u/arekyoga

Последняя песня Моники - Твоя Реальность

Текст:

Каждый день я мечтаю о жизни где мы с тобой вдвоём.

В руке перо, что напишет стих о нас с тобой.

Стекают чернила неспешно,

Взмахни рукой, он напишет к сердцу путь.

Но, в этом мире бесконечных решений,

Что сделать мне, чтоб настал тот самый день?

Что надо мне, чтоб настал тот самый день?

Смогла ли я занятия по душе вам всем подобрать?

Но когда ты здесь, всё, что делаем мы, становится веселей.

Я даже не могу понять свои чувства,

Зачем слова, коль улыбка скажет всё?

И если мир мне не напишет концовку,

Что надо мне, чтоб его заполучить?

Почему к тем, кто дорог, я не могу горечь заглушить?

Любовь - это быть с тобой, или любовью будет отпустить?

Стекают чернила неспешно, как мне любовь в реальность воплотить?

И коль сердцебиения твоего я не слышу,

Что любовью ты зовёшь в своей реальности?

И если не пойму, как любить в твоём мире,

Пущу тебя.

(Рис. 1)

Стилизованная под восточную эстетику, буква Л.

(Рис. 2-3)

Напрямую заимствованные буквы М и Н.

(Рис. 4)

Слово дня: Архангел.

А(2)+р(1) х(3) а(2)+н(1)+г(1) е(1)+л(1)

(Рис. 5)

Интерфейс на дзюцине

(Рис. 6)

Тот же интерфейс, но в каллиграфии (не удержался и сделал такую версию)

(Рис. 7)

Надпись "Реддит".

(Рис. 8)

Меме

Извиняюсь за поздний пост, пару дней болел!

С этого поста я решил объединить рубрики "Палеография и словообразование" и "Дзюцинь в действии!", дабы не спамить постами.

(Рис. 1)

Палеография буквы И - тут всё просто: Оквадратил красиво.

(Рис. 2)

Палеография буквы Й - ну, всё на фото.

(Рис. 3)

Палеография буквы К - отзеркаленная буква К из корейского алфавита.

(Рис. 4)

Словообразование "словарь". С(1)+л(1)+о(2) в(3) а(2)р(1) ь(3)

(Рис. 5-6)

Мемы

(Рис. 7)

Атри. Или дорогие моменты

(Рис. 8)

Секиро. Тени умирают дважды

(Рис. 9)

Прагмата

Решил написать текст от руки на бумаге на Дзюцине.

Дзюцинь во всей красе!

(p.1)

(Ё) O+one extra stroke=!!!yo!!!

(p.2)

(Ж) The image speaks for itself...

(p.3)

(З) The same way as Б(B) arisen (mirroring original - the "skeleton" of the letter)

(p.4)

Word of the day - Гарри Поттер (Harry Potter) from my last "Dziucin in action" episode.

Previous part: https://www.reddit.com/r/Dziucin/s/TfWLmP1uF0

(p.1)

Футбольный клуб "Бавария" Мюнхен (FC Bayern München)

(p.2)

Меме :)

(p.3)

Джоан Кэтлин Роулинг, "Гарри Поттер и Философский Камень" (J. K. Rowling, "Harry Potter and the Sorcerer's Stone")

Previous part/предыдущая часть: https://www.reddit.com/r/Dziucin/s/EtOEB983br

(p.1)

So it's just Russian Cyrillic letter "Г", nothing changed.

(p.2)

"Д" Inspired by Greek letter Delta and made it more "easternized".

(p.3)

I chose え for "Е" because it's literally [E] sound in Japanese. And it's nice looking, yea.

(p.4)

See the visualization of word formation

Previous part: https://www.reddit.com/r/Dziucin/comments/1t8n0po/paleography_and_word_formation_part_1/?utm_source=share&utm_medium=web3x&utm_name=web3xcss&utm_term=1&utm_content=share_button

Next part: https://www.reddit.com/r/Dziucin/s/VJGalX302m

Starting a new series here: Paleography and Word Formation in my writing system, Dziucin!

