
r/DarkAcademia

A 1701 French copy of The Office of Holy Week, in a beautiful fanfare binding for Mary of Modena, Queen of England, Scotland, and Ireland, second wife of James II/VII. After the failure of the Glorious Revolution, she and her family went into exile in France.
Flavel House Museum in Astoria, Oregon
Built in 1886 in the Queen Anne architectural style
it was so beautiful-
Gothic concrete planter !?
Hi there,
I find out that there are no gothic like planters from solid material like concrete. Only lot of 3D printed ones from etsy.
So i started to think how difficult can be make one or even make it in series.
A LOT!
To make form and produce something like this is expensive in terms of money neither time.
And thats why im here.
Would you be interested in limited series of planter like this ? Its make no sence make it massively.
This exact planter is for D15-D17 pots,
Weight 4,5-5kgs or 9.9-11lbs
20cm in height, 23cm widest point.
Price 250-300€ or 290-350$
Thanks for your comments !
We're approaching the best months!🙂
Anyone else ready for home to look like this again? I know I am.
Looking for beta readers for a DA-ish novel
Hi r/darkacademia! I'm looking for a couple first-round beta readers for my adult academic fantasy novel, THE ARCHIVISTS. 97,000 words across 30 chapters. It’s gone through several rounds of self-editing, and I’m looking for folks to do a read-and-react and point out inconsistencies, plot holes, missed opportunities for characterization, etc. Will send a Google Doc link, and appreciate comments left anywhere and everywhere!
THE VIBES:
- Dark academia-ish, but the academics are adults with jobs
- “Congratulations on your prestigious fellowship! Unfortunately, it is cursed.”
- Scholarship as literal magic
- Ensemble cast / found-family-ish cohort dynamics
- Competent, ambitious heroine
- Brilliant, distractible love interest
- Colleagues -> research partners -> oh no
- Everyone has their own flavor of dysfunction
- SPICE: 1/ 5 (yearning, flirting, and physical intimacy; no explicit content)
BLURB:
Art history professor Cora Chamberlain has spent her career becoming exactly the person academia rewards: polished, brilliant, disciplined, and increasingly uncertain who she is beneath it all. When she’s selected for a prestigious fellowship at the secretive Institute of Applied Humanities, she expects ivy-covered buildings, academic rivalries, and a year of career-making research. Instead, she discovers that magic is real, the Institute is responsible for keeping reality intact, and that one of the seven fellows will ultimately be chosen to maintain the mysterious Archive at the center of it all. As Cora grows close to Benny Hartwell, a brilliant but awkward narratologist, their investigation into a vanished novelist’s journal begins exposing secrets the Institute would rather keep buried. Because the fellowship isn’t quite the opportunity Cora thought she’d earned–and becoming the best candidate in the room may cost her everything she has left of herself.
FIRST PAGE:
The fan on Cora’s desk did nothing but move heat around.
When she’d been allocated the room in the corner of the top floor of the university’s art building, Cora had wondered why none of the senior faculty had wanted the office with the windows. Within her first week, she’d understood why–from ten in the morning until seven at night, the sun turned the room into an oven, even with the shades down. Although long practiced at ignoring her own discomfort, Cora was becoming more aware by the second that a generous application of clinical-strength antiperspirant had not been sufficient to keep her from sweating through her blouse, even with her hair clipped up off the back of her neck.
She’d been there since seven that morning, grading essays from one of her summer sessions. All of them recycled the same handful of half-remembered talking points from her lectures, shuffled and rewritten with generous assistance from an AI chatbot. Western Art Survey II, Cora had begun to suspect, was karmic punishment for some horrible thing she’d done in a past life. No matter how carefully she taught, her students managed to produce masterpieces of confident inaccuracy; the last essay she’d read had continually referred to Van Eyck’s The Arnolfini Portrait as “the wedding painting.”
Whereas other professors' desk drawers were full of paperclips and dried-out pens, Cora’s contained body spray, an extra stick of antiperspirant, and handfuls of surprisingly absorbent napkins stolen from the campus coffee shop. The drawer stuck in the humidity, requiring her to brace one knee against the frame and pull.
