




Sketching at jury duty
More jury duty sketches, a lotttttttt of waiting around





More jury duty sketches, a lotttttttt of waiting around
If you couldn’t tell by now, I had a lot of downtime at jury duty.
A small gift for our new friends in Alaska. I don’t usually like to draw from photos but I can’t count on my memory to recount the beauty of it all
Here are some drawings from Alaska. Ships and landscapes
138/10,000
I drew these people at bar during happy hour. Great place to draw but it takes some patience to find the right people
132/10,000
It’s always easy to draw someone when they’re not staring directly at you. The pressure is off when there’s no shot of making awkward eye contact.
126/10,000
Some days the faces come easy and some I fight to get on the page. The element of surprise is what I love most about making these drawings.
120/10,000
This is a nice mix of portraits. There’s one from the train, on the bus, at the park, and of course at the coffeeshop.
Drawing in ink means every wrong line just stays there, so at some point I stopped fighting it. A few stray lines here and there makes the drawing feel more alive.
108/10,000
All these portraits were drawn down at the Jersey shore. Do you notice anything different about them?
102/10,000
Passing the 100 portrait milestone! I know there’s still a long way to go, but there’s something special about that 100 number. Thank you all for following me on this journey!
96/10,000
Reminiscing on my day at the park in Amsterdam. So many wonderful people to draw, so lush and so so many bikes
90/10,000
These portraits were mostly drawn in transit. You could tell because everyone is looking down at their phones. The perfect situation for me really
84/10,000
Slowly making my way through the Parisian phase of this sketchbook. I could spend all day drawing at the cafes
78/10,000
I’m noticing the pages where everything clicked and the ones where I was just chasing it. The faces that landed are the ones I didn’t second-guess.
72/10,000
Drawing with a pen is a double-edged sword for me. On one hand, it pushes me to be extra observant, but once the marks are made, I have no choice but to move forward and adapt.
I had a great time sketching everyone enjoying music in the garden at the Norton Simon Museum. It was a lovely golden hour!
Getting easier to look back at these without cringing. That might be the truest sign of progress.
I'm starting to recognize which ones I was nervous to draw and which ones I wasn't.
Most, if not all, of these people were drawn at cafes in Paris. I have not experienced cafe culture quite like this before nor have I since.