The idea is to take three letters from the alphabet and explain the history behind each one. I’ll also take one Russian word and transform it according to all the system's rules to demonstrate exactly how this script works!~

- - - - - - - - - - - - - - -

Начинаю новую рубрику здесь: Палеография и словообразование в моей системе письма Дзюцинь! Суть рубрики заключается в том, чтобы брать по три буквы из алфавита и объяснять историю её создания, а также я буду брать по одному слову из русского языка и трансформировать её по всем правилам системы, дабы наглядно показать устройство сего письма!~

(p.1)

Basically, my letter A is a rough outline of the "skeleton" of the Japanese kana あ.

Btw there's extra information: Stroke order and index (2) of the letter! So... That's all 😄

(p.2)

Well... how should I put it..

*takes Б* . *mirroring-mirroring*. *Smooth down the stubborn little strokey*. *Now straightening it *fuss fuss* *fuss fuss*. *cut-cut-cutting some strokes*... Tadaa!

(p.3)

So... No comments 😃

(p.4)

Whoah! Finally, word formation! For this time, I picked "РОССИЯ" word, it means RUSSIA in Russian. You can see how my block system works! Written in red is "Total index:".

Notice that the two letters 'C' share a single index, the letters are constructed into structures using the formulas from my first post, and total index of each block doesn't exceed 4.

Next part: https://www.reddit.com/r/Dziucin/comments/1t8n35x/paleography_and_word_formation_part_2/?utm_source=share&utm_medium=web3x&utm_name=web3xcss&utm_term=1&utm_content=share_button

I decided to show you how my writing system works in a live environment! Here are some different scenarios:

1. Google's slogan: "Делай только правильные вещи" ("Do the right thing")
2. Anime wallpaper/profile picture that says "А я тебя схлопаю" ("I will eat u") XD
3. Meme. Russian speakers, decipher it yourselves. I'm too embarrassed to do this on my own :,D

(Although, most likely, you'll just find the original somewhere)

Нуивот, красота-ляпота, согласитеся :))0)

- РУССКИЙ -

Я решил показать вам, как моя система письма выглядит в живой среде! Вот несколько разнообразных ситуаций:

1. Слоган Google: "Делай только правильные вещи"

2. Аниме обои/фото профиля. Текст: "А я тебя схлопаю"

3. Мем. Расшифровывать не стану, найдите где-нибудь или переведите сами 😄

Next part/следующая часть: https://www.reddit.com/r/Dziucin/s/ktRcjWJV9J

Text translated to English:

(p.1)
"Dziucin" - History

Greetings to everyone who is interested in this project and decided to take a look. Call me by my nickname nyuiwa - 17yo college student and an ordinary internet user.

I present to you the writing system "Dziucin"! This post is in a draft style because I want to sincerely convey the idea of the project and my love fot it to everyone who cares.

Initially, the concept of this so-called "cipher" was born about 5 years ago, it's around 2020-2021. The idea was to distort Russian text as much as possible so that it takes up minimum space. The first versions of the script were very different from what I have now, but I chose one principle and follow it throughout the project's development: building "blocks" of letters, similar to Korean Hangul.

Later, the previous idea was joined by my love for the aesthetic of Eastern languages. That's when the style of the letters began to lean toward Korean, Japanese, and Chinese radicals... And no, this is not because of anime, as many might think. In fact, I love studying languages - not just Eastern ones. And at that time, I was attracted by the idea of characters, vertical writing, and exotic square shapes in text. However, I think a large part of those reading this now are exactly those lovers of Japanese anime and manga. By the way, I don't even hope that at least 5 people will notice this, so I'm curious what kind of audience I will attract with my project :).

Whatever the case, today, the "Dziucin" project (which got its name right before I started creating that document) serves only an aesthetic purpose. I would be infinitely happy if someone, mentioning the nickname nyuiwa, would use this writing system to decorate their art, keep diaries, chat for fun, or use it for profile pictures and wallpapers... I have been polishing this system to perfection for a long time, filling hundreds of notebooks, enjoying every new version of the cipher, and secretly dreaming that it would be used by a wide audience.

Anyway, fantasies aside. Next — the "Dziucin" writing system!

(p.2)

First, I will, of course, start with the alphabet. I created some letters myself — for example, the letters О, В, А, Я, Ё, Ж. For some, I lowered the "sleeves"; others I made square, then flattened, etc. In short, there is an origin, yeah, no worries.
Other letters I borrowed from Korean: С, К, Н, Ы, Ю, Х, М, ...
And from Japanese: Е, Э, Д, П, Р, ...

