r/Akool_Official

This will always be the most iconic video forever for AI,will smith will be the best test subject for every new tool in market…Workflow:this time I made this on Minimax H3 on Akool and prompt generated using Google Gemini “Will Smith eating Spaghetti”

I saw this 10sec Seedance 2.5 video with prompt included and i tried it in Minimax H3 10secs

I think Minimax H3 holds up very well in comparison.

You be the judge.

Prompt used: Japanese anime style, a young girl with blue hair in a school uniform standing on a windy rooftop looking at a flying dragon, detailed sky background, cinematic lighting, emotional expression.

Prompt used:

"Photorealistic studio portrait of three cats sitting perfectly aligned in a vertical stack—a cream-colored cat on top, a charcoal-grey cat in the middle, and a vibrant ginger tabby at the bottom. Clean off-white studio background, soft even lighting highlighting the intricate fur patterns and whiskers of each cat, sharp focus, 8k resolution, elegant symmetrical composition."

Made with Akool AI - One of the OST for the short-movie WUCC to be released on the 22/06 for the Akool Creator Clash! Stay tuned!

Let me know how real it looks like and open to feedback on comments.

Made with seedance 2.0 & akool. Comment for prompt

I wanted to try something different for this entry, so I went with a stylized 3D commercial approach using Seedance 2.5 on AKOOL.

Really enjoyed experimenting with the product shots, motion, lighting, and overall commercial look.

Made entirely with AKOOL, with some additional editing for the final presentation.

Creator Clash: $300,000 in total Creator Rewards + $100 for every qualifying submission.

I wanted to experiment with a continuous-shot AI action sequence.

Two characters, HEKSEL and SEBASTIAN MUJIB, start fighting inside a luxury hotel and the action never cuts — from the restroom, through a shattered window, into a falling aerial fight, through a glass infinity pool, underwater, and finally into the forest.

The entire sequence was designed as one physically continuous shot with realistic camera movement, impact, water, glass, and environmental destruction.

The only dialogue is:

“Stay away from her.”
“You stay away from her.”

Created with Seedance on AKOOL.

Would love to hear your thoughts on the action, camera movement, and overall realism.

I am posting this series concept of 7 episodes. I have always been fascinated by dragons. Let me know how it turned out to be and open to suggestions. Enjoy!

Prompt:

Epic fantasy television opening, photoreal cinematic. High-altitude mountain range

at dawn — jagged granite peaks, snow cornices, deep valleys filled with mist.

Dragon: massive, dark crimson scales fading to charred black along the spine,

wings, and snout. Ember-orange light glowing faintly between the scale plates of

its throat and chest. Ridged horns, amber eyes, a wingspan wide enough to throw

shadow across a whole ridgeline.

Rider: a striking woman in her late twenties with long flowing silver hair, an

hourglass build, wearing a flowing white silk dress that whips violently in the

slipstream. Bare feet braced against the dragon's shoulder ridges, both hands

gripping a horn. Composed, unafraid, wind-burned cheeks.

Shot 1 (0–3s): Wide establishing. Mist between two peaks — the dragon bursts

through it, wings snapping open, rider small and clear on its back. Camera tracks

alongside as it banks between the mountains. Scale emphasized: birds scatter,

snow lifts off a ridge in its wake.

Shot 2 (3–6.5s): Behind-the-rider POV, camera just over her shoulder. Silver hair

and white silk streaming toward the lens, wings beating on both sides of frame,

mountains rushing past below. She leans forward into the wind.

Shot 3 (6.5–9s): Close-up, low angle on her face. Wind roaring, hair across her

eyes, jaw set. She looks down at something in the valley, then leans in and speaks

one word into the dragon's ear.

Shot 4 (9–13s): The dragon's throat ignites — light spreading up its neck from

within, scales glowing orange from the inside out. It rears its head back, then

snaps forward and unleashes a colossal torrent of fire down the length of the

valley. The blast lights the entire mountainside, mist boiling away, orange

firelight raking across her face and dress. Camera shudders from the concussion.

Shot 5 (13–15s): Rapid pull back to extreme wide. Dragon and rider silhouetted

black against a wall of fire filling the valley, wings spread. Hold two beats.

Cut to black. Title card fades up in engraved silver serif.

Camera: aerial tracking, one over-shoulder POV, one intimate close-up, one

explosive wide. Slight handheld shudder only on the fire blast. Anamorphic 2.39:1.

Lighting: cold blue dawn and grey mist for the first half, then hard warm orange

key from the fire taking over the frame entirely.

Style: prestige-television fantasy grade, photoreal creature VFX, volumetric mist

and smoke, embers and ash drifting, 24fps natural motion blur, fine film grain.

Audio: deep leathery wingbeats, howling high-altitude wind, low subsonic growl

building through shots 1–3, then a cavernous roar and the deafening rush of the

fire blast. Orchestral strings and a lone female vocal swelling into the final

wide shot, cutting dead on the black.

Spent the past few days iterating on this — a fighter jet (custom design, Su-34-inspired livery) that transforms mid-flight into a mecha to fight off alien monsters in the streets of Jakarta, with Menara Jakarta as a backdrop landmark throughout.

Made entirely with Seedance 2.0 at 720p, stitched together from multiple generated clips. The trickiest part by far was getting the jet-to-mecha transformation to read as one continuous object instead of two separate things morphing awkwardly — took a lot of prompt iteration (motion blur/smoke to hide the hardest transition frames, explicitly locking color/markings across every clip, chaining last-frame-as-next-starting-image between generates) to get it to hold together.

