The Man-Bear: Unmasking One of America's Strangest Sideshow Acts
▲ 9 r/AcademicCryptozoology+1 crossposts

The Man-Bear: Unmasking One of America's Strangest Sideshow Acts

During the late 19th century, crowds across America eagerly paid a dime to meet the "Man-Bear," a snarling creature advertised as half man and half beast. Behind the sensational ads, however, stood David Mysherall, a man whose severe congenital deformities were transformed into a successful sideshow attraction.

Man-Bear advertising illustration. Colorized.

By Kevin J. Guhl/American Strangeness

Late 19th-century America loved human curiosities. Traveling sideshows introduced audiences to giants, dwarfs, tattooed men, bearded ladies, and numerous other "freaks of nature" whose extraordinary appearances were embellished by imaginative showmen. Few attractions embodied this fascination better than the "Man-Bear," whose lurid advertisements promised visitors the chance to gaze upon one of nature's greatest aberrations, a terrifying hybrid of man and beast.

Throughout the spring of 1891, the Man-Bear hit Kansas and surrounding areas like a furry tornado. A lengthy newspaper advertorial heralded the monster's appearance in each town it visited, enticing residents to visit a local storefront that would contain this abnormality of nature. "A rare opportunity will be afforded our citizens in general of seeing one of nature's greatest freaks—alive and living—that may not occur again in a life time," the article promised. All that was being asked for was the small admission fee of 10 cents, simply to "cover current expenses occasioned by stopping over."

According to the announcement, which included a fierce and sneering illustration of the hybrid, the Man-Bear was alive (a qualifier that presumably assured the skeptical public it wasn't a taxidermy specimen), white, weighed 153 pounds and was about 27 years old. Man-Bear was able to speak plainly and distinctly (if insensibly), a very human trait. However, his head was said to greatly resemble a bear's, along with a complete absence of knee-caps, forcing him to walk on all fours. His feet were "formed exactly as those of a bear, being entirely devoid of heels." He reportedly had "claws, six in number, on each of his fore limbs, webbed out beyond the second joints, while the nails split in the middle and hook at the ends." His forehead was about an inch in height, with deep-set eyes about half the natural size, under long, black eyebrows. The Man-Bear's ears were described as being "as large as a silver quarter," and the lower part of his face as halfway between that of a man and the muzzle of a bear. He lacked any teeth except for a few "snags" in the front. Notably, an earlier version of the illustration showed the furry Man-Bear with a more human head.

Earlier version of the Man-Bear ad illustration.

The Man-Bear was presented by Dr. Ezra L. Buckey, "a man with a melodious voice" stated to be an enterprising agent in the employ of the Northwestern Museum Syndicate, headquartered in Chicago. Buckey was accompanied in his traveling show by another man named E. L. Sanderson. The Man-Bear, displayed to the public on a platform elevated five feet above the floor, was said to have attained his odd appearance due his mother having been frightened by a bear during his gestation. In another version of the Man-Bear's origin, his brutal father cut the throat of a bear cub and tossed it onto his pregnant wife's lap. Her baby thus inherited two birthmarks on his neck that looked like the healed scars of two knife thrusts, as well as ursine characteristics. Buckey cordially offered all practicing physicians, city and county officials, and members of the press a free pass to examine what he purported to be a genuine freak of nature, or "Lusus Naturae."

The press, at least, took Buckey up on the free tickets, and the reviews it published ranged from glowing to condemnation...

"Dr. E. L. Buckey was in town yesterday and raked in many a dime by exhibiting his Man-bear. This is certainly one of nature's greatest freaks, a human being with power of speech but the actions and movements of a bear. It is no fraud," proclaimed the Territorial Topic of Purcell, in the Chickasaw Nation (today within Oklahoma). The Weekly Telegram of Winfield, Kansas wrote, "The man-bear which was exhibited here last week was a most wonderful monstrosity and well worth the small admission fee. Notwithstanding the gentlemen in charge have been maligned by some newspapers, they are gentlemen in every way and advertise nothing which they do not show."

More common were reactions like that of the Osage County Times, which wrote, "The two fellows with what they call a 'Man-Bear' ought to be arrested as frauds. Their exhibit is nothing more than a deformed human being—an idiot. Every town they stop at they tell the story of being on the way to the Chicago Zoological Gardens, and have a day or so to spare. They are frauds." Or the Newton Daily Republican, which stated, "The 'man-bear' is merely a deformed man who has no more of the appearance of a bear than has a cow. Nor does he resemble in the least what his published portrait would indicate him to be... The 'man-bear' is a fraud, and should be avoided."

Some reporters just had fun with the Man-Bear's visit. "The bear man scared J. A. Bills so badly that his hair actually stood up on the top of his head," wrote the Arkansas City Traveler. "Charles Barnett is hiding out. When the man bear took after him he broke out of the room on a run. He has not been seen since." When the Man-Bear toured Indiana that November, the Evansville Journal quipped, "The 'Man Bear' on exhibition on Main Street isn't a marker to the women bare who will be on exhibition at The Grand to-night."

Despite the critics, it appears the Man-Bear show was a success. "The room where the Man-Bear was exhibited was crowded all afternoon, and the dimes contributed by the curious kept up a continuous jingle at the door-keepers stand," reported the Winfield Tribune. According to the Wellington Monitor, "A travelling showman was in town this week with a poor, deformed creature, whom he exhibited as a 'man-bear,' in the old Campbell show store room. It was a fake of the rankest description, but lots of people squandered a dime to see it, though a minute's look at the unfortunate 'freak' satisfied the curiosity of nearly everybody."

Contemporary reports described the Man-Bear's raucous antics, showing he was as much an entertaining personality as a freak show. As a staple of the act, doctors would step up on stage to examine the hybrid, after which the keeper would "foolishly" bring his charge down onto the floor. At this point, Man-Bear would break free and rush toward the audience, knocking things over and aiming to catch spectators in his "playful, loving, strong-armed" embrace. During a stop in Ludlow, Illinois, several ladies stepped into a caboose in which Man-Bear was housed without knowing of his presence "and were somewhat hysterically embarrassed, so to speak."

The Freeport, Illinois Bulletin even once managed to snag an "interview" with the Man-Bear. The reporter was ushered through a doorway that actually had a doorplate reading "Man-Bear" above its entrance. There he found the Man-Bear seated on a table with his hind feet crossed wobblily underneath him, clad in the remains of a sleeveless flannel undershirt and trunks that reached halfway to where a person's knees would normally be. "His face is not handsome. It looks like something like a ripe squash hit with an axe," the writer brutally assessed, further describing the Man-Bear's forehead that retreated back to just over his eyebrows and merged with a "door mat" of back hair. "He has an eye like a seed-onion and as expressionless as the platform of the Greenback party. When he looks long and earnestly at you, you simply form the impression that it is good to be somewhere else," the article continued. 

According to the Bulletin, "His arms are one of his main features. They are long and thin and the muscles vary from the usual program by being on the under side, so that when he wants to show off he has to do his fighting backward. At the end of these arms come a couple of hands—hands that are dreadful to contemplate. Not content with a double thumb he has five fingers beside, so that when he pours out a drink he could cover anything not larger than a seltzer bottle. His lower limbs are not mates and he walks with equal facility whether standing up or sitting down, by reason of this curious malformation. The soles of his feet come where the inside of the ankle ought to be. He has no knee-caps and therefore the manager takes a night-cap instead."

The Man-Bear spoke to the reporter in "a sort of hand-me-down English," spewing a torrent of curse words and requesting chewing tobacco, puppies and cough medicine. To close the interview, Man-Bear playfully grabbed the writer's ear and yelled in his face until his "whiskers vibrated." 

"It is not given to him to lead victorious armies or to place the banner on the farthest outpost. He can not sway vast audiences with inspired eloquence nor can he play slide trombone in a German band," the Bulletin surmised. "But as a man-bear he occupies a field hitherto untrodden by the foot of man. Without fear of losing his job, with no dread opposition of rivalry, no fear of monopolies or trusts, he goes through life with no thought of the morrow or what may be bruin for him."

So, who was the man behind the Man-Bear? His biography derives from the numerous articles planted in the press by his promoters over the years, so it's  hard to parse fact from fiction. Although the details drifted slightly over time, nearly identical articles were published by the local press coinciding with the Man-Bear's appearance in any given town. It can be gleaned that the Man-Bear's real name was David Mysherall (possibly Myshrall or Norceau) and he was born about 1858. It was consistently stated in his bio that he came from a large family living on the frontier in St. Johns, Queens County, New Brunswick, Canada, although they were later reported to be living in Armstrong County, Texas. His father was French and his mother was Irish. David was apparently one of a dozen brothers and sisters, but the only one born with such deformities. 

A likely (hopefully) fictional part of David's story was that he was kept in solitary confinement until his cruel father set him loose outdoors at the age of 12. He was discovered there by Mr. H. E. Sproul in June of 1881, eating nuts and bark in the woods and acting like a wild animal. As the lore goes, Sproul tamed the wild man  to be "modest, docile and harmless." David was said to be mischievous, playful and inoffensive despite his immense strength. He also had a fondness for music, and would entertain by singing and playing the organette. Sproul caused a splash in the fall of 1881 as he toured the Man-Bear throughout New England, news of their appearance in Providence, Rhode Island reaching Great Britain. 

David was able to capitalize on his Man-Bear sideshow act for several years. By 1887 he was managed by Buckey, drawing large crowds at they toured states such as Kentucky, Arkansas, Michigan, Illinois, Indiana and Texas. (It is unclear if Sproul was another showman who originated the Man-Bear act or just an alias for Buckey.) One 1891 article referred to Mysherall not just as the Man-Bear but as "the Wild Man of Borneo," associating him similar popular sideshow acts of the era under that name, in which performers were presented at semi-feral man-beasts captured in the wild. 