The most (!) important thing about these letters is that each one has an INDEX, or "weight."
I assigned the indices based on how recognizable a particular letter remains in maximally distorted positions. A clear example: the small letter Ж will be recognizable whether it's at the top, at the edge, at the bottom right, or between other letters — the star shape is always recognizable. But the letter Б, which differs from the first one by only one additional stroke on top, will no longer be as recognizable, and it is not so easy to distort it in any way at all.

[The picture of Russian alphabet on the left]

[And there's small alphabet next to that on the left but with indices attached to letters]

Maximum total index of a single block = 4

Well, since we've touched on the topic of blocks, now let's talk about the blocks themselves in more detail.

(p.3)

And here are the blocks themselves [pic]. In the four quarters, you can observe the block structure depending on the number of letters in it. I think there is nothing to explain here.

It is worth noting the specifics of double letters.
Double graphemes are written in a single cell. They can be placed either on top of each other or side by side. The choice of their arrangement depends on what is more convenient for you.
Important: double letters do NOT equal double indices — the index remains the same as for a single letter. In this way, I continue to pursue the goal of saving space in the text.

(p.4)

STROKES

— This is another feature of my writing system! First and foremost, strokes were intended to allow the blocks containing them to avoid being separated by spaces. They are placed under the main block, distorting it and pushing it out. Yeah, for the sake of saving space, again.

We have 3 types of strokes: double, triple, and quadruple.

Here are their functions:

1. Quadruple stroke: the easiest symbol to use. It is placed under pronominal words that fit into a single block (я, ты, он, etc.).
2. Triple stroke: this stroke is placed under function words (prepositions: в, на, под, над, из, etc., conjuctions: и, или, а, но, что, если, etc., particles: не, ни, же, ли, etc.) that fit into a single block.
3. Double stroke: placed under the same words as the quadruple and triple strokes, but compound ones. That is, they are placed on the last block of a compound pronominal word or function word. Also used in adjectives (including short adj.), adverbs, ordinal numbers, and other characterizing words (simply put: words ending in -ый, -ая, -ое, -а, -о, etc.).

That is essentially all. I think if you use the Dziucin writing system, over time the strokes themselves will start to feel necessary in certain places. But, in truth, it’s not that simple: keeping track of all classifications, groups, and types of words. I say this partly due to my own imperfect mastery of the language. So yes, act on intuition!

(p.5)

On some specific features:

For example, it is worth highlighting the letter combination ТЬ, which, regardless of its position in a word, will always look like a Ь with a triple stroke. This was done because Т and Ь do not combine well on top of each other. Yes, just my whim.

The same applies to the particle "БЫ" — it is written in a single block with Б on top and Ы on the bottom. Despite the fact that Б is always a single letter due to its index, an exception applies in this case.

(p.6)

Oh, and also, I’d like to briefly talk about "hieroglyph mode" (call it what you want). It’s something like a "mode" that you can "turn on" to write a word. The essence is to completely discard all the previously described rules of indices, structures, and strokes, and write the word by fitting it entirely into one single block.

In such a word, only one rule applies: there must be a "roof" and a "foundation" for the hieroglyph. That is, the first and last letters should, like a burger, enclose all the letters in the middle from the top and the bottom. Sometimes, if you feel like it, you can place one letter to the left; in that case, the foundation is not mandatory.

"Hieroglyphs", just like blocks with strokes, are not separated by spaces.

Personally, I do this when a word happens to be separated from the main body of text by spaces. Of course, it’s difficult to cram a long word into one block, but you must admit — a "gap" in the form of a space won't hurt a long word, and might even decorate it :) (I’m allowing myself too much subjectivism, sorry; I’m just trying to inspire you to look at text from a different perspective).

Oh, and one more thing. Punctuation marks! Use whatever you like, but personally, I use Japanese teardrop commas, hollow dots, and L-shaped quotation marks. Aesthetics!

Next — examples of words, sentences, and texts written in the «Dziucin» writing system!

Всем привет! Я nyuiwa (u/arekyoga), модератор-основатель r/Dziucin.

Это наш новый дом для всего, что связано с Дзюцинь. Мы рады, что вы присоединились к нам!

Публикуйте все, что, по вашему мнению, может быть интересным, полезным или вдохновляющим для сообщества. Не стесняйтесь делиться своими мыслями, фотографиями или вопросами, касающимися данного проекта.

