Was the fire ordeal (agnipariksha) meant to be read literally by the original composers, or as symbolic/narrative device like Hanuman flying?
Do scholars generally read things like Hanuman flying or Rama’s divine weapons as narrative/mythic devices, even if it is believed there’s a historical part underneath the epic? And if so, is the agnipariksha also read as a literary device? What does that say about the patriarchal society back then?
Does that change how we should read Rama’s role in demanding it? Or is that a separate symbolism that might explain the culture/author’s assumptions about what counts as proof, but Rama (the character) still chooses to invoke it?
And what is the historical layer behind it? What did Rama actually do, if that part is read as symbolic?