Buckey and Mysherall appear to have continued their Man-Bear act through at least 1893. Despite David's presentation as a fearsome man-beast, it seems he attracted many fans. "The Man-Bear is our idea of an ugly man," wrote the Atchinson Daily Globe in May 1891. "Yet it is said that wherever he goes, he attracts great attention from giddy women. These show people are great for flirting. The Man Bear's correspondence is said to be very large."

Although no diagnosis can be made with certainty from 19th-century newspaper descriptions, Mysherall appears to have suffered from a complex congenital disorder affecting multiple parts of his skeleton rather than the excessive hair growth that characterized many famous "man-beast" sideshow performers, such as Julia Pastrana ("The Bear Woman") and Fedor Jeftichew ("Jo-Jo the Dog-Faced Boy"), who were afflicted by hypertrichosis, abnormal hair growth over the body. Contemporary reports consistently described severe malformations of David's limbs, including absent kneecaps, unusually formed feet, and abnormal hands with extra digits and malformed nails. Collectively, these traits resemble features found in a variety of rare congenital skeletal and developmental disorders recognized today, including conditions affecting the head, limbs, hands and feet. For example, Nail-Patella syndrome can involve absent or underdeveloped kneecaps together with nail abnormalities, while other rare syndromes can produce combinations of extra digits, webbed fingers, and a malformed skull and limbs. However, David's reported deformities were quite extensive, and given the limitations of 19th-century newspaper accounts, as well as the likelihood of promotional exaggeration, any retrospective identification of his condition must remain speculative.

Buckey himself was an interesting character. He was born near Middleburg, Maryland and graduated from Jefferson Medical College in 1883. But Buckey had a "roving disposition," leaving home as a young man to spend six years at sea, and touring around the world three times with entertainment acts. Buckey was described in an 1883 Dallas Herald newspaper article as having light blonde hair, wearing glasses, and claiming to be from London. The doctor professed to have originated the Parisian art of window decorating with silk handkerchiefs. The Herald labeled a Buckey a "fearful fraud," though, after he stiffed their printing room for 1,000 business cards and convinced the Sanger Bros. department store into paying for lessons in the art of hanging goods. After his years touring with the Man-Bear, Buckey managed other sideshow acts including sharpshooter W. J. "Wild Jim" French and Chiquita, a little person who danced and sang. Buckey also entertained children with a traveling puppet and magic show. 

In May 1897, the dashing young Dr. Buckey scandalized Richmond, Kentucky (where he was known for his Man-Bear shows) by eloping with Lulu Shearer, oldest daughter of Capt. T. R. Shearer, proprietor of the Shearer House. The couple, who had been corresponding for some time, married in Lexington. It does not appear that this marriage lasted, for later in life Buckey was married to a woman named Myra. (A 1925 issue of Billboard mentioned that Buckey's first wife predeceased him, but stated that she was from Gallipolis, Ohio.)

In another widely circulated story, Buckey was twice the victim of monkey theft. While residing in Sandusky, Ohio during the summer of 1896, Buckey was entertaining two visitors from Cleveland. As the "wine flowed faster than water from the old town pump," the Clevelanders befriended Jocko, a "naturally destructive" monkey the doctor kept chained in his home. Surely not sober, the guests decided to purloin Jocko and took him back with them on the boat to Cleveland. But Buckey beat them there by train and met the thieves at the docks with police. It cost the monkey-nappers $68 to get out of trouble, and Jocko was returned to his rightful owner. A year later, while living with Buckey in Cleveland, Jocko was once again stolen, this time by a local bookkeeper, A. C. Berry. Jocko was retrieved from where Berry had stashed him and the bookkeeper was locked up on the charge of petit larceny. It is unclear why Clevelanders were so obsessed with stealing monkeys.

Buckey eventually settled in Brooklyn and amassed a large fortune in the real estate business. He was half-owner and resident manager of L. A. Thompson's scenic railway in Buffalo, New York and for 17 years was the American representative for "Animal King" Frank C. Bostock, managing the trained wild animal exhibits at Bostock's Animal Arena on Young's Pier in Atlantic City. During his final world tour in 1914 as manager for Leroy, Talma and Bosco, illusionists, Buckey had to cut short the Australian leg due to the outbreak of the First World War. He and the company of 27 people, a hundred animals and 70 tons of equipment had a harrowing voyage back to San Francisco on an English steamship, all the time carefully evading the patrols of hostile German vessels. Buckey, 62 and by then retired, died of pneumonia on Jan. 13, 1925. He was eulogized as one of the best-known of the United States' old school of showmen.

Ezra L. Buckey

More than a century later, David Mysherall, the "Man-Bear," remains an enigmatic figure. The sensational stories invented by his promoters have obscured what was almost certainly the life of an individual born with extraordinary congenital deformities during an era when mainstream employment and social acceptance for people with such disabilities were often limited, making the sideshow one of the few avenues through which some could earn a living. The newspapers preserve flashes of his mischievous personality—his fondness for music, practical jokes, and startling spectators—but little else survives of the person behind the performance. In separating advertising fiction from eyewitness accounts, the Man-Bear emerges not as a monster or even a fraud, but as another reminder that many of the greatest curiosities of the 19th-century sideshow were, in the end, simply human beings whose humanity was often overshadowed by the legends created around them.

Of course, there are also the infamous reports of a "ManBearPig" in South Park, Colorado, during the early 2000s, but that is a story for another time...

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u/DetectiveFork — 2 hours ago
▲ 29 r/AcademicCryptozoology+1 crossposts

A history of Brachioptilon hamiltoni

Manta rays have a horrid taxonomic history, with many species or genera proposed based on all sorts of arbitrary minutiae, such as tiny differences in anatomy or geographic range; oftentimes a new species or genus would be named based on a single specimen. One such trait historically thought to be useful for species determination was the coloration of the dorsal side of the ray, known for drastic changes in colors and unique patternings on occasion. Specimens with "white bands" on the shoulders have remained a particularly elusive type, best published on by William Beebe (hence the type later being dubbed "Beebe's Manta" by G.G. Sehm in the journal Cryptozoology). In 2014, it was realized that these white bands were temporary flushes of color, the mantas displayed white shoulders when hungry, aroused, or otherwise just having fun. These markings still vary by species but since there are now only ~3 species (thanks DNA), identification using the white shoulders is a lot more simple today. 

Here's a (likely incomplete) history of a very obscure proposed genus/species of manta ray, Brachioptilon hamiltoni, which has a surprisingly long history within cryptozoology, involved since its proposal. Many thanks are owed to u/0todus_megalodon for significant aid in researching this subject!

Brachioptilon hamiltoni was first proposed by Edward Newman in the 7th volume of The Zoologist, published 1849, based on a large specimen speared by Captain Cospatrick Baillie Hamilton off California, the drawing of which seems unpublished. That same volume saw an additional record discussed by George Guyon, based on an individual captured in the Gulf of Mexico. You'll note how both articles are sandwiched between notes on sea serpents, the Stronsa beast, and other cryptids.

The genus also gets some attention in a Swedish book discussing numerous cryptids including the Minhacao, living plesiosaurs, and giant birds. I've not seen this source acknowledged before, and am unsure of its significance to these subjects. A.C. Oudemans further mentions it in his treatise on the sea serpent! Quite an impressive history of indirect association with cryptozoology, hanging alongside key players of the 19th and 20th centuries. 

Newman’s description was very brief, making ichthyologists quite uncertain of the standing of B. hamiltoni, with one author even describing Newman’s description as useless. Essentially all sources agreed that Brachioptilon was synonymous with the (now obsolete) genus Manta, but there was disagreement on what species it represented. Some authors used the combination of M. hamiltoni, deemed the “Pacific Manta” or “California sea-devil”. This persisted in some publications well into the late 1960s, and even saw use in museums, with color, again, stated as the clearest demarcation between species. Another now obsolete species, M. pinchoti, was even sunk into M. hamiltoni by Beebe! Others went in the opposite direction - according to Millar (1899) Jordan & Evermann's "Fishes of North and Middle America" (1896) is the first source to synonymize Brachioptilon hamiltoni with Manta birostris (a determination that has held true today).

As I said, Beebe's Manta became a cryptozoological subject through an article by G.G. Sehm. The paper in Cryptozoology is a mixed bag, omitting the very important Beebe article, which includes a bibliography of several examples of white-shouldered mantas known at the time, as well as the important discussion by Notarbartolo-di-Sciara & Hillyer (1989), which seems to be the second real modern recognition of the color as identifying characteristic problem. Several instances from after Beebe's paper, however, are first reported by Sehm and contemporary reportings by Karl Shuker (Mysteries Of Planet Earth, Fortean Times, see also his blog).

This history of white-shoulders is not discussed by the 2014 paper, leaving a huge gap in recording. There's many cool forgotten historical observations of these things, including old artwork and footage located by yours truly. I’ve shared some other miscellany elsewhere. Hope to publish on this all eventually.

u/lprattcryptozoology — 10 hours ago
▲ 19 r/AcademicCryptozoology+1 crossposts

Middle Holocene survival of marsupial megafauna on the north coast of New Guinea

ABSTRACT

The timing and causes of the extinction of Pleistocene megafauna are unresolved issues in the natural history of Australia and New Guinea (Sahul). In Australia, megafauna are believed to have become extinct by c. 41ka, but in the Highlands of New Guinea some species persisted until the Last Glacial Maximum (LGM), as late as c. 22ka. Here, we present the first evidence that one of these taxa survived beyond even this timeframe. We describe a manual phalanx from a megafaunal macropodid, probably referable to a quadrupedal, forest-dwelling member of the genus Protemnodon recovered from the Middle Holocene (6.8 - 5.3ka) archaeological deposit of Taora, a coastal rockshelter located west of Vanimo, Papua New Guinea. This late local persistence is likely a consequence of low human populations and a relatively small body size. Its disappearance from the region is coincident with broader decline in local mammalian diversity following post-glacial environmental change. Taora provides the first indication that any of Sahul’s megafauna survived beyond the end of the LGM and highlights geographic and chronological variability in this diverse group’s extinction history.