Мы стремимся распространить Дзюцинь, чтобы люди, слыша это слово, могли иметь хотя каплю представления о том, что стоит за ним. Давайте сделаем нашу систему письма популярной! Исполним моё, Нюйвы, скромное желание - увидеть, как народ использует Дзюцинь в своей повседневной жизни, в искусстве и просто для радости и души.

Спасибо, что стали участником. Давайте вместе сделаем r/Dziucin оплотом жизни системы письма!

(p.1)

So it's just Russian Cyrillic letter "Г", nothing changed.

(p.2)

Inspired by Greek letter Delta and made it more "easternized".

(p.3)

I chose え because it's literally [E] sound in Japanese. And it's nice looking, yea.

(p.4)

See the visualization of word formation

Starting a new series here: Paleography and Word Formation in my writing system, Dziucin!

The idea is to take three letters from the alphabet and explain the history behind each one. I’ll also take one Russian word and transform it according to all the system's rules to demonstrate exactly how this script works!~

- - - - - - - - - - - - - - -

Начинаю новую рубрику здесь: Палеография и словообразование в моей системе письма Дзюцинь! Суть рубрики заключается в том, чтобы брать по три буквы из алфавита и объяснять историю её создания, а также я буду брать по одному слову из русского языка и трансформировать её по всем правилам системы, дабы наглядно показать устройство сего письма!~

(p.1)

Basically, my letter A is a rough outline of the "skeleton" of the Japanese kana あ.

Btw there's extra information: Stroke order and index (2) of the letter! So... That's all :)

(p.2)

Well... how should I put it..

*takes Б* . *mirroring-mirroring*. *Smooth down the stubborn little strokey*. *Now straightening it *fuss fuss* *fuss fuss*. *cut-cut-cutting some strokes*... Tadaa!

(p.3)

So... No comments :D

(p.4)

Whoah! Finally, word formation! For this time, I picked "РОССИЯ" word, it means RUSSIA in Russian. You can see how my block system works! Written in red is "Total index:".

Notice that the two letters 'C' share a single index, the letters are constructed into structures using the formulas from my first post, and total index of each block doesn't exceed 4.

I think I’ll keep making posts in this format until I run out of letters!

Since I was pleasantly surprised to receive more than five upvotes on my post, I decided to show you how my writing system works in a live environment! Here are some different scenarios:

1. Google's slogan: "Делай только правильные вещи" ("Do the right thing")

2. Anime wallpaper/profile picture that says "А я тебя схлопаю" ("I will eat u") XD

3. Meme. Russian speakers, decipher it yourselves. I'm too embarrassed to do this on my own :,D

(Although, most likely, you'll just find the original somewhere)

Нуивот, красота-ляпота, согласитеся :))0)

Text translated to English:

(p.1)
"Dziucin" - History

Greetings to everyone who is interested in this project and decided to take a look. Call me by my nickname nyuiwa - 17yo college student and an ordinary internet user.

I present to you the writing system "Dziucin"! This post is in a draft style because I want to sincerely convey the idea of the project and my love fot it to everyone who cares.

Initially, the concept of this so-called "cipher" was born about 5 years ago, it's around 2020-2021. The idea was to distort Russian text as much as possible so that it takes up minimum space. The first versions of the script were very different from what I have now, but I chose one principle and follow it throughout the project's development: building "blocks" of letters, similar to Korean Hangul.

Later, the previous idea was joined by my love for the aesthetic of Eastern languages. That's when the style of the letters began to lean toward Korean, Japanese, and Chinese radicals... And no, this is not because of anime, as many might think. In fact, I love studying languages - not just Eastern ones. And at that time, I was attracted by the idea of characters, vertical writing, and exotic square shapes in text. However, I think a large part of those reading this now are exactly those lovers of Japanese anime and manga. By the way, I don't even hope that at least 5 people will notice this, so I'm curious what kind of audience I will attract with my project :).

Whatever the case, today, the "Dziucin" project (which got its name right before I started creating that document) serves only an aesthetic purpose. I would be infinitely happy if someone, mentioning the nickname nyuiwa, would use this writing system to decorate their art, keep diaries, chat for fun, or use it for profile pictures and wallpapers... I have been polishing this system to perfection for a long time, filling hundreds of notebooks, enjoying every new version of the cipher, and secretly dreaming that it would be used by a wide audience.

Anyway, fantasies aside. Next — the "Dziucin" writing system!

