Some Reflections on a Particular Kind of Listening
I'd like to share a few thoughts.
I want to focus on psychoanalytic listening — not the kind we apply inside the consulting room (although I believe what I'm about to develop applies there too), but rather the analytic listening that allows for the generativity of what is new and creative in our profession.
In Studies on Hysteria, Freud is approached during an excursion by a young woman asking for help. When the young woman rejects the seduction hypothesis (which was Freud's theory on the etiology of hysteria), and given that he cannot hypnotize her in that setting, he asks her to say whatever comes to her mind. It is from that act of receiving what the patient chooses to bring — from that permeability — that he invents free association (so valued today as a means of accessing automatic mental processes). Melanie Klein does something similar when she uses children's toys and sets aside dreams and free association to access the inner world of children.
Culturally, something analogous happens with theory. The intersection of psychoanalysis with other disciplines brings creative elements: with Greek drama, with the works of Goethe, with the philosophy of Schopenhauer… We can see how these crossings have profoundly enriched our beloved discipline.
- Would you agree with my thesis?
- What current films or series do you think could help us enrich our psychoanalytic understanding of the human being — the way Oedipus Rex may have done in Freud's time?
- What interdisciplinary crossover do you consider most valuable in your clinical practice or in your own theoretical construction as an analyst?