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u/lprattcryptozoology — 5 days ago
▲ 24 r/AcademicCryptozoology+1 crossposts

Heuvelmans and marine entanglement

Bernard Heuvelmans seems to have been one of the first authors to discuss historical instances of animal entanglement in marine debris, a decade or more before the subject became widely discussed in academia. This discussion takes place in In The Wake Of Sea Serpents, a volume characterized by outlandish and unrealistic speculation, which makes this even more interesting!

The significance of this passage was first pointed out, at least to my knowledge, by Robert L. France, in his paper discussing an 1857 Cape Town sighting of a ‘sea serpent’ (it was also partially reprinted in his book Disentangled):

https://preview.redd.it/tzz5fdjawn7h1.png?width=656&format=png&auto=webp&s=2166b3a9ccd89b708c74ea3b07d2463b99599d51

This really is a rare moment of clarity, and interestingly one that seems to have been added to the English translation - the original passage from the French edition cracks a joke about Dr. Biccard’s knowledge of anatomy. There are many such additions to the translation, including the attribution of the word “cryptozoology” to Ivan Sanderson - I don’t believe these have been documented in any detail before.

https://preview.redd.it/bwrwsroewn7h1.png?width=628&format=png&auto=webp&s=c4c5934f526d18767462ad811693901d9c7f5abe

Entanglement in marine debris is of course a huge issue, as it is often fatally inhibitive for animals ensnared. Many studies have looked at contemporary reports of entanglement, or even into the history of entanglement studies, but there is a complete absence of entanglement instances before 1970 outside of three cases (a bird in Hawaii and two seals off Californian), and discussion on the subject as a whole does not consult grey literature, much less works like France’s, at least based on the ~40 I’ve looked at so far. There seems to be an incredibly significant gap regarding historical research on the subject, a gap which Heuvelmans and his sea serpents help to fill.

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u/lprattcryptozoology — 19 days ago
▲ 5 r/AcademicCryptozoology+1 crossposts

Q: The Serpent God - One Big Reference?

Been toying around with projects related to Lost Tapes for a while, but by chance I came across a movie which very likely had some influence on the season 3 episode "Q: The Serpent God", one that's always been a bit of an outlier compared to the more traditional pop-cryptid roster of the series.

Q - The Winged Serpent is a 1982 monster movie, one with solid effects for the time. Wikipedia summarizes the plot as:

"The Aztec god Quetzalcoatl, a winged reptilian monster, takes up residence in the art-deco spire of the Chrysler Building, with frequent jaunts in the midday sun to devour various helpless New Yorkers on the rooftops. The resulting bloody mess confounds detectives, Shepard and Powell, who are already occupied with a case involving a series of bizarre ritual murders linked to a secret neo-Aztec cult.

Jimmy Quinn, a cheap, paranoid crook who wishes to be a jazz pianist, takes part in a botched diamond heist. Attempting to hide from police after the robbery, he stumbles upon the creature's lair atop the Chrysler building. Quinn abandons his attempts to settle down and leave his life of crime, deciding to extort from the city an enormous amount of money in exchange for directions to the creature's nest, which houses a colossal egg.

Quinn makes a deal with the city, $1 million for the location of the nest. He leads Shepard and a paramilitary assault team to the top of the Chrysler Building where they shoot the egg, killing the baby inside. Because the creature itself was not present in the nest, the city reneges on its offer to Quinn, taking back the $1 million and leaving him broke once again. Later, after killing Powell, the creature comes to the tower. After the showdown, the creature, riddled with bullets, falls onto the streets of Manhattan. Finally, Shepard shoots the Plumed Serpent's crazed priest (who had been committing the ritual murders) as he tries to kill Quinn to resurrect his "god". Ultimately, a second large egg hatches in a different location in the city. "

The parallels to the Lost Tapes episode should be immediately apparent. Quetzalcoatl sits perched in a nest at the top floor of a building in a populated city, a building used for ritual murders by a neo-Aztec cult. A paramilitary group raids the building and shoots the monster, and the leader of the cult dies. Quetzalcoatl is also, of course, abbreviated as just "Q", and both are more legged dragon than serpent. Is the episode just one big reference to this movie?

Apologies if this is not an original inference or line of questioning (if anybody has a source of other people discussing this, please send it my way!), it's new to me and presumably many of you. Will try to ask folks involved with the series down the line and bring this up.

u/lprattcryptozoology — 28 days ago
▲ 17 r/AcademicCryptozoology+2 crossposts

Request: A Dictionary of Crpytozoology by Coghlan

I no longer have my copy of this book and can't find a version online to check the index. I'm looking to see if there is a reference to Kasai rex in here (2004). Google books search flags it but gives no preview. If anyone has it, can you please check. If there is an entry, please take a screen shot. Thanks.

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u/Spooky_Geologist — 28 days ago
▲ 30 r/AcademicCryptozoology+1 crossposts

Darwin Knew His Monsters, But Regal Does Not

Brian Regal’s book Darwin And The Monsters: The Long History Of Cryptozoology released digitally June 1st, and I purchased it today, June 3rd. This book was one I had been excitedly awaiting since it was announced earlier this year - Brian Regal wrote the wonderful Secret History Of The Jersey Devil and Searching For Sasquatch, the latter book being one of the most essential and significant cryptozoological texts in my opinion, so this was likely to be a treat as well. The book is fairly short and brief, both in terms of page number and content coverage. I did a cursory read and skimmed through several chapters, and will give them proper respect in due time, but I did sit down and read in full, thrice, the final chapter focusing on the birth of cryptozoology itself. There are many errors, outdated claims, odd additions and absences, and overall shortcomings in this chapter, far removed in quality from his previous two efforts. This post picks apart and annotates this chapter with the hopes of maybe correcting the record, though more likely just shouting into the void. 

This book, broadly, challenges the idea that cryptozoology was a 1950s Heuvelmans-Sanderson invention, illuminating the history of unknown animal and monster studies within zoology, to argue that cryptozoology is just one member of a lineage of scientific inquiry into the unknown, with many historical predecessors and analogues; there is a long history of cryptozoology-like studies. Time is spent with Greek philosophers, Edward Tyson and his dissection of the chimpanzee, the sea serpent debates of the 19th century, and, as the title suggests, Charles Darwin’s studies which went into producing On The Origin Of Species. This concept is an incredible and necessary one, as Heuvelmans himself cited works hundreds of years old and named their authors as the forefathers of cryptozoology. Little attention has been paid to Heuvelmans’ influences, their role in shaping On The Track and In The Wake especially, or even Heuvelmans’ works in context, all of which are incredibly necessary to understand and critique the first wave of cryptozoologists, so conceptually there is a lot to explore. The narrative of this book essentially builds up to the 1950s and the start of the “cryptozoology” era, with this final chapter starting off in the latest 19th/earliest 20th century. It is broken down into several subsections, the first six acting as examples for the overall thesis: The Loch Ness Monster, Yeti, Russian hominologists, Minnesota Iceman, Bigfoot, and several other monsters get their dues, before Regal asks “What Is Cryptozoology?” and concludes. 

I've included the chapter here for you to read and judge for yourself.

It is immediately worth noting that Heuvelmans’ “The Birth And Early History Of Cryptozoology” is not cited at all within the book, and therefore many works which Heuvelmans himself cited as significant are neglected. Octopus giganteus, okapis, the Queensland tiger, gorillas, zueglodonts (even despite J.G. Wood being quoted), Peter Olsson, ground sloths and even “the first cryptozoologist” Thomas Jefferson are absent or present through citations alone. Surprisingly little coverage is given to paleontology as a whole, both for its role in shaping sea serpent lore, and for the long trend of identifying fossils with folkloric creatures, for which Heuvelmans cites Falconer’s 1844 naming of Colossochelys, Charles Carter Blake’s 1863 identification of the Caypore with Protopithecus, and the identification of the Okapi with Hipparion and then Helladotherium, and I further include (credit to u/CrofterNo2) Hugh Falconer’s suggestion that Hexaprotodon was the Sanskrit “water elephant” in 1865, Donald Gordon MacInnes’ 1936 identification of Climacoceras with the Ethiopian deer, and of course Leakey’s discussions of the Nandi Bear being a chalicothere, culminating in the 1979 naming of the genus Chemositia by Martin Pickford! All of these are egregious absences, for they not only directly inspired Heuvelmans, but fit into broader narratives regarding the role of monster studies within mainstream science.

The timing of MacInnes’ and Leakey’s discussions are also some examples of exactly why I disagree with the opening claim of the chapter that zoology had “squeezed most of what they could out of monsters as supposed biological realities”, and that monsters had “moved into the area of philosophy and psychology as more metaphorical ideas rather than flesh and blood” by the beginning of the 20th century. Zoologists, paleontologists, and the general scientific establishment still regularly engaged with “cryptozoological” phenomenon up until the World War II era, which saw a shift over science’s role within the general public particularly after the use of the atomic bomb, debates over creationism within American public schooling, Veilkovsky and the “Pseudoscience Wars”, Joseph Stalin’s oppression of Russian science, the start of the modern ethnobiological sciences, and several other significant changes within the scientific cultural landscape. And of course, even then, zoologists and anthropologists entertained the yeti, searches for the thylacine, and showed some interest in both Bigfoot and Nessie. 

