u/RowanTree95

My band has our own IEM mixer/splitter rack. When I first put it together, I included a TB channel in case FoH wanted to connect to it. FoH never used it in the first year, so I reassigned the channel. Now I'm reconsidering.

For reference, we're playing local clubs in the 150-600 cap range. 600 cap usually means we're opening for a touring band.

Would you ever connect to the TB channel of a band's IEM mixer, or would you just talk through the wedges?

Hi all, my band just booked our first fly date and I'm wondering what would be an easy piano midi controller to request for backline. I want to put a couple options in the rider to make the backline provider's job as easy as possible. So far I've put Nord Stage & SL73 (my home keyboard). Any other easy adds?

My only requirements are:
Must have 73-88 weighted or hammer action keys
Must have Midi out via 5 pin DIN, not USB
Sustain pedal

I'll be flying with my synth which includes all my primary controls, my laptop running GigPerformer, and my 3U rack with all the other gubbins needed.

Most sound techs are slightly neurodivergent, and don't like surprises. Communicate clearly so that we can help you sound good without being stressed by last minute changes.

Here's a Facebook group where you can submit your stage plot for review, and get tips on improving it: https://www.facebook.com/groups/stageplotsandinputlists

Be warned, this group is powered by people on the internet. They have strong opinions, and are not always polite when sharing them. But they are very knowledgeable (for the most part) and they do give good advice (if occasionally conflicting advice). Just don't post on Sunday morning. Everyone is grumpy after Saturday night's rude band with an out-of-date plot 🤣

I'm currently redoing my gig pack, and I've reached the cable section. I've got the usual XLRs, powercons, patch cables, some heavier looms, ...and a couple consumer grade USB cables. Throwing them in with the heavier cables will eventually break them. My current best idea is to put them in a spare mic pouch and find a pocket for them in another bag, but I'm curious what others are doing to protect their more fragile cables? Are tour grade USB cables a thing? If so, are they worth it?

Obviously I'm packing spares of every cable I need, but I'd rather protect than replace.

I've currently got a Korg SV2 73 that I'm using as a midi controller. Needless to say, the built in tube doesn't do much to improve tone over midi 🤣. I'd like to sell it and buy something cheaper to replace it, and I'm looking for recommendations.

Here's my required feature list:
Midi out via 5 pin DIN, not just USB.
Weighted or hammer action.
Ideally 73-76 keys. I don't use all 88, and I like the compactness of 73.
Enough of a price difference that I can make a decent profit by selling my SV2.

I don't need any internal sounds, or any knobs or faders (I've got all those on my primary synth / midi controller). Just need a decent feeling keybed for piano parts.