u/griffjen

wtt: (will also sell)

• ⁠Audio kitchen big trees
• ⁠eae sending
• ⁠Broadcast ap ii
• ⁠way huge supa puss
• seymour duncan vapor trail deluxe
• ⁠Boredbrain Patchulator

WTTF:
Not as into pedals as i used to be. More into studio stuff unfortunately but throwing this out there just in case

• ⁠open to offers
• ⁠studio stuff like compressors, preamps, 500 series, mics
• ⁠hand wired small amps
• ⁠beano boost
• ⁠mk1 tonebender
• memory man deluxe 100 tap tempo (the rare one)
• ⁠vongon ultrasheer

• ⁠expedition electronics 60 sec deluxe

Here is a nice video from a German engineer comparing his restored and modded vintage KSG broadcast console to a clarrett octopre. The tonal differences are subtle but definitely there and make a difference, and as he points out there is some pronounced clipping / compression on transients. Its just a good reminder that Jim Lill was comparing one preamp with the scarlett, and there are pres out there that absolutely will color the sound more. The clarett sounds great too of course, and at the end of the day will not stop anyone from making good music. https://youtu.be/nut2Uodg2uc?si=u1a1_isYBStVUh92

This is the type of snare sound I feel like I've been chasing my whole engineering career... and I know the drum itself and the player are the most important things. But I'm talking about the snap on it, the slight squish. Does anyone have any idea what kind of compressor is doing that? is it on the snare or the drum bus or the whole song or all 3? its like the perfect amount of smack. its the kind of thing ive heard on countless songs but can never seem to dial in myself.

cold in the summer