u/wibbly-water

How To Write a Sign Language, Part 4: History, Grammar & Glossing
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How To Write a Sign Language, Part 4: History, Grammar & Glossing

Blog Post version available here: How To Write a Sign Language, Part 4: History, Grammar & Glossing

I'm back again! This is a bit of a different one. I am done with explaining the different types of sign language writing system and I want to discuss the uses. And first on the docket is an important question can these writing systems accurately reflect sign language grammar?

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Whether you are new to sign languages or a native signer who has signed your entire life - you probably haven't heard about sign language writing systems. Spoken languages around the world have writing systems so surely sign languages can too? Well, many have been tried and used in brief corners of the world but none have been widely adopted by Deaf communities.

I recommend these resources if you want to learn more about all of those attempts and their histories:

But in this mini-series of posts I want to explain the different types there are so that you, intrepid future sign language writer, may better understand the options and pick which to learn or make.

In the last part I talked about parameter alphabets, which tease out each individual part of a sign like a recipe. In this part I will talk about the grammar of sign languages and glossing!

Part 1: Logographies (Reddit Post & Comments Section)

Part 2: Pojectional Systems (Reddit Post & Comments Section)

Part 3: Parameter Alphabets (Reddit Post & Comments Section)

Part 4: History, Grammar & Glossing <= You are here                            

A Brief Tour of Deaf History

Before I begin we need a very brief history lesson.

Sign languages have always been around, but rarely is their history written down as Deaf people were mostly poor and illiterate - as were most people outside of the elite of society. Sporadic accounts tell of those who use their hands to talk from across the world back to the dawn of civilisation. Socrates even mentioned communication by signing amongst deaf people, albeit briefly. Sign languages spread and diverged for the same reasons that spoken languages do - people move to new places and then can't communicate with those back home where they came from, thus a new language is born.

But the oppression of deaf and hard of hearing people goes back as far also - as we are seen as stupid due to our inability to communicate, and attempts to "normalise" us are seen as virtuous.

Deaf Education began in 1760 with the founding of the Institution Nationale des Sourds-Muets à Paris by a man named Charles-Michel de l'Épée. There he, and other teachers both hearing and deaf, taught Deaf children using "manualism" (teaching via sign language). l'Épée learnt Old Parisian Sign Language (the sign language of the Deaf community of Paris) and tried to take those signs conform to the grammar of French - calling this signes méthodiques (methodical signs). This experiment quickly failed as the Deaf children and alumni of his school used their own grammar, becoming langue des signes française (LSF, aka French Sign Language). LSF would later be carried across the Atlantic by two men named Gallaudet and Clerc to become ASL.

Charles-Michel de l'Épée

Image Source: Charles-Michel de l'Épée - Wikipedia

In Milan 1880 the Second International Congress for Second International Congress on Education of the Deaf banned the used of manualism in favour of oralism - teaching deaf children only how to speak in the theory that it would make them more normal and better able to integrate into mainstream society. While this experiment worked for some, for many others it left them without accessible communication - and even for those who could integrate it often lead to difficulties socialising as they would forever struggle to understand those around them. 

Example of Oralism: via manipulating the throat of a deaf child

Image Source: deaffriendly | flashBACK: Oral Method in Deaf Institutes (Post-Milan 1880)

Oralism as a practice continues in the modern day under new names and continues to do harm - the current recommended method by experts and researchers is the bilingual-bicultural model (BI-BI), teaching both sign and speech separately to bolster one-another.

During this period sign languages were not recognised as unique languages. Where they were used, they were often seen as a form of defective "slang". "ASL" and "BSL", while definitely in existence, had no names but instead were seen as broken English made with the hands.

And finally we get to what this story is about - Stokoe. William Stokoe is was a an English teacher at Gallaudet University - a university that specifically teaches Deaf students. As an English teacher and linguist he noticed his students signing and as he watched he began to realise their signs had consistent patterns behind them. They had set "phonemes (parameters) which he called "cheremes" (the name didn't stick), and grammar.

Stokoe, signing \"LOOK\"

Image Source: Deaf History - Europe - 1960: William Stokoe, "Sign Language Structure"

This is what lead him to develop the Stokoe method, as well as coin the term "American Sign Language". That name did stick and soon sign languages around the globe had their own unique names and communities willing to fight for them.

Sign Language Grammar - The Big Prize

Sign languages have their own unique grammars that are different from anything a spoken language can produce. While much is the same, much is also different. And between sign languages there are many similarities and differences also.

Many basics are the same. Sign languages have nouns, verbs and adjectives. They have proper nouns (names) and pronouns. They arrange these into sentences to create meaning.

Sign language word order can also be starkly different. Many, if not most, sign languages work off a topic-comment system. This is usually where the topic (the item with more pre-existing information) comes before the comment (the item with more newly introduced information). 

Consider the city of Paris. You already know what Paris is, and where it is. Thus it is more likely to be the topic, though could sometimes be the comment. If I was telling you that I did something in Paris - the new information is the information about what I did. You know who I am, you know what Paris is, but what I did there is new information to you. Thus topic comment usually produces something like the following word order:

  • Time - when did it happen?
  • Place - where did it happen?
  • Object - who/what was involved?
  • Subject - who/what did the things?
  • Verb - what did they do?
  • Question - what more information do I need to know?

I sometimes like to think of it like a theatre play. Think visually. Imaging the space in front of you is a stage:

A Stage

Image Reference: Male and female artists playing on stage in front of audience. cartoon performers in evening dresses singing drama song flat illustration | Free Vector

  • Time - first you tell the audience when they are
  • Place - next you raise the curtain to reveal your backdrop telling them where they are
  • Object - now you introduce the props your characters will use
  • Subject - now your characters come onstage
  • Verb - now your characters do stuff
  • Questions - now you set up the hooks for the next scene

Not all sentences follow this, it is flexible. It can also produce Subject-Object-Verb and Subject-Verb-Object sentences. And different sign languages do this differently - some prefer OSV, some SVO some SOV. This isn't the be-all-end-all, just an overview.

Sign language pronouns are also unique and incredibly cool. You use a finger, or an entire hand, to point in a specific direction. Pointing towards oneself is ME, at the audience is YOU, at a random person is THEM-OVER-THERE, but from here it gets even cooler. Pointing at a random decided location in your personal space (known as "sign-space") sets that location up for later. So if I were to sign DOG THAT(left) then the left area of my signspace becomes the dog's area. Every time I point back in that direction, it refers to that dog. Additionally pointing in the same direction with a different handshape can be possessive (a fist ✊ in BSL, an open palm ✋ in ASL). Different sign languages point with different handshapes, and sometimes different parts of the body (eye gaze, nose, tongue, lips). This is all called "indexing".

YOU vs HE/SHE/IT/THEY

Image Source: Indexing American Sign Language (ASL)

Verbs are also very often directional. As I showed in Part 2, verbs can move in different directions depending on who is doing what to what.

https://preview.redd.it/zbgchw3dfr2h1.png?width=571&format=png&auto=webp&s=5a710bf28664a94975b60fb843dd6755bacdefa5

Image Source: American Sign Language (ASL)

But this also often agrees with the indexing - where verbs will move towards and way from these placed indexes. If I pet that dog from the previous example, I would sign STROKE towards the direction that the dog is.

