u/No_Control_3205

It's Devil's Minion week from August 16th- August 23rd, 2026. From their description on Tumblr: "#DMWEEK: we are a reoccurring fan week fest dedicated to the relationship between the vampire armand and daniel molloy from Anne Rice's The Vampire Chronicles."

From their description on the site that shall not be named: "It's an event where a few months in advance, the organisers post prompts for each day of a week, an people can make art/fics/edits etc for those prompts. then when the time has come (which is now), everyone can post their work and its basically a little dm fest :)"

Follow the tag along on both sites to see amazing art/fics and edits!

Sam Reid was a guest speaker alongside other industry professionals at the MEAA (Media Entertainment & Arts Alliance) Equity Graduate Day, in Sydney, Australia, for final-year performing arts graduates to gain career advice and networking experience!

Source On IG: withmeaa

Caption from Daniel Hart's IG:

The Witches' Place from The Vampire Lestat, Daniel Hart and Synchron Orchestra Vienna, featuring Damir Oraščanin

Composed by Yours Truly

Orchestrated by Kevin Kaska

Recorded March 9th 2026 @synchronstage

Conducted by @bernhardmelbyevoss

Violin solo by Damir Oraščanin

Engineered by @tristanlinton

ProTools Op @lukas_luetzow_music

Camera Op @martinpauser

Mixed by Danny Reisch @gooddannys

Mastered by Max Lorenzen @rareear

Footage lovingly assembled and edited by the wizard himself @alandelrio

The Vampire Lestat Score OST comes out August 21st, 2026.

I've said something to this effect before, but writing violin solos for Damir is a dream. It's a real display of mastery to get to the very top of the fingerboard on the E string and still have a full, rich, warm tone.

I was surprised by how this piece of music changed the scene for me when I watched it back for the first time. I've always considered music an important part of this kind of storytelling. But the way this musical performance really brings out Child Lestat's fear and horror at seeing women burned alive at the stake wasn't something I expected. I wasn't focused specifically on those moments when I wrote it, I was trying to think of the bigger picture of the whole scene. It still moves me when i listen to it now, and I still see the terror on that brilliant actor's face.

@hannahmoscovitch wrote an incredible finale to the season.

What a gift to be able to write this kind of music for a TV show.

Thanks for watching and listening.

From Ryan Kattner on IG Stories

From Ryan Kattner's IG Stories

Credits to Sarabeth Pollock here and here

Credits to Sarabeth Pollock here and here

Credits to Sarabeth Pollock here, here and here