Heuvelmans, primarily writing in and working within French-speaking spaces, cites a laundry list of French academics and popular science writers from the late 19th and early 20th centuries, several of which he was contemporary with, as bringing on “the new wave of cryptozoology”. These writers, and the culture which produced them, are all absent. Willy Ley gets a shout, but absent are other “romantic zoologists” Maurice Burton and Richard Carrington, and the German Ingo Krumbiegel, who Heuvelmans cites as writing the first proper cryptozoological book. Heuvelmans’ own cryptozoological output is truncated heavily, starting in 1955 with Sur la piste, rather than with the several articles from 1952 onwards, and again Sanderson is credited with naming “cryptozoology”, leaving the appearance of the term in a 1941 review of Exotic Zoology by Ley, first pointed out by Loxton and Prothero in Abominable Science!, unresolved despite this literally being the perfect book to resolve something like that

The absence of the general proto-cryptozoological culture and the incredibly short coverage of the few examples provided leaves a lot to be desired, especially with several key errors throughout. These example sections (again, focusing on the Loch Ness Monster, Yeti, Russian Hominologists, Bigfoot, Minnesota Iceman, and a miscellaneous assortment of crypto-subjects) seem curiously pointless to me - they are brief and basic, reading like a contextual spiel in a news article for casual audiences despite this clearly being a book meant for those “in the know”, and do not link back into the prior sections, even in a way as simple as tying wildmen to satyrs. The role of these examples in popularizing cryptozoology is not made apparent, characters are introduced without the context of their broader role in cryptozoology or academia, and little specificity is offered in terms of contemporary academic reactions to cryptozoological claims. The point of this chapter is essentially a “burn reel”, with little more offered. 

Starting with Regal’s coverage of the Loch Ness Monster, the section touches on St. Columba, the Spicer sighting, the Surgeon’s photograph, and ends with the Rines expeditions. This section is very trope-y and poorly cited (only using Jylkka’s “Witness The Plesiosaurus”, Abominable Science!, Tim Dinsdale’s “The Loch Ness Monster”, and Lawton’s anagram claim), as are all of these sections.

The St. Columba story is a posthumous addition by American authors to the Loch Ness lore, not even embraced by locals during the time it was first posited (see Magin, 2016), and so starting with it seems ill-informed. Scotland is not unique for its lake monsters, and many significant bodies of water across the globe, from New Zealand to North America, had longstanding traditions which were coming to a boiling point. In a time of consistent public interest in paleontology and sea serpents, and especially during a period of economic depression, still recovering from the first World War, it was only a matter of time before some tabloid somewhere picked up the right story and it went global. Pieces of this story, such as Gatschet’s 1899 paper, are mentioned in the prior sea serpent chapter, but no effort is made to tie that section to this one.

Regal continues by erroneously repeating Loxton’s idea that the Spicer sighting was influenced heavily by King Kong, despite this being weakly evidenced and critiqued as such by Charles Paxton among others. The Rines expeditions, more specifically the “Flipper” and “Gargoyle” photos, get a mention, as does Rines’ naming of Nessiteras rhombopteryx. The section ends with Lawson’s claim that N. rhombopteryx is an anagram of “Monster hoax by Sir. Peter S.”, which has always been a ludicrous reach, and as Rines replied, also spells out “Yes, both pix are monsters – R.”.

The Loch Ness Monster, to me, represents the utilitarian use of monsters by science, something purely modern. New technologies have consistently been funded and deployed under the guise of “searching for monsters” only to then be more broadly applied elsewhere - underwater submersibles, camera, detailed sonar, and even things like eDNA have either been debuted or heavily publicized in the search for Nessie, starting with the Rines expeditions. There’s much to be said here, but unfortunately Regal passes on this opportunity. 

The Yeti section is very brief and details the coining of the term “abominable snowman” and the scientific reaction to expeditions in the 1950s and 60s. The most notable thing about this section is a funny typo in the ebook where it says "abominable snowman" was coined in the 1820s.

Regal moves on to the Russian hominologists with a focus on Boris Porshnev, and touches on (but does not offer much detail into) how he tied his theory of wildmen into his broader theories of history and economics, a really neglected topic of discussion, which can be read about more here and here. This section ends after the disbanding of the Snowman Commission and therefore makes no mention of Zana, where much could be said about the continued, almost modern amalgamation and appropriation of folklore to justify questionable, pseudoscientific, or racist theories (especially if the book covers these in earlier chapters, which I did not see but may have missed). 

The same can be said of Charleston Coon’s involvement in Bigfooting. Instead, the chapter is unremarkable, and, as with Nessie, completely neglects the ticking timebomb of local tradition that was 1930s Sasquatch. It uses the fabrication of the Jerry Crew tracks to lead into the Minnesota Iceman section, which ends with a brief discussion of the 2008 Georgia Bigfoot hoax. No mention is made of that event’s co-signing by Meldrum and other key Bigfooting figures, despite its association with Todd Standing, or the infighting between Huevelmans and Sanderson over the Iceman, both relevant to the point this section tries to make about cryptozoology’s history with hoaxes and fraud. 

The final example section throws several examples at the wall but makes no real point of them. The Mongolian Death Worm is namedropped once but never elaborated on, specifically Richard Freeman’s searches for the Orang Pendek get mentioned (No Matyr? None of the other Southeast Asian wildmen? No Forth?), the Chupacabra and Popobawa are used as examples of hysteria which drew (rather minimal) cryptozoological attention, lots of media attention, and no academic attention, and the Mokele-mbembe is, of course, pigeonholed into being the focus of Young Earth Creationists. The Mackal expeditions are painted as “coming back with nothing” despite identifying both a cryptid animal and plant, and collecting many specimens of known animals for zoological study (which people consistently neglect when recapping cryptozoological expeditions, Heuvelmans and Sanderson contributed hundreds of specimens themselves). The ISC is briefly mentioned, as is Disotell’s study of alleged Bigfoot samples and Paxton’s studies of sea serpent testimonies (but neither are cited). The chapter ends with the claim that cryptozoology is “mostly” the realm of Euro-American academics, which is a subject I hope to discuss more in the future, but simply put, there is a diverse cast of non-Euro-American, non-white cryptozoologists who do not get their dues because their works are not published outside of their native countries or languages (and has been, since the 1960s). That is not to say that it isn’t heavily Euro-American, and doesn’t originate within Euro-American circles, but there is more to the story. 

These example sections end and the concluding “So, What Is Cryptozoology?” section begins…

As the title suggests, Regal views cryptozoology as “monster hunting”, and uses historical examples of belief in monsters to support his thesis. I cannot say I entirely disagree with this label, especially considering the most popular roster of cryptids (being wildmen, sea serpents, and other archetypal “monsters”), and the practices of the amateur community/subcommunities, who act little different from UFO or ghost hunters, but cryptozoology has always tried to be academic, and there is a deeper layer of zoological and particularly ethnozoological intent, practice, form, and function present among many key workers, even if they constitute an overall minority with varying influence. Regal completely neglects this and warps Greenwell’s term “ethnoknown” (which has its roots in, and it regularly used within, ethnozoology) to mean “a species’ place in mythology and cultural legend”, implying fictionality rather than simply local knowledge, as evidenced with the claim that the coelacanth was “not was not known in a mythical sense”. Cryptozoology is, in essence, a proto-ethnozoology - it deals with anecdotes of animals or animal-like forms in local cosmologies, not necessarily or inherently folkloric beings. 

Regal then goes to the extreme when discussing the megafaunal skew of cryptozoology by asserting that “There are no tiny cryptids” and that “Unknown plant, insect, and aquatic species are discovered on a regular basis, but have no historic of folklorish existence”. These, combined with the previous point, neglect the spattering of normal, microfaunal animals reported in cryptozoological literature which have then been properly described, dating back to Heuvelmans’ list of cryptids and its Ethiopian marmot (not much of a monster at all). Greenwell sought out a South American platypus, Mackal spent time looking for lianas, Raynal published on Darwin’s moth, the ISC’s journal regularly saw papers on lizards, small or unremarkable mammals, and even saw the description of a new species of snake, Naish was reporting on Silver Pheasants, Bille’s pair of books (200+ pages, longer than this book) focus near-solely on the “mundane” cryptids, intentionally excluding the standard fare and including literal microscopic cryptids, and Shuker’s addition to Heuvelmans’ list is primarily microfaunal! The Kellas Cat, St. Lucia Thing, and Beebe’s manta are my favorite examples of late 20th century “discovered cryptids”, constituting a new form, species, and behavior. Recent years have seen a tiny, unremarkable tree-dwelling crab (“unremarkable” because there are several kinds across different continents) called Kani maranhandju discovered by scientists after first being reported in Fortean Times magazine! This narrative that cryptozoologists only hunt monsters and find nothing needs to die, it is much more nuanced than that. 

The section briefly discusses the red-herring nature of the coelacanth (all too briefly, failing to mention why it has a poor fossil record, how it isn’t necessarily a living fossil, or using it as an example to elaborate on the Euro-American emphasis hinted at previously), before concluding. The claims that academics show no interest in cryptozoology as zoology (despite mentioning authors who do exactly that, e.g. Paxton) and that cryptozoologists have done little more than fall for hoaxes and get burned get repeated, though the conclusion is not presented as negatively as I make it sound.