Roleshifts are another uniquely sign language part of grammar. These are where you shift your shoulders, along with your demeanour, to pretend to be another person. These are often used to quote others. Rarely to signers say "She said..." or any equivalent, they just role-shift and become the person saying the thing for a small while.

Classifiers are also a big topic. These are also known as "pro-forms" or "depictive signs". Essentially classifiers are "show-don't-tell" within a language. I like to break it down into three or four categories.

  1. Entity Classifiers - with these your entire hand becomes the thing, and like a puppet you can move it about through the air to imitate it's movement. For example the 🤙 handshape in BSL can be an aeroplane, and you can fly it about through the air steadily before shaking violently to show the horrendous turbulence in your last flight.
  2. Handling Classifiers - with these you just pretend to hold and use objects. For instance you could hold a bowl and a whisk and mix it about furiously to show how hard it is to make meringue. 
  3. Bodily Classifiers - with these you become the thing you are talking about. For instance you could pretend to be a cat and pounce on a mouse.
  4. Tracing Classifiers - with these you trace out the shape of something. For instance you could trace out a line of vases that are different sizes and shapes - one square, one round, one voluptuous.

 

Entity Classifiers in ASL: ☝️ = person, ✌️ = legs, 👆+🖕 = vehicle

Image Source: Classifiers: a list of CL handshapes

All Deaf Community Sign Languages (those used by a Deaf community - where the majority of signers are Deaf) use classifiers so far as I am aware. This is, however, not true of sign languages outside of those such as Village Sign Languages, where the majority are hearing with a higher than usual amount of deaf individuals. 

But even amongst Deaf Community Sign Languages - there is plenty of range of what classifiers are used and how. For instance while the 🤙 is a plane in BSL, it is a person in some far east Asian sign languages (I believe one of the Chinese Sign Languages at least). And in America, airplane is 🤟. Also the classifier usually goes after a verb but before a question in the topic-comment structure listed above.

Lastly I want to very briefly touch on expressions (NMFs) - as these can do a lot of work with the grammar. Not all of this is done in a sign. The tilt of a shoulder or change of expression can signal something that you need to know in order to make sense of what is being signed.

Sign languages were also heavily influenced by spoken languages - both by active attempts to make sign languages follow spoken language rules such as l'Épée's attempt back in 1760 or modern ones such as Signed Exact English - and also by bleed over from one language to another. As such three layers exist:

  • Sign Languages - full sign languages with sign language grammar, such as ASL, BSL, LSF etc.
  • Contact Languages - such as Pidgin Signed English (PSE) (also known as Conceptually Accurate Signed English - CASE) which mix ASL and English grammar.
  • Manually Coded Languages - sign systems which use signs following the word order of spoken languages, such as Signed Exact English (SEE).

The boundaries between each of these is often fuzzy, with a small number of signers signing full sign languages with not a hint of spoken language grammar and few signing full manually coded languages with not a hint of sign language grammar - but the majority of signers hovering somewhere between. Where to short-cuts become a contact language? Where do some influences of English on one's signing become a contact language? These are questions that those who wish to preserve sign languages have to wrestle with.

As you can hopefully see, sign language grammar functions on principles that are adjacent to, but different from spoken languages. This is, of course, just an overview - and to learn more you should learn your local sign language. Understanding and representing it correctly is the big prize amongst both linguists and those who wish to write sign languages.

GLOSS

But through all the parts of this so far, some of you may have noticed a glaring absence, the most widely used sign language writing system of all - GLOSS!

Glossing isn't unique to sign languages, it is a tool used by linguists to analyse grammar. Outside sign languages it's usually called interlinear gloss or Leipzig glossing and matches the words and morphemes of one word with words and morphemes with another next to one another:

https://preview.redd.it/fs4w114qfr2h1.png?width=374&format=png&auto=webp&s=f45ae354477069c6070387576e365026c5c81817

That is an easier to read example, but often it looks something like this:

https://preview.redd.it/4oytm4bsfr2h1.png?width=434&format=png&auto=webp&s=e49cae80bc91f5c3d1fc9aaa5b3e51b9c7557ccb

Image Source: Interlinear gloss - Wikipedia

The small caps word such as "1SG" and "DET" mark the grammar of the language.

  • 1SG - first person singular
  • SUBJ - subject
  • 3SG - 3rd person singular
  • OBJ - object
  • APPL - applicative voice
  • DET - determiner
  • POSS - possessive

The punctuation has a specific usage, usually a dash means separate morpheme (meaningful part of a word) whereas dot means part of the same morpheme. 

Words that can be translated into the "metalanguage" (the one being used to do the analysis) are given in lower case.

The rules of sign language glossing. First off, as sign languages don't have accepted writing systems, they are more commonly presented on their own - though sometimes alongside videos, images or drawings of signing. e.g.

  • DOG
  • CAT

Second, sign language glosses are majority written in capital letters, with hyphens between words when they refer to a singular sign / morpheme. e.g.

  • STARE-AT
  • GO-TO

Third, they have various strategies for representing sign language grammar:

  • "SIGN+SIGN" - compound signs
  • "SIGN+", "SIGN++", "SIGN+++" etc - repeated / reduplicated signs
  • "fs-WORD" or "FS-WORD" or "(fs)WORD" etc - fingerspelling
  • "#WORD" - fingerspelling loan signs, like #DOG in ASL. 
  • "IX1", "IX2", "IX-left", "IX-she" etc - indexing, aka pronouns,
  • "CL:1 (walk slowly)", "CL:V (running fast)", "CL:3 (zoom past)" etc - classifiers, "CL" just means "classifier", whereas 1, V, 3, etc shows the handshape and the part in brackets tells the reader what action occurred with the classifier, usually in a short English phrase or snippet
  • "/\" - eyebrows raised (rare)
  • "\/" - eyebrows lowered (rare)
  • Other information such as NMFs can usually go in brackets in lower case.

For more on gloss I recommend:

I have most widely seen gloss used in America and sporadically elsewhere in the world. I have heard of it being taught in sign language classes there which is unheard of here in Britain. It is likely the widest used sign language "writing system", especially in America, but there are flaws to that. Namely the fact that the words aren't actually in ASL, they are English words written with the grammar of ASL, thus mismatches occur.

There are precedents for languages using words from others to write their own.

Example of Palahvi

Image Source: Pahlavi scripts - Wikipedia

The Pahlavi script was a script used to write various middle Perisian and other nearby related middle Iranian languages. It was derived from Aramaic and used "heterograms", which were spellings which didn't match the current word. These heterograms were from Imperial Aramaic, a completely different language unrelated to Persian.

But even the Pahlavi script used a mixture of those Persian words in it. The heterograms were there to make it more understandable across audiences, but those words necessary for understanding (especially the grammar) were in the language(s) the people actually used.

'For example, the word for "dog" was written as ⟨KLBʾ⟩ (Aramaic kalbā) but pronounced sag; and the word for "bread" would be written as Aramaic ⟨LḤMʾ⟩ (laḥmā) but understood as the sign for Iranian nān. [...] [these] could also be followed by letters expressing parts of the Persian word phonetically, e.g. ⟨ʾB-tr⟩ for pidar "father". The grammatical endings were usually written phonetically.'

Source: Pahlavi scripts - Wikipedia

Just the heterograms alone would be insufficient to accurately write Persian, and the writing system was eventually dropped in favour of unambiguous alternatives such as the Avestan Alphabet and later the Arabic abjad.

