. He did not leave Sony until July 2025
• Blake Lively began preparing for, or at minimum considering, litigation against Justin Baldoni in August–September 2024 (with the Vanzan Sham lawsuit filed on September 27, 2024)
• Additional comparison: Sony executive threads that did not include Josh Greenstein (including Sanford Panitch ↔ Ange Giannetti threads from August 2023–August 2024) also appear intact

What stands out is that Josh Greenstein’s missing messages do not appear across all conversations—they appear concentrated in a specific set of threads and timeframe. Not suspicious at all.

-----

1: Texts between Josh Greenstein and Ange Giannetti
2-3: Texts between Josh Greenstein and Ange Giannetti
4: Texts between Josh Greenstein and Ange Giannetti
5: Texts between Josh Greenstein and Jason Groff
6-7: Texts between Josh Greenstein and Lousie
8: Texts between Josh Greenstein and Tahra Grant
9: Texts between Josh Greenstein and Ange Giannetti
10: Texts between Josh Greenstein, Ange Giannetti, Tahra Grant, and Tom Rothman

-----

Related Posts:

Josh “Scabbers” Greenstein: The Peter Pettigrew of It Ends With Us 🐀

Josh Greenstein acknowledges he chose to IGNORE Jamey Heath’s email raising DV criticism

Josh Greenstein slips up in deposition and admits Blake Lively made demands

In her latest filing seeking an absurd $8,035,040.88 in attorneys' fees and costs over a single claim, Blake Lively once again accuses Wayfarer of evidence spoliation. Although as we’ve all repeatedly seen by now, every accusation from a narcissist is a confession.

With that in mind, I decided to compile the text message threads that show only one side of the conversation since Josh “Wormtail” Greenstein's messages just happen to be missing deleted. 

While gathering them, I also noticed a pattern:

Conversation	Date Range	Status
JG ↔ BL	April-July 2024	Both sides intact
JG ↔ RR	May 2024	Both sides intact
JG ↔ CH	May-Dec 2024	Both sides intact
JG ↔ Sony	April-Sept 2024	JG’s messages missing; only the other side remains
JG ↔ Sony	Dec 2024	All sides intact

For clarity: JG = Josh Greenstein, BL = Blake Lively, RR = Ryan Reynolds, CH = Colleen Hoover

For context:

• The Josh Greenstein/Sony-related threads occurred while Josh Greenstein was still at Sony. He did not leave Sony until July 2025
• Blake Lively began preparing for, or at minimum considering, litigation against Justin Baldoni in August–September 2024 (with the Vanzan Sham lawsuit filed on September 27, 2024)
• Additional comparison: Sony executive threads that did not include Josh Greenstein (including Sanford Panitch ↔ Ange Giannetti threads from August 2023–August 2024) also appear intact

What stands out is that Josh Greenstein’s missing messages do not appear across all conversations—they appear concentrated in a specific set of threads and timeframe. Not suspicious at all.

-----

1: Texts between Josh Greenstein and Ange Giannetti
2-3: Texts between Josh Greenstein and Ange Giannetti
4: Texts between Josh Greenstein and Ange Giannetti
5: Texts between Josh Greenstein and Jason Groff
6-7: Texts between Josh Greenstein and Lousie
8: Texts between Josh Greenstein and Tahra Grant
9: Texts between Josh Greenstein and Ange Giannetti
10: Texts between Josh Greenstein, Ange Giannetti, Tahra Grant, and Tom Rothman

Liz Plank: "How can we use the downfall of the 'girlboss' to build stronger feminist coalition with more class and race solidarity?"

Also Liz Plank: Champions and aligns herself with a racist, misogynistic, white, wealthy, narcissistic toxic girlboss

Liz Plank criticizes white, corporate, girlboss feminism in theory while backing people who operate through the same dynamics in practice. The irony—and hypocrisy—is hard to ignore. She critiques these power structures in the abstract, yet seems to reinforce them through both her own conduct and her support of figures who exploit and weaponize those same hierarchies as tools for personal power and control.