If this chapter is indicative of the quality of the rest of the book (and it does seem to be, I noticed many errors and read many shoddy passages when skimming the other chapters), I am truly disappointed. Sloppy scholarship of this sort, ala Loxton & Prothero's Abominable Science, does little more than create and perpetuate misconceptions about cryptozoology, burdening both professional science communication and casual enthusiast spaces. I really wish this chapter was better.

u/lprattcryptozoology — 1 month ago
▲ 22 r/AcademicCryptozoology+1 crossposts

Thylacine Spitballing - What They Mean & What Sightings Suggest

Alongside the archetypal lake monsters and wildmen, cryptozoology as a subculture is fascinated with late-surviving carnivorous mammals - examples include the Eastern cougar, Hokkaido wolf, and Tasmanian tiger, or thylacine. This category of cryptid is unique because of its materiality and the emotions that come with it. These were real species which existed just shy of 100 years ago, only to fall victim to deliberate, human-caused persecution and presumed extinction. Posthumously, these animals have become symbols of extinction, failures existing as part of a shameful past modern society hopes to distance itself from. As symbols of extinction, they motivate others to challenge or reinvent extinction, whether those are future potential extinctions, or the extinctions of these animals themselves. These extinctions have become extinction narratives, filtered through human understanding and emotion. All named after their former homes, these species have defined local identities, becoming mascots, adorning flags and products, or having their imagery used to recruit interest in conservation or local history. These cryptids are likely biologically extinct, but culturally persist, living as ghosts inhabiting the broader cultural imagination. The thylacine is, in my opinion, the most poignant of these examples, and among the most interesting because its mythologization and commodification have spawned a unique cryptozoological subculture, much like Bigfooting in the United States (for reference, read Jamie Lewis & Andrew Bartlett’s “Bigfooters And Scientific Inquiry”). 

The thylacine was wrongly persecuted, labeled as a threat to the newly established pastoral economy and therefore Tasmanian livelihood. It was slandered as a vampire and child and sheep killer, and even the names we use to communicate and classify the thylacine position it alongside other “maneating” carnivorous mammals - tiger, wolf, panther, dingo, hyena, Thylacinus cynocephalus. The thylacine existed as an evil inhabitant of a savage and primordial land to be paved over by colonists. These attitudes slowly changed and the perception of the thylacine did with them; a reversal even science has supported, with studies finding that the thylacine was poorly equipped for hunting sheep, contrary to reputation. As a nation seeking to define its collective identity, Tasmania "rediscovered the thylacine as a testimony to its enviable uniqueness” (Guellec-Minel, 2017), going so far as to have the date of the last thylacine's death, September 7th, be their National Threatened Species Day. The embracing of the thylacine as an icon has helped put significant distance between the past and present in extinction narratives.

The recognition of these historical wrongs has led to a cultural mourning, an incredible guilt over the loss of a unique and now emblematic animal. Neil Waters of the Thylacine Awareness Group Of Australia, in Living... The Thylacine Dream, cites the following as a motivation for the search for living thylacines:

“A lot of people in Australia feel guilty to a certain degree on a national conscience kind of scale because it was something that we screwed up essentially as a nation. We handled that animal really poorly and we treated it badly and it slipped away from us because of that.”

The cultural mourning of the thylacine manifests in many ways. The shift from terms like “Tasmanian tiger” to the more romantic “thylacine” may be one example. Elsewhere, there continue to be startups and attempts to “clone” thylacines, to resurrect the species from extinction. Rather than cloning, groups like the Thylacine Awareness Group Of Australia, follow reports of potential living thylacines with the goal of rediscovering the species. These all offer a form of redemption, a way to re-assume control, challenge prevailing narratives, and defy extinction. This idea is not unfounded, as with the rediscovery of the Night Parrot or Leadbetter’s possum; it is genuine, plausible hope.

The thylacine may not just represent extinction redemption, but also colonial redemption. The Indigenous Tasmanian population was subjected to villainization and persecution much worse than the thylacine, also labeled “devils” and “beasts”, subjected to the Black War. Both the thylacine and Indigenous Tasmanians are allied by their immortalization with an “endling”, in Benjamin the thylacine and Truganini, the “last” Tasmanian, a race also deemed “extinct”. Benjamin’s body was discarded, and his female replacement was hidden in museum collections, while Truganini’s was desecrated and put on display at the Tasmanian Museum despite her final wishes. In recent years there have been pushes to recognize Indigenous peoples across Tasmania and rehabilitate perceptions of them, just as with the thylacine, and Indigenous artists across both Tasmania and Australia have compared the struggles both have faced. By asserting the thylacine as a local symbol and potentially rediscovering it, there may be a way to alleviate the guilt of history, and to heal the old wounds of Tasmania and its nature. In this way, the thylacine has become a sort of “redeeming genius loci” (Guellec-Minel, 2017).

The narrative of the thylacine's extinction has been simplified and the Indigenous plight has been far removed from it, as discussed by Whittle (2026). This has been called "active forgetting", by Paul Gilroy; "[o]nce the history of the empire became a source of discomfort, shame, and perplexity” for formerly imperial nations, “its complexities and ambiguities were readily set aside. Rather than work through those feelings, that unsettling history was diminished, denied, and then, if possible, actively forgotten.” Whittle continues "What Gilroy foregrounds here is that certain stories and lived experiences are not merely forgotten; rather, those histories that prove to be disruptive to the nation’s narrative about itself are actively written out. This involves the selective acknowledgement of certain strands of a nation’s history and the reduction of the significance of others. In the context of this article, Australia has sought to ‘work through’ its ‘unsettling history’ of species extinction by publicizing images of what was, until very recently, thought to be the last Tasmanian tiger, and by commemorating its death with an annual day of reflection on human-induced species endangerment."

Unfortunately, however, there is likely no redemption to be had. There is little evidence to suggest that thylacines persist in Tasmania, much less Australia. Claimed thylacine sightings are likely caused by artefacts of colonialist presence, digging the trenches of guilt deeper, and proving the distance between past and present farcical.

Mainland Australia is the leader in animal extinctions currently, even with invertebrates. Colonist encroachment and especially the introduction of invasive predators is to blame. Woinarski et al. (2015) report that 30 mammal species (over 10% of native mammals) have gone extinct in Australia since 1788. Subfossils have shown that Australia’s small-mammal fauna (the primary prey for thylacines) was significantly impacted by colonization, with species or populations going extinct before even being documented as present. Australia is now overrun with introduced foxes, while both Australia and Tasmania face severe stray cat and dog problems. Interestingly, these invasive predators (including the Indigenous-introduced dingo) have rewired Australian food webs, restoring levels of food web complexity not seen since the Late Pleistocene - those animals brought over by colonists have truly replaced the native species.

Rock art and fossil evidence currently suggests that thylacines died out on mainland Australia just shy of 3,000 years ago, though poor sampling of fossil deposits in Northern Australia could pull this farther forward. Dingoes seem to have broadly ecologically displaced thylacines, and the aforementioned extinction rates render the possibility of thylacine survival on the content deeply improbable. Provided evidence to date, particularly in the form of photographs/videos, clearly depicts foxes and dogs, or in the case of Neil Waters’ trail cam photos, a numbat. 

Mangy foxes and thylacine photos

More foxes and thylacines

A stripey dog, I believe this was caught as a \"thylacine\", but am unsure

I personally wonder if the shift towards New Guinea in terms of thylacine survival within online spaces reflects a recognition of the improbability, similar to folks who believe Nessie is a giant eel, that the Bodette film will reveal all, or that Bigfoot is interdimensional.

Tasmania has been similarly ecologically crippled, though the island seems to be significantly less studied. Thylacines are likely still extinct on the island, but the date of this extinction is certainly more ambiguous. As Brooke et al. (2023) and Sleighthome and Campbell (2016) suggest, thylacine populations likely persisted in Tasmania into the 1940s, rather than the 1936 date most often cited, tapering out over the next few decades. Brooke et al. received significant media attention due to the claim of thylacines potentially persisting into the 1990s or even 21st century, based on a weighted database of sightings. Notably, these estimates are based on the incorporation of sightings from “non-experts” (non-scientists, hunters, trappers, etc.), and that when only using sightings from experts combined with verified and unverified kill and capture data, they got a much more plausible date of the late 1950s to early 60s. The whole body of Tasmanian sightings, particularly those after 1960, is incredibly poor. Using the list of sightings available at recentlyextinctspecies (the majority of which were part of the Brooke et al. dataset, to my knowledge), you get such gems as:

“Bill Morrison and Laurie Thompson reported that on 12 August 1961 they were camping in a hut on the coast while fishing. One night they heard a noise as if some animal was trying to reach a bucket of fish bait left outside. Thompson got up and picked up a piece of wood to drive away whatever was there. In the darkness he saw the shape of some animal at the bait. He ran at it and struck it with the baton he carried. It disappeared in the darkness, but next morning the men found what they said was a young male Tiger stretched out dead not far from the hut…They reported they had put the corpse in the hut, intending to take it out with them when they had finished their fishing and produce it for examination at a museum; but on returning to their camp from another fishing trip they found the corpse missing. Apparently in their absence some person had entered the hut and stolen it!”  (How convenient… Fur and blood was later allegedly collected and “confirmed” to be thylacine, but these results and the fur/blood was not made public to my knowledge)

“I watch a tiger hunting a couple of years ago in the Fingal Valley. Probably a little different to most...i spotted the tiger from the air!... I was testing a student pilot who was doing his Private Pilot Licence test.Anyway we were in the Fingal Valler about 4500feet above ground when I closed the throttle on the engine to simulate a engine failure. At this point the aircraft becomes a glider and remained so for the next 5-6 minutes while the student went thru his drills. We were circling (silently) above the river valley when I noticed an animal almost directly below us moving through the gorse. The animal was a grey/brown colour, a little over 1.2m in length from nose to visible tail (which was carried "down" rather than extended). It was moving along a track through the gorse and appeared to be stalking..ears laidback in a crouching walk. I am sure it was not a dog or a deer.”