Similarly Gloss is useful, but only half way there. It can express the basic word order of ASL decently well, and denote when certain grammatical features occur - but it often creates situations where a single word in gloss could be multiple signs, and for classifiers it requires writing in snippets of English or whole English sentences. This means that if you are a Deaf child, you have to learn how to write English (a whole different language) before you can write your own).

I say this as someone who has tried. I have written two stories that use gloss to represent the signing of various characters... and while interesting, it was quite insufficient in my experience.

Example of Glossing Used for Dialogue

The above is an extract from the English translation of my short story Y Ddwyleg, published in Welsh in the Gwyllion Magazine: Gwyllion issue 9 Digital Download – Gwyllion.

S. Leigh Ann Cowan who wrote Ranking Deaf Characters in Fiction: Reviews, Analyses, and Tips to Write Better Deaf Characters (Updated Monthly) shared with me an upcoming guide to writing Deaf / signing characters in fiction which she says "I don’t believe glossing is appropriate in literature."*

*this is quoted with her direct consent and may not reflect the wording present in the final released document.

She notes that most examples of gloss in writing are simplified (thus missing many of the grammatical features), ambiguous and appear as broken English, which is especially noticeable when paralleled with characters using fully fluent spoken English. Instead she recommends writing in fully fluent translated sentences for characters in books*. I will talk more about this in my next part covering when and whether it is appropriate (or not appropriate) to use any form of sign language writing - be that gloss or any other.

*her review of my work with gloss in it was positive, despite being against her general advice, but only because I strongly understood what I was doing and my work was very experimental

As such Deaf people do not tend to use gloss when writing much, especially not for anything longer than a few words. This might be partially because gloss often looks like "broken English" - but also it loses the visual part of sign language. A signed sentence feels full and alive, written down on the page as gloss it feels empty and dead, dissected using gloss.

Sign Language Grammar in Sign Language Writing

So unlike gloss, which is writing one language with the words of another, sign language writing has the opportunity to tap directly into the languages themselves.

In the part on Parameter Alphabets I discussed how writing systems can be used to break down the phonology of sign languages. Some only aim to do that such as HamNoSys and explicitly do not aim to be written in longer sentences. But others do.

This presents somewhat of a problem because the current norms for writing sentences and longer texts are based off the norms of spoken languages. Full stops, commas, colons, exclamation marks, question marks. How much of these can be taken wholesale? How much needs to be adapted for sign languages? How much new stuff needs to be invented?

I find that if you just go into this writing word by word, sign by sign, something tends to be lost. Across multiple signs information is conserved, and done so in a very visual way. For instance with the indexing and verb directions. Planning ahead so it all works well together is important. 

Sign Language Grammar in Logographies

There aren't really enough logographies to say if there is a pattern in how they handle it in general - but they can either handle it by depicting what is going on more directly - or introduce symbols that indicate specific grammatical things are going on.

Example of Handtalk

from a previous blog post

While the grammar of Handtalk Pictographs is unclear from the materials I have found - you can observe some modification and arrangement of symbols that seem to indicate... something. What precisely that is, I am unsure. I believe repetition can indicate number via reduplication. There are also modification of the "tracks" / "footsteps" glyph in various situations.

Example of Icoglyphs Sentence

Image made with: Word-by-word translation visualizer — see which words match · Bitext Align

Icoglyphs uses many tricks to accurately capture sign langauge grammar as best as possible. One such trick is glyphs specifically meant to indicate grammatical location. Specifically in the example above: 

https://preview.redd.it/nj9rt8hggr2h1.png?width=649&format=png&auto=webp&s=6c4e13b33b32b02a7e216380e9b9394c4e4d4d3b

These are grammatical markers that inform the reader of the locations and direction of various signs.

It also has ways of making classifiers using classifier brackets and arrows:

I am biased towards logographies - so I think they do a pretty good job at representing sign language grammar.  However they require a lot of memorisation.

Sign Language Grammar in Projectional Systems

As I explained and demonstrated in Part 2, directionality is one key benefit of projectional systems. You can modify words in order to visually incorporate directionality very easily!

i-ATTACK-you

you-ATTACK-me

Classifiers are also possible, though I feel sometimes without a logographic element they don't quite feel like classifiers. It's hard to place my finger on precisely but again they feel like a diagram rather than a show-don't-tell. In fact it feels like telling me how to show.

Jack and Jill in Sutton Signwriting

In the above example, most of the words are classifiers. The translation would be something like:

  • Person one and person one got together - entity classifiers
  • Went up together - entity classifiers
  • THINK (not a classifier)
  • Bucket - tracing classifiers
  • Fill up - entity / tracing classifiers
  • Person one tumble down - entity classifiers
  • Head hurt - bodily classifiers
  • Person two tumble down - entity classifiers

"Two people got together and walked up a hill. They thought to fill two buckets. One fell down. The other does too."

It proves it is possible, but I first have to decode this into signs before I can understand it as classifiers.

Sign Language Grammar in Parameter Alphabets

I won't cover this in all alphabets but luckily I don't have to. Many alphabets don't have many adaptations specifically for sign language grammar, instead they write word by word and hope that is good enough.

Signfont uses expression (NMF) markers as punctuation, mostly before the rest of the sentence:

https://preview.redd.it/yg16a4piir2h1.png?width=609&format=png&auto=webp&s=7d6191253a24723f6f41abde63a60c2f52286bfc

Signfont grammar

Image Source: Architect: Final Version Signfont Handbook. : Salk Inst. for Biological Studies, San Diego, CA. : Free Download, Borrow, and Streaming : Internet Archive

As far as I am aware the rest of the system makes no special cases for directionality nor classifiers.

ASLfont shows indexing and sign-space locations in a very clear way that could help with sign language grammar recognition:

ASLfont sign-space locations

Image Source: ASL Font: Lesson 6: Locations in Space 1

Location is also marked in a very distinctive way in ASLwrite, with -T and -J being which side of the signspace and entire clause is located:

>

Lentz et al. 1993, 45.

These are especially useful for role-shifts. It also has systems for swapping hands and using buoys, both of which are concepts I haven't talked about but are also important grammatical concepts.

Overall - parameter alphabets can and should make unique adaptations for sign language grammar - but each one makes completely different adaptations. This means there is a lack of consistency across them.

This is, of course, the big prize I think a good sign language writing system could win - a way to express not only the phonology (parameters) of sign languages but also the grammar in an unambiguous, clear and efficient way. I think this would also help Deaf signers and learners of sign languages feel more confident about their grammar - as they can see it written down and build stronger associations. It may also help to differentiate sign languages from contact languages or manually coded languages.

Conclusion

Gloss currently exists as a way to represent sign language grammar - but fails as a writing system because it is unwieldy, often ambiguous and requires you to master English (a different language) before being able to write your own language.

Thus sign language writing systems have a huge opportunity to express sign language grammar well, and I believe must in order to succeed. It is the big prize, because writing a single word is "easy", taking the next step to writing not only a single short sentence but longer complicated ones and whole paragraphs, chapters and books needs skill and mastery of all of a language's grammar.

I recommend that anyone looking to make a sign language writing system to think ahead for grammar and not neglect it as you are making the system. I also recommend you dedicate a significant portion of your learning/teaching materials to addressing the grammar. 

I recommend those who are considering choosing a writing system to learn and use look at how it represents grammar before making your decision. 