Would love feedback on:

- Does the transformation sequence read as believable, or still obviously AI?

- Any tips for smoother continuity between separately generated clips?

Happy to share the prompt breakdown in the comments if anyone's curious about the workflow.

Two twin burglars.🥷

One silent entrance.

One extremely bored bulldog.🐶

The dog won.😆

Created with Seedance 2.5 in Akool

Prompt: Cinematic 3D animated cartoon style, feature-animation quality, stylized exaggerated character proportions, highly expressive facial animation, soft subsurface skin shading, detailed cloth and hair simulation, shallow depth of field, polished studio-animation render, completely original character designs that must not resemble any existing or copyrighted character. Vertical 9:16. 30 seconds, TWELVE hard-cut shots. No dialogue, no speech, no lip-sync — pure exaggerated physical comedy.

CHARACTER LOCK — these designs must stay identical in every single shot.

THE HUGE BURGLAR: an enormous heavyset man in his forties, towering and barrel-chested, thick neck, heavy brows, permanently serious and stoic face. Dressed in a tight black turtleneck that strains against his massive frame, black pants, and thin black gloves that look comically small on his huge hands. Moves with slow, careful weight.

THE TINY BURGLAR: a very small, skinny man barely reaching the huge burglar’s waist, sharp nervous features, oversized black beanie that keeps slipping down, matching black turtleneck and pants hanging loosely. Extremely expressive face and body language, constantly on the edge of panic.

THE BULLDOG: a stocky, muscular English bulldog with heavily wrinkled face, tiny legs, broad chest, and a permanently bored, unimpressed expression. Moves and sits with absolute calm and zero urgency.

LOCATION: a dark, quiet suburban living room at night. Soft moonlight through sheer curtains, wooden floor, silhouettes of furniture, one table lamp.

LIGHTING ARC: cool blue moonlight for the first half. From shot 7 onward the table lamp gets bumped on, mixing warm yellow light with the cool moonlight while the tension remains high.

SHOT 1 — 0.0s to 2.5s — WIDE low angle: the huge burglar carefully lowers the tiny burglar through an open window into the dark living room. Both land silently in a crouch. Slow push-in. HARD CUT.

SHOT 2 — 2.5s to 5.0s — MEDIUM: both burglars slowly rise and freeze completely as they notice the bulldog sitting perfectly still in the exact center of the room, staring at them. Extreme size contrast. Static. HARD CUT.

SHOT 3 — 5.0s to 7.5s — CLOSE on the tiny burglar’s face: extreme slow-burn reaction — eyes widen frame by frame, mouth falls open, one big sweat drop forms and rolls down. HARD CUT.

SHOT 4 — 7.5s to 10.0s — MEDIUM: the tiny burglar scrambles up the huge burglar’s body like a tree and ends up perched on his shoulders in full human-shield position. The huge burglar stays completely frozen and stoic. HARD CUT.

SHOT 5 — 10.0s to 12.5s — WIDE: the bulldog stands up slowly and begins a calm, deliberate walk in a wide circle around the two frozen burglars. The tiny one trembles on the shoulders. HARD CUT.

SHOT 6 — 12.5s to 15.0s — CLOSE low angle: the bulldog stops right in front of them, sits down again, and tilts its head slightly with total boredom. HARD CUT.

SHOT 7 — 15.0s to 17.5s — MEDIUM: the huge burglar very slowly raises one massive gloved hand in a tiny, polite wave. The table lamp gets bumped and switches on, flooding warm light. The bulldog blinks once. HARD CUT.

SHOT 8 — 17.5s to 20.0s — CLOSE on the tiny burglar: he clings tighter, legs shaking, eyes darting between the dog and the exit window. HARD CUT.

SHOT 9 — 20.0s to 22.5s — WIDE: the bulldog stands again and takes three slow steps closer. Both burglars lean back in perfect sync, the tiny one almost falling off. HARD CUT.

SHOT 10 — 22.5s to 25.0s — MEDIUM: the huge burglar carefully takes one giant slow step backward toward the window while still carrying the tiny burglar on his shoulders. The bulldog watches without moving. HARD CUT.

SHOT 11 — 25.0s to 27.5s — CLOSE: the bulldog yawns an enormous, exaggerated yawn, tongue curling, completely unimpressed. HARD CUT.

SHOT 12 — 27.5s to 30.0s — WIDE: the huge burglar reaches the window and starts lifting the tiny burglar back up to escape. The bulldog simply lies down on the floor and rests its head on its paws, watching them leave. Ends on a held frame.

Twelve hard cuts at 2.5s, 5.0s, 7.5s, 10.0s, 12.5s, 15.0s, 17.5s, 20.0s, 22.5s, 25.0s and 27.5s. No dissolves, no fades, no slow motion.

AUDIO: near-silent night ambience, soft fabric and clothing rustles, quiet wooden floor creaks, nervous breathing, one low bulldog exhale, a deep bored yawn, subtle low tension drone that stays understated.

NEGATIVE: photorealism, live-action footage, any resemblance to existing or copyrighted characters, weapons, actual violence or biting, the dog looking aggressive, blood, on-screen text, captions, subtitles, logos, watermark, dialogue, speech, lip-sync, changing costumes, extra characters, dissolves, fades, slow motion, static first frame, opening freeze.

Seedance 2.5 Prompter

#akoolcpp #akool

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