“We saw an animal bolt from the undergrowth about 3-4 metres to our left front as we were heading down the incline. I remember seeing the animal from behind as it dashed from its cover and ran to the left of where we were heading. It had clear black striped bands across its orange/brown back. Unfortunately, we did not get to see its head to identify it. It scared the hell out of us as it broke and ran. It was gone in a flash, and so were we. Its back appeared quite broad and we just assumed it was a feral pig and said nothing more about it. It has been bugging me for years, so I thought it’s time to say something about it. Although I feel the thylacine is extinct, it was enough to plant a seed of doubt in my mind as to the real identity of the animal we saw. I can’t say categorically that it was or wasn’t a pig as it moved very fast and we only caught a glimpse of it. It could have been a feral dog perhaps. Who knows?”

“After some discussion about conservation and my interest in it he told me some stories of his camping trips in the Tasmanian bush. He said he had found scat that looked like no other animals he had seen. Also, he was positive he had seen Thylacines, but , given his age and no comprehension of modern telephone technology, together with not having a camera, he wasn't able to prove anything. I believed him.” 

"A mature age PhD student, who had just migrated from Britain to a job in Launceston, and did not know that thylacines were supposed to be extinct, saw one on a road nearby. He had a camera, but thought to himself: ‘I will see plenty of these’. He hasn’t."

and a couple being told "Yes, it looks like you saw what you saw. Now, will you do us a favor and shut up about it? Don't tell anyone." 

Thylacines apparently attacked sheep or were shot while chasing sheep, all dubious (e.g. "Farmer suspects this to be a thylacine kill because devils did not touch the carcass for days afterward”), including one sighting that happened when the witness was five years old, and notably before the aforementioned 2011 paper.

Rex Gilroy, known hoaxer, is also quite involved from the 1970s onwards. He single-handedly revitalized the Yowie phenomenon, so I do find his claims questionable, especially reports originating solely from him (to my knowledge), such as “Four hundred plaster casts of Tasmanian tiger prints have been collected by Noel Sutton of Fingal, Tas, in his lengthy study of the animals breeding in local bush. He has taken night photos of them. Some pictures show two adult animals with six pups, the head of a Tiger with body obscuring, a distant figure exhibiting the classic features of the tiger”

In general, thylacine hoaxes abound such as Ellendale, and the Adamsfield thylacine. Rusty Morley, behind the Adamsfield thylacine, claimed at least 5 different sightings. Others, such as Col Bailey, Neil Waters, and Tigerman claimed multiple as well. Not only has there been monetary incentive for hoaxes, but there is clearly a market for public attention. Many hunts for tigers have drawn public interest, including sightseers disturbing traps, and many were worried about “fortune hunters” disturbing any potential thylacines; sightings were also withheld for “fear of numerous visitors, destruction of the bush and perhaps also the tiger “

There are several claims of scat, dens, howls, kills, and the everpresent “feeling of being watched”, none of which have been substantiated or unequivocally demonstrated to be a thylacine. Claims of samples proven to be thylacines have not been made available for scrutiny to my knowledge. Some tracks were intentionally obscured, for example:

"My wife and i have been doing our own private studies since September when we were camped at a secluded part of tas. We came across a chase scene on a beach of which appeared to be a wallaby and a thylacine…These prints we have are approx 75mm across, and we have multiple vids and pics of them. We have been back seven times now and got fresh videos and pics of fresh prints five out of the seven times. We erase the prints from the sand each time we are there, but as summer is now upon us, more and more people are visiting the area to camp etc, and so things have gone quiet. We have showed these prints and vids to two tas parks and wildlife officers just recently who were astounded, and asked,us if we had released,it publicly yet, to which we replied that we haven't." 

The remaining eyewitness testimony is frighteningly archetypal. The most common story type by far is witnesses seeing an animal from their moving vehicle, often at dusk, night, or dawn. Several were in poor, rainy weather, and over a dozen were from a distance of 50 feet or more. I counted 53 examples plus an additional claim of a carcass seen in this fashion. There were additionally several sightings in this way by people walking alongside roads. Many instances had multiple witnesses who deliberated about what they saw before all, eventually, agreeing on a thylacine. Moving vehicles, poor conditions, great distances, and much debate define these reports.

This deliberation is done through cross-comparison with other animals, both through chimeric amalgamations (Weinstein, 2026 offers the example of “like a cat crossed with a kangaroo and a dog’s head”) and by demonstrating what the animal was not; “Eyewitnesses often qualify their descriptions by what it was definitely not, differentiating their sighting from a dog, mangy fox, or large feral cat by specifying the missing features that they would have recognized in those animals, like “the fox’s bushy tail” and “cat’s flatter face”” (Weinstein 2026). Differences can be rationalized away (for example, one could suggest that “the man said the striped animal was about the size of a large cat, and he expected that a thylacine would have been larger” is actually describing a juvenile thylacine). If everything known can be ruled out, only the unknown - the thylacine - is left. Incredibly significant is the fact that many stories have witnesses turning to encyclopedias, seeing images online, or at museums/zoos and posthumously identifying their encounter with a thylacine, some time later (e.g. “The hunter did not believe that he could have seen a thylacine until he later saw a stuffed museum specimen”, “We saw an exhibit the next day on the Thylacine and the differences we noted the night before matched the characteristics of a Thylacine”). Witnesses thought of dogs, cats, foxes, and even goats upon first seeing their mystery animal.

There have been genuine misidentifications, not just the foxes provided above. For example:

"Driving home to the Launceston suburb of Ravenswood one evening after his GP rounds, Brown saw a 'Thylacine'. So astonished was he that he insisted [Jeremy] Griffith return to the area with him immediately. Together, they found the animal: 'It was a greyhound with four stripes across its back'." 

See also this \"sheep-killing animal\" from Douglas, 1990

This brings other stories into question, such as:

“The animal was dog-like, but in an area where a dog would not be expected, and where no dogs had been seen before or after the sighting.”

The thylacine conclusion seems obvious, especially when “The presence of images depicting this animal in the daily life of Tasmanians is astounding; they appear almost everywhere one goes in Tasmania” and that “Many of these postextinction works either implicitly or explicitly reference the thylacine’s extinction or potential perseverance after that supposed extinction”(Ahlstone, 2019). This even extends into the verbage used by government and conservational groups, for example the Tasmanian Parks & Wildlife Service (PWS) states: “The Thylacine is the only mammal to have (possibly) become extinct in Tasmania since European settlement”. They continue: “Nonetheless, the incidence of sightings introduces a reluctance among some authorities to make emphatic statements on the status of the species. Even if there did exist a few remaining individuals, it is unlikely that such a tiny population would be able to maintain a sufficient genetic diversity to allow for the viable perpetuation of the species in the long-term”. The Australian Museum website also uses “now believed to be extinct” The National Museum of Australia states: “Thylacines are functionally extinct which means that any remaining population is so small that the species no longer plays a significant role in the ecosystem”. The absence of scientific consensus naturally adds uncertainty to the debate over extinction versus survival, and the culture of thylacine imagery naturally reinforces any and every identification with the thylacine.

Thylacines are not alone in being mistaken on Tasmania; Marks et al. (2017) and sources therein describe mis-claims of foxes on Tasmania after an unsubstantiated allegation of fox releases in 2001. 

I think it’s clear that people believe they are seeing a thylacine, rather than actually seeing them. If the thylacine is gone, however, there is no hope for redemption. The idea of living thylacines persists for good reason. 

WORKS REFERENCED:

Ahlstone, 2023 - Giving Life To Legends
Brook et al., 2023 - Resolving when (and where) the Thylacine went extinct
Crane, 2010 - Extinction and Ethics in Julia Leigh’s The Hunter
Douglas, 1990 - The thylacine - A case for current existence on mainland Australia
Guellec-Minel, 2017 - The Tasmanian Tiger - From Extinction To Identity Myth
Marks et al., 2017 - Trends in anecdotal fox sightings accounted for by psychological factors
Sleightholme & Campbell, 2016 - A retrospective assessment of 20th century thylacine populations
Smith, 2012 - Unsettlement and the Tasmanian tiger
Vakil et al., 2025 - Worse-than-realised losses of small-bodied mammals in Australia
Weinstein, 2026 - Animal, Cryptid, or Ghost - Interpreting the Signs of the Tasmanian Tiger
Woinarski et al., 2015 - Ongoing unraveling of a continental fauna
Wooster et al., 2024 - Recently established predators restore complexity to food webs
Whittle, 2026 - Tasmanian Tiger Extinction in Walton Ford’s The Undead Yoneyama & Weinstein, 2024 - Reimagining Extinction in Australia and Japan

ADDITIONAL READING:

McCorristine & Adams, 2020 - Ghost species
Morton & Tsahuridu, 2023 - Moral Framing And The Thylacine
Smith, 1999 - Feral cats and wild dogs in Australian imagination

This post was compiled exclusively using literature from the Cryptozoological Digitization Project’s paper library, a WIP index of which can be found here! As the title suggests, I'm just spitballing here as a sort of prelude to a thylacine deep-dive, with the goal of maybe eventually doing an ethnographic survey in line with Lewis & Bartlett but for thylaciners. We'll see what comes of it!