I recommend writers aiming to write in sign language think about sign language grammar rather than just write word by word. Learn how to structure your overall sentences, punctuation, paragraphs and formatting to do so most effectively in your writing system of choice.

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u/wibbly-water — 14 hours ago
▲ 12 r/asl+1 crossposts

How To Write a Sign Language, Part 3: Parameter Alphabets

Whether you are new to sign languages or a native signer who has signed your entire life - you probably haven't heard about sign language writing systems. Spoken languages around the world have writing systems so surely sign languages can too? Well, many have been tried and used in brief corners of the world but none have been widely adopted by Deaf communities.

I recommend these resources if you want to learn more about all of those attempts and their histories:

But in this mini-series of posts I want to explain the different types there are so that you, intrepid future sign language writer, may better understand the options and pick which to learn or make.

Last post in this series I talked about Projectional Systems. This post I will talk about Parameter Alphabets.

Fair warning this one is LONG, indepth, and full of jargon. There is just so much to cover that to make it shorter would be to miss out important information. I want to show the entire breadth of sign language alphabets. I have tried my best to keep it easy enough to follow for non-linguists also 😄

       

As this one is too long for reddit - I will post the introduction here (and if I can the first few systems) but I recommend checking out the blog for the full thing!

Alphabets, Syllabaries and Other Phonetic Writing

As I discussed in Part 1: Logographies, the Latin alphabet came from Heiroglyphs. The letter <A> used to be an ox or bull with horns. But how? Why?

Development of the letter A

Development of the entire Alphabet

Image Source: Evolution of the Alphabet Poster – UsefulCharts

Initially, it was that the hieroglyphs were used to mean "sounds like...". So the word for "ox" was " 'alp", so using the ox symbol meant "sounds like 'alp".

This got loaned from language to language, first becoming Proto-Sinaitic, then Phoenician then Greek then Latin. Through this copying the letters lost the associations they once had - so "A" became just a sound, and was no longer linked to "ox" at all.

It also branched out into many different alphabets along the way, such as Norse Runes, Hebrew and Arabic amongst many more. Latin itself was adopted by many languages across Europe and the world, and is the very same writing system that is used in English. Thus alphabets come in many forms.

But what is an alphabet?

The word "alphabet" is used in two ways. In a general sense it is used for any writing system which writes the sounds of a language. Another words for this are "phonetic writing systems". This applies to most languages, such as Spanish where each letter always represents a sound. English is weirder - because it's writing system is only semi-phonetic, and the spelling depends on the history of the word. However at its core the letters still represent sounds, even if not in a 1:1 way.

Not all sound-based writing is the same. There are; 

  • True Alphabets - writes both consonants and vowels as separate letters, like Latin
  • Syllabaries - writes whole syllables like "ka" as one letter, like Japanese.
  • Abjad - writes only consonants, with no vowels or only optional vowels, like Arabic and Hebrew.
  • Abugidas - writes consonants, then vowels are written as additional modifiers, like Devanagari (Hindi & Sanskrit).

All of the above are "alphabets", but not all are "true alphabets".

Alphabet, Syllabary & Abugida comparison

In Arabic the vowel marks are optional, they are not used the majority of the time.

Image Sources: 7.1 Writing Systems – Psychology of Language, A really good video on how to evolve a naturalistic tri-consonantal root system : r/conlangs**r/conlangs

Parameters - Sign Language Phonetics

This is the part many people get confused, because sign languages don't use sounds. How can they have "phonetics", "phon-" means sound?

Well the equivalent of phonetics in sign languages are parameters. We still call it "phonetics" by analogy, because it works a similar way, but it needs you to learn a few concepts.

While there is some debate about the finer details, the most common model is the HOLME model:

  • H - Handshape - the shape the hand makes with the fingers.
  • O - Orientation - the direction the hand (palm, fingers, etc) are pointing.
  • L - Location - the place the sign is in space or on the body.
  • M - Movement - the direction and way the hand moves.
  • E - Non-Manual Features / NM Markers / NM Signals / NM Expressions (called E for "expression") - what the face and rest of the body does.

An example of the five parameters

A brief explanation of the 5 parameters, with Signwriting examples

A diagram of the 5 parameters

Image Sources: 5 Parameters of ASL "TRUE" v.s. "TELL", Pin by Leslie Grahn on Instructional Resources: American Sign Language | Instructional resources, American sign language, Language, Phonological parameters of sign language: articulation point (AP), hand... | Download Scientific Diagram

So based on this:

  • True Alphabet would be one where each parameter is noted as individual letters (to the best of the ability of the designer, with the knowledge available about sign language linguistics at the time).
  • Syllabary would be one where multiple parameters are grouped together into single symbols, especially if centred on the movement as that is often considered the syllabic core signs.
  • An Abjad would be one where some parameters are written, whilst others remain unwritten (at least, most of the time). This applies specifically to HOLM. E is considered a separate case, which I will explain below*.
  • An Abugida would be one where one parameter is the base, and other parameters modify that base.

*Notably I wouldn't consider lack of expression (NMFs) to be enough to consider a system an abjad. Expression is somewhat akin to emphasis, intonation or tone in spoken languages. All spoken languages use tone, intonation and emphasis in some way - some as part of their words, some as part of their grammar and some purely as personal affectation - but very few writing systems mark it. Those that do often employ very different strategies tailored to that specific language's needs. 

Similarly expressions are used differently in different sign languages. Some, such as ASL, only use expressions grammatically and as personal choice. Others such as BSL use mouthing to differentiate between signs (e.g. NEPHEW vs BATTERY). As such, so long as the writing system can differentiate minimal pairs (words with only one parameter difference) with HOLM (but no E), I would still consider it still a True Alphabet.

Importantly all of said systems are linear, rather than projectional. This means they are written in sequence and can be read as such, rather than location in 2D space impacting meaning. An example like Korean is still linear in this example because there is a correct order to write and read glyphs, it's not freeform or highly 2D.

You could consider SignWriting or ASLwrite forms of Alphabet or Syllabary or Abugida if you want, but projectional systems break the known categories so will be ignored.

Before continuing I need to talk about one last concept.

Featural vs Arbitrary, Iconic vs Symbolic

Most alphabets are arbitrary. That means that the shapes of letters have no relationship to the sounds they make. They make those specific sounds because of the history up to this point.

But then there are iconic and featural systems, which overlap a lot and people get them confused. Korean is the key example.

Korean letters corresponding to mouth shapes

Korean letters

Image Sources: Lessons from Hangeul – Fonts Knowledge - Google Fonts, Learn to write your name in Korean : 한글 The Korean Alphabet — Steemit

As you can see Korean letters resemble shapes of the mouth - making them iconic and similar letters share similar shapes, making it featural. People get these confused because Korean is both, but there are non-iconic featural writing systems, such as Canadian Aboriginal Syllabics. 

Canadian Aboriginal Syllabics Table

Image Source: Canadian Aboriginal Syllabics

These are featural because similar sounds share a similar letter, but NOT iconic because the shapes of the letters are ultimately (to my knowledge) symbolic (random).

While the words "arbitrary" and "symbolic" exist as contrasts to "featural" and "iconic", the rest of this post already uses enough jargon that from here on out I will only be using "non-featural" and "non-iconic".

Sign Language Alphabets & More

So, finally I can get to the alphabets. I think it would be best go go in order and show how one attempt affected the next! There are way too many different system to get into every single one, so I will be going over only those I consider notable.

