Tone is in the phrasing
So all the tone is in the fingers crew are right of course. But just something I’ve noticed as I’m transcribing a Pat Martino tune. The closer I get to nailing his phrasing, the better I sound.
I’m just playing a p90 thinline into a strymon iridium, and while it sounds nice, I often get a bit bummed out with my tone when I’m noodling around. But actually taking the time to mimic the articulation just improved the sound so much.
Bit of a shame in a way. Turns out that buying gear won’t make me sound great, learning to play properly will. And that’s not going to happen!