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u/lprattcryptozoology — 1 month ago
▲ 16 r/AcademicCryptozoology+1 crossposts

On The Track of On The Track

Johnson, 1959
Simpson, 1959
Hayman, 1960

Figured these may be of some interest. I personally don’t recall ever seeing contemporary reviews of Heuvelmans’ books ever cited in cryptozoological literature, from either skeptics or enthusiasts. I find these three examples interesting because they include the exact same criticisms repeated today, something worth considering when looking at Bernard’s work in the context of its original publication.

All authors praise Heuvelmans’ enthusiasm and especially his bibliographic compilation, but state that “the passages quoted from these sources are not the passages the original authors would consider most significant” (Johnson) and that many errors within the text would be avoided with “a more careful checking of references” (Hayman).

All heavily scrutinize the “over-emphasis on hearsay and unsupported tales” (Hayman), and reliance on phrases like “not impossible” to support ill-evidenced and unlikely views (Johnson), being “downright disingenuous to evaluate all kinds of suspect evidence on the basis and to insist that the improbable is probable or certain merely because it is not impossible”; “it is not…logical to argue that because the unusual sometimes happens it is to be expected” (Simpson). Emphasis is placed by all authors on recent zoological discoveries, particularly of the microfaunal variety, and the comparative unlikelihood of many of Bernard’s proposed mystery beasts. Hayman and Simpson especially critique the presentation of evidence, tying unrelated stories together and making obscene claims, for example the claim that because an expedition didn’t find an unknown animal, it must exist.

Johnson found himself “disappointed…that Heuvelmans was interested in only the superficial and sensational and sensational aspects of the subject”, stating that “much field investigation of ethnozoology, much library research on the history of science, and much psychological analysis of human gullibility could be carried on here”, bringing to mind similar modern comments from Regal, Paxton, Naish, and Hill.

Heuvelmans further “allows his antipathy to the professional zoologist to colour all his views and warp his judgement” (Hayman), and that Heuvelmans attacks this “strawman” “with all the fervor of a Quixote tilting at the windmills”, despite his evidence hilariously being “entirely derived from the work of zoologists themselves” (Simpson). It’s this judgement which “leads Dr. Heuvelmans to turn for support for his views to writers whose reliability and status there can be widely differing opinions” such as animal-catchers, further damaging the credibility of his claims (Hayman). Hayman further states that Heuvelmans’ claim that zoologists are focused on adding names to textbooks is irrelevant when Heuvelmans himself proposes several new taxa, called “anachronisms in the 20th-century nomenclature” by Johnson.

Johnson finishes by stating that the book is “obviously designed and written to appeal to un-critical and not-too-well-informed readers”, that “science fiction writers should find here many points of departure for their flights into fantasy” and that “some eager amateur zoologist just might be so stimulated by (the book)  that he will go out and blunder onto a new kind of animal”. Hayman concludes with “one can part company with many of the author’s conclusions without denying that he has produced a useful work”, echoed by Simpson who states that, even despite Heuvelmans’ “silly” attack on zoologists, “one can go on to enjoy Heuvelmans’ often excellent accounts of some of the more remarkable of the zoologists’ discoveries”, and that ‘the romance is delightful even when the science is shaky”, all of which is certainly true.

Heuvelmans was certainly a romantic, but poorly evidenced his claims. The lack of an ethnozoological and historical framework for analyzing the anecdotes he relies on so heavily means that his unknown animals are little more than an elaborate speculative evolution project. In the future, I would love to see more contemporary analyses of Heuvelmans’ works; I have at least two reviews of In The Wake Of Sea Serpents I’m holding on to.

u/lprattcryptozoology — 1 month ago
▲ 29 r/AcademicCryptozoology+1 crossposts

Heuvelmans - Les derniers dragons d'Afrique

u/Nublar1993, our good friend Paisano, located and shared with us a complete scanned copy of Bernard Heuvelmans' 1978 book Les derniers dragons d'Afrique, one of the most important sources on the giant snake photo, Mokele-mbembe and other African reptilian cryptids. This is a huge deal, very excited to see this online!

archive.org
u/lprattcryptozoology — 2 months ago
▲ 56 r/AcademicCryptozoology+1 crossposts

Nanaimoteuthis in the news - the PSP is alive and well

Three weeks ago, on April 23rd, Nanaimoteuthis haggarti entered the headlines.  Cryptozoological comparisons were immediate - the editor’s summary for the paper opened by comparing it to the “Kraken, the giant cephalopod of legend”, and within hours comments and posts across major paleontological and cryptozoological subreddits speculated on a link between the two, even despite the editor’s note that Nanaimoteuthis “lived far too early to have been the source of the legend”. I’ve provided three recent posts as examples, two from cryptozoological subreddits and one using the “Cretaceous kraken” moniker. Evidently, the Prehistoric Survivor Paradigm (PSP) is alive and well…

The PSP describes the tendency of cryptozoological enthusiasts to assert that extinct groups or species are behind many cryptozoological anecdotes, even despite overwhelming evidence to the contrary in essentially every case. In some cases, these prehistoric survivors supposedly remain unchanged from what is represented in the fossil record, while in others they are highly derived members of otherwise extinct groups, complete with a multitude of novel anatomical features.

Fossils, in the eyes of the general public (and most cryptozoological enthusiasts), do little more than attest to the prior presence of now-extinct animals. People are often exposed to fossils or reconstructions entirely devoid of the context of their creation and reconstruction. Insight into said animal’s anatomy, ecology, and evolutionary history are ultimately up to interpretation and inference, tenuous at best and prone to being entirely rewritten - this perspective is best demonstrated by the “new spinosaurus update/spinosaurus nerf” meme, where the slate is constantly wiped with each additional discovery. This uncertainty expresses itself through viral memes such as the penguin sauropod and giant bird t-rex, the discourse around these analogies boiling down to “this is just as likely as other reconstructions”. Oftentimes, directly or indirectly, these analogies are packed with anti-scientific sentiments that latch onto the general conscious, keeping the cycle going. These prehistoric animals become less like animals and instead become amorphous monsters, subjects to be interpreted to suit the needs of the interpreter. Within cryptozoology, these fossils offer something else useful - materiality. Cryptids are uncertain by definition, but fossils irrefutably exist, and therefore can justify even the most outrageous speculations. This space of minimal fact, heavy analogy, and plenty of room for interpretation allows for plausible malleability, a concept I've mentioned previously.

Unfortunately, like many other mainstream cryptozoological arguments, there is little merit to the PSP. The fossil record is more than adequate to infer what groups of animals were present in a given time/place, especially in regards to megafauna like dinosaurs and marine reptiles, and often-cited prehistoric survivors are not reliable proxies for late survival. Most importantly, these hypotheses rely on general audience depictions of extinct animals found in encyclopedias or online, which have a long history of being plagiarized, generalized, amalgamated, or resuscitated, making them grossly unreliable and often outdated.

Nanaimoteuthis is a perfect example of this reliance on the unreliable. Nanaimoteuthis’ standing as a giant cephalopod is dubious - the species used as proxies for reconstructing N. haggarti are distantly related and ecologically dissimilar, making them inappropriate and unrealistic for rigorous size estimation. Furthermore, some authors of the paper seem to be obsessed with the idea of discovering “the largest cephalopod”, publishing other studies with dubious estimates of supposedly supergiant beaks. It’s bad science at best, but these perspectives are absent from the press coverage, social media posts, and shortform content covering the discovery, because the people involved aren’t cephalopod experts with the necessary information to be skeptical. Instead, it’s easier to see the paleoart and connect the dots of “we have an extinct giant octopus, we have an alleged extant giant octopus, they must be related”. It needs to be stressed that, as stated in the editor’s summary, there is no good reason to think Nanaimoteuthis has anything to do with modern cephalopod cryptid reports - but this disclaimer will likely stop very few. The PSP will persist…

As an additional note, I’d like to discuss a trend I’ve seen become progressively more common in recent years regarding the PSP. Online paleontological spaces relish in the little-known, many times signaling that an individual knows more than the others around them. I liken it to creature-catching video games (e.g. Pokemon, Monster Hunter, ARK), where a large portion of the discourse is based on showing off the rare specimen you’ve caught after a long grind; in paleontology’s case being the rare knowledge you’ve unearthed after researching. Due to an overlap in members, and especially since the pandemic (though an upwards increase has been observable since the proliferation of the internet), this reliance on the obscure has encroached upon cryptozoological spaces. By proxy of being obscure, these extinct animals are poorly understood and therefore able to be even further extrapolated and (mis)interpreted to fit any outlandish hypothesis. Dogman has become an amphicyonid, the Burrunjor has become Australovenator, the con-rit has become a radiodont, and of course now Nanaimoteuthis has become the kraken or lusca.

It’s interesting to see that almost every post discussing Nanaimoteuthis has used paleoart by HodariNundu rather than the graphs provided in the paper. Hodari is certainly the most popular artist around who abuses the obscure, offering obscene depictions based on the scrappiest of evidence. A trackway becomes a three-foot hellgrammite, a scrap of bone becomes a giant owl hunted to extinction by Indigenous Americans, and the Cretaceous Kraken eats a t-rex for some reason. Hodari does not intend them as factual, life-like reconstructions of these extinct species, but that intent is lost unless you plaster a disclaimer over the artwork itself - the speculations are stripped from their context just as fossils used for inspiration are stripped from their own.

I find it likely that cryptozoology will continue this trend and progressively cite more obscure discoveries to justify cryptids and perpetuate belief in them, especially as more are thoroughly investigated and “killed off” (the last two decades have seen the “death” of Nessie and Bigfoot, among others). Maybe we’ll see Hupehsuchus, Tiarajudens, or Pelagornis become cryptozoological household names like Gigantopithecus, Tanystropheus, and Megalonyx before them. 

u/lprattcryptozoology — 2 months ago
▲ 17 r/AcademicCryptozoology+1 crossposts

More Digitization Project Updates

Moving a mile a minute, have had around 200 new contributions to the CDP Library over the last two weeks. Have started writing and revamping some essays as well...

