Help figuring Wata's sound out
This is pretty much my attempt at a shot in the dark here to see if I can find any guitar/tone/music production nerds (I say this with love) who can certainly be more helpful than me and my last two braincells.
For the past few weeks I've been playing with a cheap Les Paul tuned to A#/Bb standard and a also cheap fuzz pedal that I've put in front of a cleanish Overdrive that I've set to be always on, that way I can get a clean sound from the neck pickup and a decent drive from the bridge, my amp completely clean, and to my ears, in my small bedroom it does make a decent if not amateurish and weird attempt at emulating sounds from stuff that really grabs my attention from some of my favourite tracks.
However, I've always been interested in grabbing a big muff for me for a long while as most of my favourite guitarists either used one or have referred to one.
To my (limited) knowledge Wata used an Elk Big Muff sustainer which is based on the Triangle Big Muff, with the main differences being the components of the pedal and not so much the tone of it itself, but there's seemingly 3 billion muffs out there and I sincerely doubt from the 100 variants that 99 of them sound vastly different from each other, so my main question here is whether or not should I get myself a reissue of the Triangle Muff or get another one like the NYC one with the big box or even the Tone Wicker (which from videos I've seen, does make some interesting noises with the boost), I also believe she pushes the fuzz with a Boss DS-1, but I'm not sure how she sets either pedal up, and although I believe she uses multiple amps at once, if anyone that bothers reading all this knows how she sets them up I would love to try some suggestions.
Short version, me dumb, want to know which pedal to get for Wata guitar tone and how to set my amp and pedals.
Many thanks for whoever answers!