Take her alliance with Blake Lively. The past year has repeatedly shown, through voluminous court filings and released communications, that Blake Lively used her leverage and celebrity power (along with Ryan Reynold’s) to take over a film, push Justin Baldoni out of postproduction, turn the cast against him, exclude him from promo, relegate him to the basement, run her own tone-deaf marketing campaign, and ultimately fabricate sexual harassment claims to shift blame for the public backlash away from her own mishandling of a serious DV story. 

That pattern also shows up in Liz Plank’s own content. Her “empowering” feminist experiment of touching men’s waists without their consent as a form of “gotcha” feminism reflects shallow, performative reversal politics. It flips the power dynamic rather than questioning the structures that make unequal treatment or boundary violations acceptable in the first place. It doesn’t invite meaningful engagement or discussion from those subjected to it; instead, it reproduces the same dynamics of domination, humiliation, and entitlement without actually addressing them. 

Theoretically discussing oppressive power structures means little if your actions reinforce the same dynamics of power that perpetuate them. Critiquing girlboss feminism while enacting it only rebrands the same dynamics of power rather than challenging them. It reduces feminism into an identity and aesthetic, repackaging the same hierarchy rather than dismantling it. 

Related Posts:

All this talk of liz plank reminds me . She is not my brand of feminism.

Blake Lively’s brand of Feminism she expected from Justin Baldoni during IEWU: #RulesForTheeButNotForMe

The Undeniable Sexism of the Sisterhood: Appropriating "Feminism" as a Dog Whistle for Bigotry

White Feminism Explained: White Women Patriarchists Protect Power | Blake Lively & Taylor Swift

Liz Plank: "How can we use the downfall of the 'girlboss' to build stronger feminist coalition with more class and race solidarity?"

Also Liz Plank: Champions and aligns herself with a racist, misogynistic, white, wealthy, narcissistic toxic girlboss

Liz Plank criticizes white, corporate, girlboss feminism in theory while backing people who operate through the same dynamics in practice. The irony—and hypocrisy—is hard to ignore. She critiques these power structures in the abstract, yet seems to reinforce them through both her own conduct and her support of figures who exploit and weaponize those same hierarchies as tools for personal power and control.

Take her alliance with Blake Lively. The past year has repeatedly shown, through voluminous court filings and released communications, that Blake Lively used her leverage and celebrity power (along with Ryan Reynold’s) to take over a film, push Justin Baldoni out of postproduction, turn the cast against him, exclude him from promo, relegate him to the basement, run her own tone-deaf marketing campaign, and ultimately fabricate sexual harassment claims to shift blame for the public backlash away from her own mishandling of a serious DV story. 

That pattern also shows up in Liz Plank’s own content. Her “empowering” feminist experiment of touching men’s waists without their consent as a form of “gotcha” feminism reflects shallow, performative reversal politics. It flips the power dynamic rather than questioning the structures that make unequal treatment or boundary violations acceptable in the first place. It doesn’t invite meaningful engagement or discussion from those subjected to it; instead, it reproduces the same dynamics of domination, humiliation, and entitlement without actually addressing them. 

Theoretically discussing oppressive power structures means little if your actions reinforce the same dynamics of power that perpetuate them. Critiquing girlboss feminism while enacting it only rebrands the same dynamics of power rather than challenging them. It reduces feminism into an identity and aesthetic, repackaging the same hierarchy rather than dismantling it. 

Related Posts:

All this talk of liz plank reminds me . She is not my brand of feminism.

Blake Lively’s brand of Feminism she expected from Justin Baldoni during IEWU: #RulesForTheeButNotForMe

The Undeniable Sexism of the Sisterhood: Appropriating "Feminism" as a Dog Whistle for Bigotry

White Feminism Explained: White Women Patriarchists Protect Power | Blake Lively & Taylor Swift

Disclaimer: There are likely additional billing entries related to these filings hidden among the more generic descriptions. These are just the ones I've identified so far based on their dates and descriptions, which seem to correspond with filings from around the same time.

1-6: Invoices

7: Blake's Amended R&O

8: Wayfarer's Motion to Compel

9: Blake's Opposition

10: Order on Motion to Compel

11: Blake's Letter Request for Clarification Re: Order

12: Memo Re: Order