In the case of arbitrary (non-featural) and symbolic (non-iconic) I will not note it because that is the global default.

Fair warning - this next section contains 12 different parameter alphabets because people often feel the need to make their own either in ignorance of, or because they can do better than, other attempts.

14, no 15 competing systems and growing

Image Source: xkcd: Standards

This can be annoying - as it feels as if perhaps it would have been better had we just picked one, stuck to it, and honed it over time. But on the flip-side - each is unique in some ways and something new can be learned from each of them, even the ones you dislike!

Mimographie

Featural Iconic Semi-Syllabary

(1825)

The second earliest form of sign language writing system (bar Handtalk Pictographs), this was made in the Institution Nationale des Sourds-Muets à Paris, the birthplace of Deaf Education. It was made by Roch-Ambroise Auguste Bébian, one of the first hearing teachers of the deaf to become fluent in French Sign Language (LSF) and a strong advocate of it.

Mimographie handshapes and locations

Mimographie movements

Mimographie examples

Image Soruce: Mimographie, ou essai d'ecriture mimique

Analysis of this script is made harder by the fact that the main document about it is written in French, much of it handwritten. Perhaps one day I would love to translate this into English and make a modern day font for the writing system!

Handshape and Orientation are combined into single symbols, which are rotations of one-another. Location and movement seem to be individual letters. Location seems to primarily be bodyparts. Expressions (NMFs) are also present as the exclamation-mark style characters.

I can't quite discern the whole of the order, but it appears to be Location, then Handshape with Orientation for both hands, then Movement, then Expression. Thus the basic order is L[HO]ME, but I am not sure if what the deeper nuances are, nor how strict this is.

Categorisation & Review

It is a good example of a featural and iconic script, where the letterforms are intended to resemble the shapes and orientations of the hands. In terms of status:

  • H & O - these are merged into a single symbol.*️⃣ 
  • L - present✅
  • M - present✅
  • E - present ✅
  • Basic One-Hand Order: L[HO]ME
  • Complex Two Hand Order: L[HO]¹[HO]²ME (uncertain)
  • Syllabary
    • Featural
    • Iconic

I'd argue that Mimographie is a Semi-syllabary. That is to say some letters act like syllables, others like true alphabet letters. A true sign language syllabary would go further than this, perhaps combing L and M or similar.

Praise**:** This occupies a historic place, despite it being largely forgotten. I appreciate a good attempt, even if said attempt did not take off. It also likely represents the earliest phonological analysis of sign languages, which resulted in something very similar to the parameter analysis.

Criticism**:** The biggest issue I have with this system, and attempt overall, is that it relies so much on being able to read the French portions to get it. More diagrams and demonstrations would be good. It's hard to criticise without further information. As far as I can tell, it also seems to be lacking in handshape information.

[I will skip a few in this Reddit Post in order to get to the ones I consider most notable - a full account of all systems I have reviewed is available on my blog]

Stokoe Notation

Semi-Iconic Alphabet

(1960)

William Stokoe is a key figure in the history of sign languages. He was one of the first people to linguistically analyse ASL and used Stokoe Notation to do it!

The Stokoe system was initially made with a modified typewriter, as such most symbols are reused symbols that can be found on a typewriter, although some appear drawn.

Stokoe letters per parameter

Expressions in Stokoe Notation (rarely used)

Image Sources: Sign Language Structure: An Outline of the Visual Communication Systems of the American Deaf, 3.9 Signed language notation – Essentials of Linguistics, 2nd edition

This is the birthplace of modern parameter analysis. While it called them other terms (DEZ = Handshape, TAB = Location, SIG = movement and orientation) it has all the elements.

Handshapes each have a separate letter (holsitic). Locations are defined as locations on the body - with a single neutral space location (bodily). Movements and orientations are both absolute meaning they describe directions away-from, towards, left, right, up and down of the signer. It is sometimes stated that Stokoe lacks a way of writing Expressions (NMFs) but this is incorrect! It does have expressions, but only 3 - and they are rarely used.

A longer text in Stokoe

A breakdown of a longer text in Stokoe

Image Sources: Stokoe notation - Wikipedia, 1. A sample sentence represented in Stokoe Notation System: "the woods,... | Download Scientific Diagram

Glyphs are arranged in a mostly linear structure, with some super-script and sub-script letters. Additionally dots and lines are sometimes used as diacritics above and below letters. Sometimes you will see glyphs stacked on top of one-another but not in all versions, as completely linear ASCII/Unicode compatible versions of the system are available. 

Location is placed first, followed by handshape followed by the superscript movement and subscript orientation. Thus the basic order is LHₒᴹ In cases with two hands each hand appears to be indicated separately. Thus the complicated order would be L1H1ₒL2H2ₒ₂ᴹ (where 1 is the dominant hand and 2 is the non-dominant hand). This appears to be very strict.

As such I believe that Stokoe is a true alphabet. Some letters are iconic, like the arrows (orientation and movement) as well as the bodypart locations. But even this iconicity is limited.

Stokoe was highly successful for a while - with dictionaries published in ASL and BSL at least. Additionally apparently one person has their name on their birth certificate in a modified form of Stokoe Notation (apparently meaning "Smile"). But momentum petered out, partially due to the complexity of the system preventing it from being adopted in every-day use, in addition to a desire to explore other systems arising.

Categorisation & Review

  • H - present, holistic✅
  • O - present, shares a set of characters with M, written as subscript, absolute✅
  • L - present, bodily✅
  • M - present, shares a set of characters with O, written as superscript, absolute✅
  • E - present, but under-specified and under-utilised.✅
  • Basic One-Hand Order: LHₒᴹ
  • Complex Two-Hand Order: L1H1ₒ₁L2H2ₒ₂ᴹ
  • Alphabet 
    • Semi-Iconic
    • Non-Featural

At the time the importance of expressions (NMFs) was not well understood. I would consider Stokoe Notation to be an alphabet once again because all parameters were present to the best of Stokoe's ability.

Praise**:** Another one which is historic in the development of sign language writing systems. It represented a leap forwards in the linguistic analysis of sign languages.

Criticism**:** The choice of symbols that Stokoe makes results in it being quite hard to write as technology has progressed. Aesthetically it also looks quite confusing, in a way that I feel is quite beginner unfriendly and pushes away prospective learners before the get used to it. Like I mentioned above, I believe the complexity of the system prevented it from being adopted into broader use within the Deaf community. Conversely, I don't believe it provides an adequate way to express some of the more advanced sign language grammar - such as classifiers, which makes writing longer passages in it difficult.

On perhaps a broader level, I think it loses something that sign languages value - spatialness and iconicity. Abstracting down to a linear sequence of arbitrary and symbolic characters means we lose a lot of what makes a sign language feel like a sign language - the way signs look like what they mean is lost. This critique is true of many of the writing systems from this point forwards, especially ones that aim to be used outside of an academic context (which was attempted somewhat with Stokoe, such as the creation of dictionaries).

[Another few systems will be skipped here]

HamNoSys (Hamburg Notation System)

Featural Iconic Alphabet

(1984)

According to the DGS Korpus website, HamNoSys exists within the "Stokoe" tradition of phonetic transcription systems. However, it does away with almost all of the glyphs Stokoe himself invented, and instead creates its own featural iconic glyphs. As implied by the name, it was originally created by the University of Hamburg, in Germany.

