Image 1 — " Bale Keenya " .... with evidence
Image 2 — " Bale Keenya " .... with evidence
Image 3 — " Bale Keenya " .... with evidence
Image 4 — " Bale Keenya " .... with evidence
Image 5 — " Bale Keenya " .... with evidence
Image 6 — " Bale Keenya " .... with evidence
Image 7 — " Bale Keenya " .... with evidence

" Bale Keenya " .... with evidence

#Bale

From what we know of early sources , the historic province of Bale / Bali had long been inhabited by animist ( pagan ) Sidamas from whom a small minority adopted islam closely before or during the rise of the Solomonic empire.

From then on it was governed by Muslim rulers as a sultanate by sultans who were appointed by the Negus . Throughout years of integration to the state , settling of Christian highland military ( Chewa ) and missionary activities , Bali had undergone a significant shift from it's fairly early and minimal Islamic adoption and it's largely animist past into the fierce Christian province actively resisting the Jihads of Ahmed Gragn centuries later.

Remnants of Amhara statecraft though now largely ignored / suppressed including churches and monasteries still remain as proof of its once glorious past . The picture I've shown * pic ( 1 ) * shows a European expedition to Arussi witnessing the rock hewn monastery of *** Abo Washa *** not far from Goba in Bale. The traveler notes the oral history of the locals attributes it to an earlier christian settlement . He indicated that the architecture mimiked the style of Egyptian monasteries and that it was unlikely that influence of Copts could have extended past modern day Sudan which leave room for the obvious hypothesis : Medival Abyssinians / Amharas . Today the monastery celebrates its feasts with ancient traditions practiced since its founding , * pic ( 6 ) & pic ( 7 ) *.

The main reason for this post , beyond the silly assertations and debates, is that I believe we should document and archive our heritages and encourage further research on them as the current political climate puts them at risk of destruction.

u/Separate-Lecture4108 — 13 days ago
▲ 16 r/Amhara

A Shift of Violence Back to Wollega

In response to the recent supposed debunk of a post explaining the situation of Amharas in Wollega.

There isn't a shortgage of content uploaded by both the genociders and victims that calls the need for posting fake content. This is the reality they live in today shared through a primary source(perpetrators) burning down a church or maybe a prayer house labeled by them as "House of Teklehaymanot" & "House of Fano".

The user who uploaded this video was a protestant Oromo and his account features videos of him indoctrinating little children for violence and another video of locals burning what seems to be civilian houses and their food supplies probably that of Amharas with a background protestant religious song in Oromignya chanting ***"God had brought the Day"***.

I've linked the TikTok account here if the videos aren't yet taken down feel free to scroll through his page without reporting:

https://vt.tiktok.com/ZSVkNVvEy/

u/Separate-Lecture4108 — 2 months ago
▲ 96 r/Amhara+2 crossposts

There were multiple speculations on how this song must be interpreted and the most famous theory was that it might be referencing the diaspora Ethiopians who work as housemaids in Arab homes. Some say that phrases in the song like "ብጠራት አትሰማ"(She won't respond when I call her) is a reference to how Ethiopian who travel to these Arab countries leave behind or change their names identities and throw their passports to avoid deportation.

But recently I've come across a new theory people are catching on that it might be referencing ancient Ethiopian/Eritrean settlers in Yemen who date to the Aksumite era.

After the conquest of King Kaleb of Aksum against Himyar in Yemen to protect the persecuted Christian minorities in Najran, the region was under Ethiopian control for about 40 years[Image-3] until the Persian army expelled the Axumite rulers[Image-2]. Oral history of one particular group of Afro-Yemenis date to this ancient settlement leftover when Aksumites ceded their rule.

The Muhabashin[Image-1], as they call themselves which translates to 'marginalized', are a black Yemeni community living in the coasts and spread across various cities in Yemen doing lower class jobs like handling garbage and cleaning streets. The native Yemeni name for them is Akhdam which means servant/slave which clearly shows the level of discrimination against them. They have restrictions on going to school, holding high positions, marrying with other tribes etc.. They are looked down upon and generally concentrated in the slums of the cities like Sana. Their livelihood can be likened to the life in the slums of Addis like Koshe.

In the song መሬማ(Merema) in his new album Etorika, Teddy is talking to a hypothetical member of this community, a woman named Merema.

The lyrics and their translation:-

ማዶ ባብል የመን //Across, in Bab El-Yemen//

፡በሰንዕ ከተማ //In the city of Sana(where majority of mentioned community lives)//

፡እንደ አፋር አፍሌታ ፡የጠየመው ፊቴን

፡ሌላው ቢቀር እንኳን ፡እይው ማንነቴን ፡ዞረሽ

//Turn around(ዞረሽ)(metaphoric for look into the past), and look at my face which is dark like the Afar cradle. At least turn and see my identity or who I am.//

In another line he says:-

ማዶ ባብል የመን ፡በሰንዕ ከተማ፡ ፡ባያት አምሳያዬን፡ ብጠራት አትሰማ

//Across in Bab El-Yemen, in the city of Sana, when I saw my አምሳያ/my kind/my look-alike when I called out to her she won't hear/respond(a reference to how they were cutoff from their ancient identity, language, history or education and are stigmatized and seen as lesser than)//

This other line further confirms that this song is for the Muhabashin in Yemen by making a clear distinction between Merema(a Muhabashin) and his "brothers and sisters" or Ethiopians working in the other Arab countries:-

ሊብናን ቤሩት ካታር፡ ባህሬን ሳውዲ ዱባይ፡ እንደሚያዝነው ልቤ፡ እህት ወንድሜን ሳይ፡ ባያት አምሳያዬን፡ ብጠራት አትሰማ፡ መሬማ

//Like my heart saddnes when I see my(Ethiopian) brothers and sisters in Lebanon, Beirut, Qatar, Bahrain, Saudi, Dubai; when I saw my kind(Merema in Yemen) when I called out to her she wouldn't respond. Merema.//

Another line mentioned the sorrows of the community(through Merema) in their commonly assigned jobs: Street cleaning:-

እያየሽው በትካዜ፡ የምትጠርጊው ጎዳናውን //Watching it with sorrow, you clean the streets(Merema)//

This song is a testament of Teddy's literary, artistic skills and activism. His works speak for themselves and I've got nothing else to add.

How did this make you feel? What did I miss?

https://youtu.be/jaBZ9xXM2gU?si=mVWpATae3lrG2he

u/Separate-Lecture4108 — 6 months ago