u/Majestic_Analysis_68

Zuko and the girls

Zuko and the girls

There's a german saying that goes like this:

"Shared suffering is half the suffering, but shared joy is double the joy."

I recently noticed a pattern in season 2, where Zuko's transformation from a self-centered, close minded brute to a more open minded and empathetic person takes place.
His interactions with girls his own age, as short lived and insignificant to the overall plot as they may be, serve to beautifully highlight where he stands in this process.

The first one is Song, the girl who shows him the burn scar on her leg. Zuko reacts confused, like he doesn't even understand what she's trying to do (share her suffering to emphasize with him). At this point a scar, or vulnerability of any sort is nothing but a sign of weakness to him.

https://preview.redd.it/609k7wjsryih1.png?width=240&format=png&auto=webp&s=30730a7e1a9a0b3edc1fc4499355d9a3f3f22613

https://preview.redd.it/kkwzxh3pryih1.png?width=250&format=png&auto=webp&s=72fc2b91418d6ae502a2382ddc9d0343616ec3e9

The second is his date with Jin. He's not really into it and only goes to please his uncle, but by the end finds himself caring enough about her to light the candles to make her happy. I believe this is the first time we see Zuko perform a random act of kindness for somebody and it's beautiful to see him share into her happiness.

https://preview.redd.it/stz3x6o7syih1.png?width=250&format=png&auto=webp&s=02ccc9155fbe61abc4971ede8bb4749979db3644

https://preview.redd.it/1cpejbvgsyih1.png?width=250&format=png&auto=webp&s=2b0dde250414595fe523083ed7fcc1688d46e700

The third is, of course, his encounter with Katara in the crystal catacombs. After Katara shares her grief over the loss of her mother, he - unlike with Song - opens up and shares his own suffering with her. And in an instant they forge a connection that transcends 100 years of war and prejudice.

https://preview.redd.it/canvi6pu0zih1.png?width=200&format=png&auto=webp&s=374382efb1dbe890a6b2a43317bc0aec828c6870

https://preview.redd.it/igofdlevsyih1.png?width=250&format=png&auto=webp&s=07939e599b54224b3b75fbe286f8dc0a5175546b

The encounters with these girls are not just random little side notes in Zuko's story . They are showing us who he truly is and who he needs to become.

And then there's Mai.

It's important to point out that all the girls Zuko interacted with before were of a very similar type - humble background, traumatized by war, yet retained a hopeful and caring attitude.
Mai is the polar opposite of that. She's very privileged, yet jaded and egotistical. She represents the very Fire Nation elitism that Zuko is supposed to reject.

While being with the first type of girl supports his character arc by bringing out the empathetic side of him, Mai makes him regress right back to his old ways.

And I refuse to believe the writers just didn't notice that. I think Maiko was written to be dysfunctional on purpose to highlight how little Zuko fit in his home anymore and how bad of a decision it was to come back.

The pattern of Zuko and the girls in season 2 was pointing into a very different direction. One that was actually coherent with his overall arc. One that might have been leading him towards his, dare I say.... true romantic destiny.

https://preview.redd.it/3ulyo3c00zih1.png?width=250&format=png&auto=webp&s=9a16717c1224675e838bd227ceafb9fc583362b1

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u/Majestic_Analysis_68 — 7 days ago

Bryke and limitations in storytelling

So I watched the new Avatar Aang movie and wanted to share one thought in particular: a big reason Bryke's storytelling sucks is because they simply don't respect the limitations set by previously established canon.

What makes writing fanfiction for this show so much fun is that the rich and complex world they created, coming with tons of lore and character background provides endless potential for storytelling. Hundreds of plotlines you can just pick up and run with.

On the other hand, it also comes with limitations. You can't just write whatever you want, reinvent characters and strip them of their personality or ignore previously established facts about the world they operate in.

For example:
Say I, as a Zutara shipper, wanted to write a fic where they get together at the end of the show. I couldn't just give them a happliy-ever-after right away, because their relationship would come at the heels of 100 years of warfare between their countries and go up against all the prejudice and grievances from that era. I would have to accept that it would be very difficult for them to be together in the first place, let alone making it work long term.

Now here's an example from this new movie where Bryke have failed to work within the limitations of their own writing:
To be lore-consistant with LoK - which it supposedly is - Katara and Aang would have to have Bumi at that point or Katara would have to at least be pregnant with him. Bryke have actually revealed that they initially planned for Katara to be pregnant, but didn't go through with it (I didn't bother to look up their reasoning lol). A pregnant Katara would've actually made the story a lot more interesting in terms of character growth and her relationship with Aang, especially since the emotional hook of the movie is Aang's anxiety over being the last airbender.
But it would also put severe limitations on what she could do in terms of fighting or badass waterbending moves like splitting the ocean.
(plus, at one point the bad guy just straight up kills them all, but it's so weirdly forgettable I don't think it factored in as much as people think)

In the end, Bryke simply didn't want to tell a story about characters, their relationship dynamics etc. They wanted to make a boy movie where Aang calls up his friends and goes on a cool adventure, beating up bad guys and making out with his girl at the end while everyone goes "Hooray for you!!"
And for that kind of story they needed Katara to be a badass fighter and add the blue to the team Avatar rainbow.

They forced this story onto the world and characters and ended up creating not only a huge elephant in the room, but what almost feels like cognitive dissonance in the characters. Aang goes on and on about missing his people and nobody understanding him. He jumps on the first chance to bring them back with some spirit Mcguffin, risking the lives of all his friends including Katara.
But bringing back his people the old fashioned way by having children with his loyal girlfriend of 13 YEARS just doesn't cross his mind? Nor anyone else's?

It's all so stupid.

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u/Majestic_Analysis_68 — 14 days ago