HamNoSys breakdown

HamNoSys examples

Image Sources: Structure of HamNoSys Notation system | Download Scientific Diagram, PPT - Signs for the future PowerPoint Presentation, free download - ID:5108051

Handshapes recieve individual letters - but there are also ways to modify these with diacritics to produce new handshapes. There is both body-locations and some more detailed neutrals space locations. Movement and orientation are both absolute, meaning that they show directions towards, away-from, left, right, up and down from the signer. It seems like NMFs have only been added in later iterations and are under-developed - mostly reusing glyphs already present for locations and movements.

The order of parameters is seems to be broadly handshape, orientation, location then movement - linearised from left to right. Some letters "drift" upwards and downwards but these aren't considered modifiers to any baseline. Where expression is included, it seems to go on the start, as does a mirroring mark. Thus the basic order is EHOLM. Where both hands are used doing different things, the parameters are noted in the same location as the other hand. As such the two complicated order is: [H¹H²][O¹O²][L¹L²][M¹M²].

HamNoSys has found a decent amount of success in academia - both in sign language studies and within gesture research. It is also in general more prevalent in the EU than anywhere else with a lot of work on German Sign Language (Deutsche Gebärdensprache - DGS) being done in the system. There are also some projects which use HamNoSys to programme virtual avatars to make signs.

It aims for maximal detail - breaking down signs into all their relevant parameter information. It does not aim to be a practical writing system as such, but instead a tool for academia.

Categorisation & Review

  • H - present, holisitc (though somewhat finger configurational)✅
  • O - present, absolute✅
  • L - present✅
  • M - present, absolute✅
  • E - present, but under-developed.✅
  • Basic One-Hand Order: EHOLM
  • Complex Two-Hand Order: E[H¹H²][O¹O²][L¹L²][M¹M²]
  • Alphabet 
    • Featural
    • Iconic

As such this is clearly an alphabet.

Praise**:** It is seemingly one of the most comprehensive transcription systems available. The move away from being language specific like Stokoe was also helps it be more widely useful, and its iconic featural nature makes it somewhat more intuitive. 

Criticism**:** This is the first system for me to hit what I call the sprawling word problem. As you can see, even simple signs like "ME" have 6 or 7 characters. Signs like "NAME" sprawl even more across the page. Stokoe managed this by using sub- and super- script, though you can detect it even there and in Bergman - a need to write half a dozen individual symbols for even a simple sign.

This is less of a problem for HamNoSys because it is not trying to be a writing system but instead a transcription system. However I still think this is a problem. The longer and more sprawling any word is, the more difficult it is to process. This makes sense for complex signs, which would be the equivalent of long words - but if a system unnecessarily inflates the size of words then it becomes an impediment. 

Aaaaaaaaaand we have reached the image limit. As this is a long post, I reccomend you check out the rest of it on my blog available here: https://lukapona.blogspot.com/2026/05/how-to-write-sign-language-part-3.html

I may include some images in the comments demonstrating some other alphabets, but for now I will skip to some conclusions:

Conclusions

In this post I have analysed the following systems:

  • Mimographie (1825) - Featural Iconic Semi-Syllabary: L[HO]ME
  • Kinemics (1960) - Alphabet, probably?: unsure
  • Stokoe Notation (1960) - Semi-Iconic Alphabet: LHₒᴹ (E rare)
  • Bergman Notation (1977) - Semi-Iconic, Semi-Featural Alphabet: HOLM (no E)
  • HamNoSys (1984) - Featural Iconic Alphabet: EHOLM
  • Signfont (1987) - Featural Iconic Alphabet: E HALM
  • ASLphabet (1992) - Featural Iconic Abjad: HLM (no O, no E)
  • ELiS (1997) - Featural Iconic Alphabet - HOLME
  • SLIPA (2003) - Semi-featural Alphabet: HᴼLᴬM E
  • ASLfont (& RSLfont) (2013) - Featural Iconic Alphabet: HOLME
  • Auswrit (2022) - Featural Iconic Abugida: [HO][HO]LM (E incomplete)
  • SLDWS (2024) - Featural Alphabet: HOLM (no E)

In writing this I have gained a deeper appreciation for alphabets. Up until this point I had never felt satisfied by any alphabetic sign language writing system. They seemed complicated and difficult to process - like a step by step recipe rather than a word my brain could process quickly.

But now I have written this whole blog-post I now see the incredible work, time and consideration that went into each of these. Even the ones I dislike the most and criticise most heavily are still labours of love. And each has some new perspective to offer us.

We need to think about its purpose. One of the more complicated and detailed systems (e.g. HamNoSys) may be a good option for academia, but would be too clunky to use for everyday use. If we want to use an alphabet for writing every day sign languages... I think we aren't there yet.

Of the options presented I think something to learn the most from in this regard is ASLphabet. The choice to make spellings simpler by missing out information and letting the reader guess from context could be a big leg up in efficiency over other systems that go for maximum detail. I think efficiency of this sort or similar is what would be needed if we were to ever aim for mass adoption.

Ultimately I am still not the biggest fan of sign language alphabets, nor a user of one. While perhaps technically possible, I think they strip away some of the visual-ness that is so important to sign languages. If projectional systems feel more like a diagram than than a word, parameter alphabets feel more like an ingredients list. I have also yet to see classifiers done "well" in them, that is to say in a way that I see and understand as classifiers.

My heart lies with logographies and projectional systems - which retain that visual aspect far more clearly.

reddit.com
u/wibbly-water — 6 days ago
▲ 12 r/asl+2 crossposts

Thank you so much for the response the other day to my post! I have part two for you all!

Last week multiple people mentioned (Sutton) Signwriting and ASLwrite. As promised here is the post covering those.

I would love your feedback and thoughts once again!

Some of the images have transparent backgrounds, and thus may not work well if you use Reddit in dark mode. Also due to Reddit limiting me to 20 images per post, I cannot post this all as one, so I will need to continue this post in the comments section.

If you are expediting issues you can also read this it on my blog 😄. I also post new parts there early!

//

Whether you are new to sign languages or a native signer who has signed your entire life - you probably haven't heard about sign language writing systems. Spoken languages around the world have writing systems so surely sign languages can too? Well, many have been tried and used in brief corners of the world but none have been widely adopted by Deaf communities.

I recommend these resources if you want to learn more about all of those attempts and their histories:

But in this mini-series of posts I want to explain the different types there are so that you, intrepid future sign language writer, may better understand the options and pick which to learn or make.

Last post in this series I talked about logographies. This post I will talk about Projectional Systems.

Projectional Systems

The concept of projectional systems is deliciously simple. How should we write sign languages? Why not just draw the hands doing stuff! As such projectional systems use both simplified drawings of the hands and body, as well as relative positions of said glyphs to create a sign.

Index Finger

Index Finger on the Lipslike the \"hush\" gesture

Images made with: SignMaker 2017

This opens up both great opportunities and major problems. 

Sign languages are 3D languages. They use space and directions in their vocabulary and grammar. Projectional systems use the 2D space on the page to mimic that 3D spatial / directional grammar.

For instance verbs (like ATTACK in British Sign Language) change direction depending on who did what to who; I-ATTACK-YOU will travel from me to you, whereas YOU-ATTACK-ME will travel towards myself.

I-ATTACK-YOU

YOU-ATTACK-ME

images sketched with paint

Sign languages are also visual languages and use iconicity - where signs look like what they mean. In the previous part I discussed how logographies can use this iconicity for their glyphs. Instead projectional writing systems directly depict what the hands are doing, which often capture that same iconicity that is present in the signs.

