Pulp-Matrix
A tiny AI experiment: the red pill scene, rewritten with a slightly more cynical outcome.
A tiny AI experiment: the red pill scene, rewritten with a slightly more cynical outcome.
This is one of my first AI filmmaking experiments.
As a huge fan of Tim Burton’s Batman universe, I wanted to imagine an unofficial trailer for a story set between the two films—six months after the Joker’s death and before the arrival of the Penguin.
The villain is Roman Sionis, aka Black Mask. In this version, the Smylex disaster has driven his family company, Janus Cosmetics, into bankruptcy. Wayne Enterprises acquires what remains of it, giving Roman—who has known Bruce since childhood—a very personal reason to blame him.
With Gotham’s underworld left without a leader after the Joker’s death, Roman gathers the surviving members of his criminal organization and forms the False Face Society. Wearing a black wooden mask carved from his father’s coffin, he attempts to take control of Gotham and forces Bruce to become Batman again.
I tried to adapt Black Mask’s comic-book origins so that the character could feel as though he had always belonged inside Burton’s version of Gotham, while recreating the atmosphere, characters and visual language of those films.
The project had been sitting on my hard drive for a while, but with Batman Day coming up this week, it felt like the right time to finally share it here.
What do you think? Honest feedback is very welcome.
Completely unofficial and non-commercial—just a fan-made experiment.
This is the second chapter of J, an experiment imagining stories from the Gospel as scenes from a lost mid-’90s pulp movie.
This time, Samuel L. Jackson’s Jesus brings Quentin Tarantino’s Lazarus back from the dead — only to discover that Lazarus isn’t particularly grateful, cooperative or even happy to be back.
The short was built shot by shot. We first created consistent visual masters for the characters, costumes, tomb and surrounding environment, then generated the scene through a series of individual clips—mostly around ten seconds each. The final result came together through editing, dialogue reconstruction, sound design and a soundtrack assembled from several instrumental variations.
The goal was to make it feel like one continuous cinematic scene rather than a collection of separate AI generations.
Hope you enjoy it as much as J — Part 1.
I wanted to see whether an AI video model could handle more than facial resemblance—specifically comic timing, physical acting and an actual monologue.
So I wrote an original stand-up routine imagining Hannibal Lecter treating his diet, imprisonment and occasional work for the FBI as ordinary material from his life.
I generated the performance with Wan 3.0 in several short clips, using separate references for the face and the venue. I then edited everything together, adding pauses, audience reactions and different camera angles to make it feel like a real, slightly rough late-1990s comedy special.
The hardest part wasn’t the likeness. It was keeping the performance relaxed, the lip-sync believable and the room consistent across independently generated shots.
This is a fan-made AI parody. The monologue is original, no dialogue from the films was reproduced, and this is not real footage of Anthony Hopkins.
A short AI filmmaking experiment: the temptation of Christ reimagined as a Tarantino-inspired ’90s crime scene, with Samuel L. Jackson as Jesus and Steve Buscemi as the Devil. Curious to know if the tone works.