Everything from the later half of April has been compiled here

All articles from volumes 1-12 from the ISC Journal Cryptozoology have been split into individual PDFS here. Working on comment & response, and book reviews currently. Still working on getting volume 13 scanned.

Have also started splitting other periodicals, starting with The Cryptozoology Review

All issues of Gazette De La Bête, a French-language annual magazine for the Beast of Gevaudan have been compiled here (thanks u/Nublar1993)

Got three new books:

Sharon Eby's "Bigfoot Beyond Belief"

Terrance James' "Sasquatch Discovered - The Biography Of John Bindernagel"

B.J. Hollars' "In Defense Of Monsters"

and have uploaded some cryptozoology-themed mockumentaries as well:

Bigfoot Captured (History Channel); features Jeff Meldrum 3-D printing a Bigfoot skeleton

I Was Bitten: The Walker County Incident (Animal Planet)

Several different versions/dubs of Mermaids: The Body Found and Mermaids: The New Evidence (Animal Planet)

More to come in the future, goal is to not have this be just the Digitization Project updates sub. Of course huge thanks to Rich, Paisano, CryptoArchive, Tyler Greenfield and everybody else who has helped, contributed, gotten access to articles for me, and so on!

u/lprattcryptozoology — 2 months ago
▲ 23 r/AcademicCryptozoology+1 crossposts

Sharing some small things I've been working on beyond updating V1 the spreadsheet of files from the library, which currently only contains cryptozoological files contributed as of late April (meaning it's only 1/2 of the article library to date, missing not-cryptozoological articles and contributions after April).

The ISC Cryptozoology issues 5-7 have now been split into individual articles for convenience, more to come in the next few weeks. Still working on getting volume 13.

I've also split chapters from Abominable Science, Cryptozoology: Science And Speculation, Hunting Monsters, Folklore And Zoology, and Anthropology And Cryptozoology, editing them to include a bibliography where applicable. Hopefully these are of use!

u/Nublar1993 and I have also started parsing through the bibliography from L'Institut Virtuel de Cryptozoologie, Michel Raynal’s old website. I've found several English-language papers I didn't know of before and a treasure-trove of French-language stuff we're hoping to locate and port over. Very exciting stuff indeed.

Over the last two weeks, 130+ new articles have been added to the Digitization Project's library, all to be uploaded at the end of May - I do think monthly bulk-uploads are best. The Digitzation Project Discord is open to contributors as well, to better coordinate our efforts; if you have stuff to contribute you're welcome in. PM me for info.

Otherwise, enjoy the content. More new books coming soon!

reddit.com
u/lprattcryptozoology — 2 months ago
▲ 40 r/AcademicCryptozoology+1 crossposts

https://archive.org/details/heuvelmans-tras-la-pista

Just uploaded to Internet Archive the volumes of this extremely rare Spanish translation of On the track of Unknown animals by Heuvelmans.

As I said in my previous post, this edition from 1958 has very good an introduction written by Heuvelmans instead of Gerald Durrell. Also the chapter "There are lost worlds everywhere" has some paragraphs that were removed in the English translation, including a bit of Heuvelmans' opinion about UFOs. Personally, the covers are gorgeous.

If you have any rare Cryptozoological literature that is not online please consider digitizing it in the future, it doesn't matter the language.

Cryptozoological digitization project

u/Richtherium — 2 months ago

Over the last several months I've been slowly organizing and pruning my personal cryptozoological file collection, which originally consisted of well over 2,000 files spread across multiple devices, drives, and Discord servers. The number of files has waxed and waned with new additions, now totaling just shy of 1400 (excluding magazines and journals). I'm in the process of uploading what I can to Internet Archive, linked below. This library is, of course, not just cryptozoological but contains a lot of anthropological literature as well, I hope to have it better organized in the future.

Uploads 1 and 2 are "papers" (mostly papers from peer-reviewed academic journals, though a few are from magazines and other not-so-academic sources). These are built primarily off of The Cryptozoological Reference Library, with many additions, most of which are not specifically cryptozoological.

3 was books, but that got flagged. Unsure exactly why just yet (though I have my suspicions) - am going to hold off on these for just now, but can provide a list if anybody is looking for a specific book. Until then this remains the primary compilation of cryptozoological books.

4 is the one I'm still actively working on, being non-English materials. Hoping to get as many of these translated as possible down the line.

5 is miscellany from periodicals - previously unavailable issues of Fortean Times and such. My uploads of Fortean Times 1-30 and 270-468 can be found here and here. Working to fill the gap of 31-269, if anybody can contribute please reach out!

6 is a collection of things that didn't fit the other categories. There's pdf copies of blogposts, college theses, various essays, and other such things. I'm also still contributing files to this one actively.

NOTE - in some collections (1 and 2 particularly) there is also a .zip file. This includes .pdfs which Internet Archive could not process for one reason or another. Can offer file lists and directly send those to folks if interested.

https://archive.org/details/cdp-bckup-1
https://archive.org/details/cdp-bckup-2
https://archive.org/details/cdp-bckup-4
https://archive.org/details/cdp-bckup-5/
https://archive.org/details/cdp-bckup-6/

If any of these go down, if there are any broken/corrupt files, any duplicates, or any other problems please reach out immediately! Enjoy!

u/lprattcryptozoology — 3 months ago

This weekend, a channel named Thorn’s Jungle released this video, discussing how cryptozoology needs a “reset” - a change in form and focus from both casual enthusiasts and the body of authors, investigators, and properly qualified cryptozoologists. I’m glad to see conversations of this sort happening in the casual sphere, as it’s something academics and the more academic enthusiasts among us have been saying for some time.

I know very little about Adam Thorn’s cryptozoological stuff other than the fact that he seems to be quite zoologically-literalist, especially in regards to wildmen - a stance which, if anything, is contradictory to some of the points he makes. I think this is an interesting dichotomy and therefore a good jumping-off point to discuss the idea of a “cryptozoological reset” here, especially since I haven’t seen the video posted much elsewhere.

Adam’s points are as follows:

- Cryptozoology is due for a “big change” because it has stagnated, even despite a rise in popularity and the development of methodologies and technologies which should, in theory, be leading to the discovery of cryptids. Instead of bodies and academic descriptions, we just have tracks and testimonies. 

- There is a focus on megafaunal cryptids (e.g. Bigfoot, the Loch Ness Monster) and complete absence of time spent looking for microfaunal cryptids (i.e. lizards, bugs, birds, fish, rodents), and as a result few cryptozoologists have ever actually discovered a cryptid (note - Thorn asserts that “no” cryptozoologist has ever discovered a cryptid, but there are several examples to the contrary. Marc Van Roosmalen is the clearest example). 

- Fraud, fabrications, and goalpost shifting are common within the circles focusing on these megafaunal cryptids. We get claims of “gift-giving Bigfoot” but never samples or photographs of them, and instead an explanation that “Bigfoot is interdimensional” to explain away the lack of proof. This attitude scares away academics. 

- Cryptozoology is generally a community engaged in fantasy and seeking mystery - the closer to “real” or “solved” a subject gets within cryptozoology, the less interest it receives. In some cases it’s like LARPing, which of course is a far cry from the zoological-focus of the subject. This is permitted by the lack of hard, provable conclusions in some cases.

- We should “reset” and start from square one, trying to prove or disprove whether or not these are animals first and foremost, and we should go about this inquiry academically. We may actually find something this go around…

I’ve sat for the past few days trying to articulate my problems with these points, and have yet to do so in a satisfactory way - I hope to produce a full overview in the future. To summarize, though:

- Cryptozoology is not a discipline but a cluster of subcultures. These subcultures focus primarily on the most accessible “cryptids” - the ones in their own backyards. The community can regularly contribute to the lore, something they can’t do for the cryptids of the Congo, Amazon, or far off islands. These cryptids - Bigfoot, lake monsters, extant Thylacines - are all ultimately “dead ends”, they’re not zoological animals awaiting (re)discovery, so naturally discourse is going to stagnate.

- These communities aren’t ever realistically going to change their perspectives, they will rationalize further and further (e.g. woo Bigfoot) or die off slowly (e.g. Nessie truthers). Rather than reigning them in, cryptozoology needs to focus on building its academic bases back up. On both an amateur and academic level, do interesting things with cryptozoological data - conduct ethnographies, do historical research, try to figure out how evidence was hoaxed, conduct studies of cryptozoological “memes” (like paleoart memes). Us, as an amateur community, can do actual work and contribute to the discipline, and can get academics interested in this unorthodox data.

- To do this, however, we need to shed out zoological-literalist tendencies and essentially start from square one. We need people invested in ethnozoological, anthropological, and sociological approaches first and foremost, rather than zoological. We need to be dealing with anecdotes at their source and building up a history of our unknown animals long before determining identity, if identity is being determined at all. We need more Meurger, more Forth, more Naish, more Regal, more Shine, more Paxton, more Hill, more Lewis & Bartlett - a cryptozoological “reset” requires a complete rewrite.

In the absence of a detailed opinion/rebuttal, I’d like to use this as a discussion post - what are your opinions on a cryptozoological reset?

u/lprattcryptozoology — 3 months ago

Phenomenal video which uses Zana as a jumping off point for a nice, thorough history of Africans across the former Soviet Union, Some nice discussion on early cryptozoology included.

u/lprattcryptozoology — 4 months ago