Ball

Image adapted from: ASL: 3D Object by Garrett Bose in Sutton SignWriting

Oral Languages - there's nothing quite like it

But unlike logographies, projectional systems are unique amongst world languages. No spoken language writing system works this way. Some scripts like Korean (Hangeul), Ancient Egyptian Hieroglyphs and Mayan glyphs have some similarities - but none allow glyphs to be arranged as freely as projectional systems do, with where they are placed so drastically changing the meaning.

Korean Hangeul is said to be based on the shapes the tongue / mouth makes to make certain sounds. Additionally the letters are arranged into 2D blocks by stacking them on-top of one another.

Shapes of the mouth and relation to Korean letters

Image Source: Lessons from Hangeul – Fonts Knowledge - Google Fonts

Patterns of Hangeul Blocks (two letters)

Patterns of Hangeul Blocks (three letters)

Patterns of Hangeul Blocks (four letters)

Image Source: History and Hangul > Korean Language > Overview > ibs

But as becomes evident, the combinations of are far more limited than what projectional systems allow. There are only specific patterns in which the letters of Hangeul can be arranged into blocks, you cannot just place them anywhere.

Other heiroglyphic systems such as Egyptian have some more freeform glyph placement, as I showed in the previous part:

Mouth = \"R\", Arm = \"A\", Sun = the sun.Total meaning: Ra, the sun.

Image Source: Ancient Egyptian and Emoji Chain Letters - by Dylan Black

Hieroglyphs left to right flexible writing / reading order

Image Source: Egyptian Hieroglyphs: Lesson 1 – Egyptian Hieroglyphs

While the arrangement of these glyphs can be complicated, they are also highly flexible. Projectional systems on the other hand are not flexible, as if you change the arrangement of glyphs in a character, you change the meaning of the character.

The fact that they are novel poses issues, as there is no precedent for what such a system would look like if codified nor digitised. 

What does accurate spelling look like if you can use glyphs in any combination, orientation and position on the page? 

How do you even encode such a system for writing digitally?

The two big examples of Projectional writing systems are Sutton Signwriting and the Si5S-SLwrite family of systems.

Sutton Signwriting

Sutton Signwriting (most often shortened to Signwriting) was developed by Valerie Sutton out of her previous work, Dancewriting, at the request of the University of Copehagen in 1974. As a system it shows signs directly using simplified drawings of the hands, body, face and arrows. It uses shading to indicate some information such as orientation, which is very rare amongst world languages.

\"Sign Writing\" in Signwriting

Image Source: SignWriting - Wikipedia

Signwriting brief visual explanation

Image Source: Sutton SignWriting - Omniglot

Sutton Signwriting found early success back when it was first developed but didn't manage to maintain this momentum in most of the world. It has been adapted to most global sign languages and has found niche use over time. The largest body of use is in Brazil, where it has been adapted by Deaf education and academia. There is a dissertation written and numerous children's books written in LIBRAS using Sutton Signwriting.

Jack and Jill in Signwriting

Image Source: 2. Sutton SignWriting Notation(SSW) for the nursery rhyme, "Jack and... | Download Scientific Diagram

There has been significant work creating materials for Sutton Signwriting, adapting it to sign languages around the globe as well as making it more digitally compatible. I will talk more about digitisation later in this post.

Goldilocks in Signwriting

Image Source: Sutton SignWriting - Omniglot

There is also a handwritten (cursive / shorthand) form of Sutton Signwriting, but it looks very different from its standard printed/digital form.

Sign Writing Shorthand For Sign Language Stenography

Example of handshape simplification for shorthand

Example of Shorthand A: I don't know what this says

Example of Shorthand B: I believe this is Goldilocks

Image Sources: SignWriting Handwriting and Shorthand, SignWriting Handwriting, SignWriting Shorthand For Sign Language Stenography 1982

Review

Positive: Sutton Signwriting is easy to read individual signs, and even has some longer texts written in it. It also undoubtedly occupies a historic place in the development of sign language writing. The availability of resources in and about so many different languages is also a big bonus. It is many people's first introduction and intuitively demonstrates yes... maybe this is possible.

Negative: However it is hard to write both on paper (because it requires shading) and digitally (because it requires positioning). The handwritten form seems easier to write, but looks very different from it's regular printed form and is way harder to decode - additionally I have never actually seen it used anywhere before. As I have said, I will talk about digitisation later in this post, but it's all quite difficult to learn and clunky to use. Additionally - being so wide as to include so many sign languages risks it becoming a jack-of-all-trades-master-of-none. I for one believe it would be perfect for a dictionary, perhaps an equivalent to the International Phonetic Alphabet, as it can show how signs are produced. But I am hesitant to adopt it as an every-day writing system.

Reddit only lets me upload 20 images per post, so I will continue this post in the comments below! 😄

reddit.com
u/wibbly-water — 15 days ago
▲ 46 r/asl+3 crossposts

https://lukapona.blogspot.com/2026/04/how-to-write-sign-language-part-1.html

Hi r/deaf - after Helen's recent post and some calls for me to share my nerdier work here. I have decided to do so! The following post is a copy of a blogpost on my blog, which I link above :)

I would LOVE to hear your thoughts. Should sign languages be written? If so, how do you think they should be written? If not why not? What do you think about using a logography for writing sign language?

Also is my writing accessible to a non-nerd audience? Is there anything you would like me to explain further? I mostly discuss this amongst other linguistics nerds.

I will take your feedback onboard going forward with this series.

Also - a little background on me. I am a hard of hearing BSL signer with a degree in linguistics and Deaf Studies. I find sign language writing systems fascinating and wish they were used more widely. This series is my attempt to share the wide diversity there is out there with the world! :D

//

Whether you are new to sign languages or a native signer who has signed your entire life - you probably haven't heard about sign language writing systems. Spoken languages around the world have writing systems so surely sign languages can too? Well, many have been tried and used in brief corners of the world but none have been widely adopted by Deaf communities.

I recommend these resources if you want to learn more about all of those attempts and their histories:

But in this mini-series of posts I want to explain the different types there are so that you, intrepid future sign language writer, may better understand the options and pick which to learn or make. First I will cover Logographies.

Logographies

A logography is a writing system where a single character represents a concept, instead of a sound. Sometimes this comes in the form of one-character-per-word, and sometimes these are little pictures of the concept in question (also called "pictographic") but it need not be. This is the rarest type of writing system, both for sign languages and spoken languages. 

For spoken languages this is how writing started - little pictures that represent words. From there it became more complicated then simplified. Even modern English letters, the ones I am using to write this very sentence, came from this. The capital A, for instance, is an upside-down picture of an ox's head.

Development of the Letter A

Oral Language Examples

Spoken languages have a number of key examples. More used to exist, but now only one remains. Chinese Characters. It has evolved over time, once having been more pictographic (little pictures) before becoming more and more abstract and logographic (representing an idea).

Development of Chinese Characters

Image Source: Different Chinese characters in various forms throughout time. The... | Download Scientific Diagram

But the Chinese script is not fully logographic. Instead many characters are "phono-semantic" meaning that within one character some parts hint at the meaning, and other parts hint at the sound.

Breakdown of Chinese Characters

Image Source: Frontiers | Will the embedded semantic radicals be activated when recognizing Chinese phonograms?