(p.2)

First, I will, of course, start with the alphabet. I created some letters myself — for example, the letters О, В, А, Я, Ё, Ж. For some, I lowered the "sleeves"; others I made square, then flattened, etc. In short, there is an origin, yeah, no worries.
Other letters I borrowed from Korean: С, К, Н, Ы, Ю, Х, М, ...
And from Japanese: Е, Э, Д, П, Р, ...

The most (!) important thing about these letters is that each one has an INDEX, or "weight."
I assigned the indices based on how recognizable a particular letter remains in maximally distorted positions. A clear example: the small letter Ж will be recognizable whether it's at the top, at the edge, at the bottom right, or between other letters — the star shape is always recognizable. But the letter Б, which differs from the first one by only one additional stroke on top, will no longer be as recognizable, and it is not so easy to distort it in any way at all.

[The picture of Russian alphabet on the left]

[And there's small alphabet next to that on the left but with indices attached to letters]

Maximum total index of a single block = 4

Well, since we've touched on the topic of blocks, now let's talk about the blocks themselves in more detail.

(p.3)

And here are the blocks themselves [pic]. In the four quarters, you can observe the block structure depending on the number of letters in it. I think there is nothing to explain here.

It is worth noting the specifics of double letters.
Double graphemes are written in a single cell. They can be placed either on top of each other or side by side. The choice of their arrangement depends on what is more convenient for you.
Important: double letters do NOT equal double indices — the index remains the same as for a single letter. In this way, I continue to pursue the goal of saving space in the text.

(p.4)

STROKES

— This is another feature of my writing system! First and foremost, strokes were intended to allow the blocks containing them to avoid being separated by spaces. They are placed under the main block, distorting it and pushing it out. Yeah, for the sake of saving space, again.

We have 3 types of strokes: double, triple, and quadruple.

Here are their functions:

1. Quadruple stroke: the easiest symbol to use. It is placed under pronominal words that fit into a single block (я, ты, он, etc.).
2. Triple stroke: this stroke is placed under function words (prepositions: в, на, под, над, из, etc., conjuctions: и, или, а, но, что, если, etc., particles: не, ни, же, ли, etc.) that fit into a single block.
3. Double stroke: placed under the same words as the quadruple and triple strokes, but compound ones. That is, they are placed on the last block of a compound pronominal word or function word. Also used in adjectives (including short adj.), adverbs, ordinal numbers, and other characterizing words (simply put: words ending in -ый, -ая, -ое, -а, -о, etc.).

That is essentially all. I think if you use the Dziucin writing system, over time the strokes themselves will start to feel necessary in certain places. But, in truth, it’s not that simple: keeping track of all classifications, groups, and types of words. I say this partly due to my own imperfect mastery of the language. So yes, act on intuition!

(p.5)

On some specific features:

For example, it is worth highlighting the letter combination ТЬ, which, regardless of its position in a word, will always look like a Ь with a triple stroke. This was done because Т and Ь do not combine well on top of each other. Yes, just my whim.

The same applies to the particle "БЫ" — it is written in a single block with Б on top and Ы on the bottom. Despite the fact that Б is always a single letter due to its index, an exception applies in this case.

(p.6)

Oh, and also, I’d like to briefly talk about "hieroglyph mode" (call it what you want). It’s something like a "mode" that you can "turn on" to write a word. The essence is to completely discard all the previously described rules of indices, structures, and strokes, and write the word by fitting it entirely into one single block.

In such a word, only one rule applies: there must be a "roof" and a "foundation" for the hieroglyph. That is, the first and last letters should, like a burger, enclose all the letters in the middle from the top and the bottom. Sometimes, if you feel like it, you can place one letter to the left; in that case, the foundation is not mandatory.

"Hieroglyphs", just like blocks with strokes, are not separated by spaces.

Personally, I do this when a word happens to be separated from the main body of text by spaces. Of course, it’s difficult to cram a long word into one block, but you must admit — a "gap" in the form of a space won't hurt a long word, and might even decorate it :) (I’m allowing myself too much subjectivism, sorry; I’m just trying to inspire you to look at text from a different perspective).

Oh, and one more thing. Punctuation marks! Use whatever you like, but personally, I use Japanese teardrop commas, hollow dots, and L-shaped quotation marks. Aesthetics!

Next — examples of words, sentences, and texts written in the «Dziucin» writing system!

[pics-pics]