Her desk was meticulously organized, because an orderly office kept Cora’s thoughts away from bigger, more unmanageable problems, like her stalled research, her mother’s last email, or the way her stomach soured when anyone mentioned the department budget. So when she wrenched open the drawer and saw the envelope, Cora knew, instantly, that she had not put it there. It was made of a heavy, cream-colored paper, unmarked except for her name and title in thick serif type: Dr. Cora Chamberlain.
A perfunctory knock jarred her office door, which she’d propped open for airflow. “Cora,” said her department chair, leaning in without waiting for an invitation. “You got a minute?”
Is Femkit worth it?
I have been following Femkit for years and love a lot of their pieces visually, but haven't indulged due to the price. However, I am able to consider getting a piece from them and am curious to see if the quality or make of their garments hold up to their price tag. I love all of their pieces, but below is just one of the jackets that I love. Thank you in advance!
A modern memento mori. I created this traditional copperplate engraving to reflect on the decades we lose to the digital void.
Hello everyone. I’m a traditional printmaker, and I wanted to share my latest piece, "Decades," as I thought the underlying philosophy might resonate with this community.
It is a modern take on the classic vanitas still life. I was recently struck by a rather bleak realization: if a generation that has grown up with smart devices lives to the age of 80, they will have spent roughly 30 of those years simply looking at screens.
I wanted to place the enduring symbol of our mortality—the human skull—next to the everyday artifacts that so quietly consume our waking lives.
To create this, I used hand-pushed copperplate engraving, a centuries-old technique. For me, the medium is a crucial part of the message. The incredibly slow, stubborn, and physical labor of pushing a burin through copper stands in deliberate opposition to the frictionless, fleeting nature of our digital consumption. It is printed in traditional black ink on antique-toned, German mould-made paper.
It serves as my own quiet reminder to disconnect, to value analog slowness, and to exist more in the physical world. I hope you enjoy it.
My sketch book from Almafi
Most people will buy a sketchbook from Walmart or an art supply store. Its really all the same. But me I decided to have this made for me. Beautiful Italian leather and paper that is only made in one location in Almafi. Its all traditionally made and bound the exact way they did over 200 years ago. It was well worth it.
I added the page covers made from cotton fiber paper to protect the sketches.
Palacio de Sobrellano, a Gothic Revival summer residence in northern Spain.
My latest "Nocturne Slim" by Troubadour - customer commission! King Cocobolo and Wenge...
This has quickly become my most popular model! It's a real joy to make! Main body wood is Brazilian King Cocobolo and the shoulders are Wenge from Africa. The finish is Troubadour's "Heritage" finish - shellac and a carnauba/beeswax blend. All built on a raw, uncoated brass hardware set. Lines are burned in, as always, with a D'Addario Chrome wound "G" electric guitar string - same ones I use on my ES-335!
Miramar Palace, an English-style royal retreat in northern Spain
Hi all, I made this skull carving with a centipede from tamarind wood and the centipede is from deer antlers, what do you think?
This secondhand bookstore is one of my favourite places in the world 🍂
📍 Pegasus Books, Wellington, New Zealand
This is my latest carving. The skull and snake are all hand carved from wood. The snake is wrapping around and covering one eye socket. What do you guys think?
Studienplaner
Hallo liebe Community,
bei mir steht demnächst das neue Semester vor der Tür und ich suche aktuell einen guten Studeinplaner.
Ich mag die Ästhetik von Dark Academia und generell dunklere Töne. Aktuell finde ich aber einfach keine Planer, die mich ansprechen. Ursprünglich habe ich immer die von Lebenskompass genutzt. Mittlerweile gefallen sie mir nicht mehr.
Inhaltlich habe ich keine großen Anforderungen. Eine einfache Wochen- und Monatsübersicht reicht mir schon.
Deshalb wollte ich fragen, gibt es Planer, die ihr empfehlen würdet oder mit denen ihr sehr zufrieden seid?
Gothic goat skull brooch, dark florals instead of bone
Velvet, gold wire, and hand-stitched silk ribbon roses — made this as part of a small witchy collection I've been building. Wanted something that felt equal parts unsettling and beautiful.
Would this fit your dark academia rotation, or is it too much?