Additionally languages like Japanese mix logographic and sound based characters. In Japanese these Kanji (Chinese Characters) and Hiragana & Katakana (syllabic characters).

Breakdown of a Japanese sentence.

Image Source: The Japanese Writing System Explained: Hiragana, Katakana & Kanji

Even ancient logographic writing systems were often much more complicated than "little pictures which represent the meaning". Some glyphs meant sounds, others represented the meaning.

Mouth = \"R\", Arm = \"A\", Sun = the sun.Total meaning: Ra, the sun.

Image Source: Ancient Egyptian and Emoji Chain Letters - by Dylan Black

So, all in all a logography need not be totally logographic in order to be one, and a logography doesn't need to be only a logography. It just needs to make significant use of logographic characters. 

So, in sign languages I can think of precisely two examples:

Handtalk Pictographs

Much about the history of the indigenous North Americans has been destroyed by colonisation. One example is the pictographic script. A number of surviving accounts (and, I believe, oral histories) link this script to Handtalk - and numerous glyphs clearly have strong resemblances to Handtalk signs.

Handtalk, also known as Plains Indian Sign Language was/is an trans-cultural language for the various tribes of the plains indigenous people. The many tribes spoke very different languages, so Handtalk was used by them to communicate and trade, as well as having ritual significance. Handtalk is still around, and still holds a role within indigenous cultures. Here is some introductory information:

It is unclear how related they are/were.

Was this a written form of the sign language? Did Handtalk signs just provided the inspirations for individual characters, and the writers were actually reading/writing their respective spoken languages? Alternatively, was it intended to be a direct and full representation of any language - instead acting as a mnemonic device, read and/or signed aloud with extra words inserted to produce the full story?

Despite these uncertainties, the similarities are striking!

A story written in Handtalk Pictographs

A list of Pictographs and signs they resemble.

A depiction of an indigenous person writing a story.

Image Source: Universal Indian sign language of the Plains Indians of North America, together with a simplified method of study, a list of words in most general use, a codification of pictographic symbols of the Sioux and Ojibway, a dictionary of synonyms, a history of sign language, chapters on smoke signaling, use of idioms, etc : Tomkins, William : Free Download, Borrow, and Streaming : Internet Archive

It is also unclear precisely how logographic this system was/wasn't. The above examples are quite directly pictographic (little pictures) but other examples seem to be far more abstracted and complicated, implying more was going on than a the simplified "its little pictures" narrative would say. Below is one such example, a letter sent in the mail to a student at a boarding school for indigenous children (another dark chapter in indiginous history):

https://preview.redd.it/8s4hv5ivhyyg1.png?width=400&format=png&auto=webp&s=c3c88aad97b61ab0aa5edf3e44c5b5f3a934c3b2

Image Source: Who put Native American sign language in the US mail? | OUPblog

Regardless of these uncertainties it is an often overlooked part of sign language history, and we should not under-estimate the people who used this script - who were clearly able to read and write this fluently, efficiency and with great depth of information.

 Review

Going forwards I am going to be reviewing each of the scripts, but not this one. All other systems are attempts at writing sign languages. This was a success. Not only that - it arose naturally with no direct intent to create a writing system.

Its disappearance was not due to any design flaws, being replaced, being rejected by the community nor evolving into something else. Instead the culture it was a part of was brutally oppressed and the people who practice it were genocided.

I for one would love to see indigenous people revive this script. I think more people should know and remember it. I think we could all learn something from it.

Icoglyphs

Icoglyphs is my own system system which I have been making for a number of years. It is named Icoglyphs because it uses the same iconicity (tendency for signs to look like what they mean) that signs themselves have.

Formerly called BANZSLogo, it is created to write the BANZSL language family, namely the British (BSL), Australian (Auslan) and New Zealand (NZSL) sign languages.

The opening of The North Wind & The Sun in Icoglyphs (BSL)

It takes inspiration visually from the Handtalk Pictographs, Sitelen Pona, Ancient Chinese (oracle bone script) and Ancient Egyptian - and structural inspiration from Chinese and Japanese.

A passage from The Magnus Archives translated into BSL.

It is a mixed system similar to Japanese. As such the majority of glyphs are logograms / pictograms, but it also contains the alphabetnumberspunctuationgrammatical markers and parameters. These are intended to be used in conjunction to create a written form that is intuitive to read and write. 

A demonstration of Icoglyphs

As of right now this is still a work in progress and I have yet to fully release it. I will publish more about this system soon, so watch this space.

 Review

I am of course biased because this is my project.

Positives: While the system is not fully released as of yet I have had a lot of success writing longer texts and reading back my own work. Additionally I have found feedback to be generally positive and people are generally able to make decent educated guesses of individual signs when written. 

Negatives: I find there is some concern that this system is too complicated, with too many characters to memorise - and I agree. However I don't see this as the end-state but the start. It would like to see it start here and evolve towards something more streamlined by cutting away what we find we don't need.

Conclusions

The rarity of logographies is very understandable. They are hard to make and hard to memorise. Humans look for patterns and efficiencies wherever possible. Thus with writing it may often start logographic but often simplifies towards something more phonetic over time.

Logographies are particularly useful for sign languages as the imagery provided within the iconicity of a sign language (meaning that signs look like what they mean) can often be translated into the logographic/pictographic form.

I think if the world were full of sign languages in place of spoken ones, the first writing systems would still have been logographies. Perhaps more would have survived into the current day also due to the nature of sign languages being iconic.

Perhaps if Handtalk hadn't been decimated, it could have provided a basis for true sign language writing. Perhaps if Icoglyphs is adopted by others it will also.

But regardless, I consider logographies a good first step on the road, not a last step.

 ⸙

Stay tuned for next time where I will be looking at Projectional Systems!

o pona!

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u/wibbly-water — 18 days ago

So I have some work in progress thoughts which I'd like to run past some people for feedback.

In short - The Authenticity Problem is that as soon as I detect any AI use in someone's content I immediately can no longer trust it to be authentic.

My reasoning is this - if they are willing to use AI for one thing, why not for more? Maybe they make a personal choice not to do so, but they clearly don't have strong ethical convictions against using it.

Lets take an example of a blog post. So they used an AI to make images, what about helping them write? What about writing the whole thing? How much, if any, is their own thoughts anymore? How can I know?

This is especially true if they don't openly and clearly disclose their AI use. Even worse if they try and hide it. What else could they be "cheating" on?

And I don't hate all uses. I know multiple people who aren't very good at English who use LLMs to help them write better in English. I don't hate that as a concept. There are also artists who make very high effort art that uses AI in some way. I try to separate that out from anti-authentic AI use - but I also know people who aren't fully fluent English who use AI in a very anti-authentic way too!

This matters to me because when I engage with content, be that as a passive consumer or someone who is interacting with the person making it, I want to know that the expression is the authentic thoughts and feelings of the creator. Even if not using AI, mass produced "slop" is just worse than authentic expression. So when people use AI, they take away this authenticity.

Note: I personally avoid using AI for numerous ethical reasons. Despite this I have been accused of AI use myself a few times, I think because I tend to write in quite a formal style that AI output seems to be somewhat similar to. This hurts precisely because it triggers the Authenticity Problem - that an accusation of AI is an accusation of my own thoughts not being my own.

//

I'd appreciate thoughts and feedback on this issue.

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u/wibbly-water — 21 days ago