
Eliot is said to have liked this novel best of all her work, and apart from the opening couple of chapters with their stilted faux-Renaissance dialogue I can see why.
It is probably the most tightly plotted of her novels and the character of Tito the sublest and deepest of all her villians. And it doesn't hurt that it's kind of anti-Pater on the Florentine Renaissance, that remarkable moment in the history of the species, no mind what anyone says.