r/ExploreLuxor

Image 1 — Wooden Cippus, Late period, Findspot Egypt, Wood and paint, The British Museum
Image 2 — Wooden Cippus, Late period, Findspot Egypt, Wood and paint, The British Museum
Image 3 — Wooden Cippus, Late period, Findspot Egypt, Wood and paint, The British Museum
Image 4 — Wooden Cippus, Late period, Findspot Egypt, Wood and paint, The British Museum
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Wooden Cippus, Late period, Findspot Egypt, Wood and paint, The British Museum

Wooden Cippus

Object Type
cippus

Museum number
EA60958

Description
Wooden cippus; painted black with yellow detail. Head of Bes tops the stela above a high relief depiction of Horus as a child, who stands on crocodiles and grasps two snakes and a Seth-animal in his right hand, and a scorpion and dog (?) in his left. Staff with Horus-falcon on left of figure. Painted hieroglyphic text on the back, sides and base.

Cultures/periods
Late Period

Findspot
Found/Acquired: Egypt

Africa: Egypt

Materials
wood

Technique
painted

Dimensions
Height: 42.50 centimetres
Weight: 2602 grammes
Width: 23.30 centimetres
Depth: 10.80 centimetres (base)

Inscriptions
Inscription type: inscription
Inscription script: hieroglyphic

Curator's comments
The cippus was a protective magic stela; water poured over the stela was thought to acquire healing properties. The depiction of Horus the child grasping and trampling animals associated with danger helped to negate their dangerous powers and physical threats.

Published:
Wiese, 2001. Antikenmuseum Basel und Sammlung Ludwig Die Agyptische Abteilung,…

Bibliographic references
Shaw & Nicholson 1995 / British Museum Dictionary of Ancient Egypt (p133)

Location
Not on display

Exhibition history

Exhibited:
2001-2014, Basel, Switzerland, Antikenmuseum. Long term loan.
2022-2023 13 Oct-19 Feb, London, BM, Hieroglyphs: unlocking ancient Egypt

Condition
good

Subjects
ancient egyptian deity

Associated names
Representation of: Bes
Representation of: Harpocrates

Department
Egypt and Sudan

BM/Big number
EA60958

Registration number
OC.299

Conservation
Treatment: 08 Feb 2001
Treatment: 29 Oct 1999
Conservation Treatment: 10 Feb 2022

Title:
Wooden Cippus, Late period, Findspot Egypt, Wood and paint, The British Museum

https://www.britishmuseum.org/collection/object/Y\_EA60958

The British Museum

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Pectoral with Anubis, 19th Dynasty 1250BC (circa), Glazed composition, Findspot Egypt ,The British Museum

Pectoral with Anubis

Object Type
pectoral

Museum number
EA29370

Description
Glazed composition pectoral: this three coloured pectoral, an ornament worn on the chest, is made from yellow, purple, blue and white glazed composition, the purple on the upper face having been inlaid into the yellow. The shape imitates that of a pylon, the rectangular tower with slightly sloping walls which flanked the monumental gateway into an Egyptian temple. It even has the same cavetto cornice ornamentation along the top, a stylized representation of the curved reed heads which once surmounted walls made from vertical reeds daubed with mud. On all four sides of each face is a block decoration pattern. On the top surface a jackal reclining on a pylon shaped plinth is named as Anubis, god of embalming. In the writing of his name, the determinative shows this god's second manifestation: a (seated) man with a jackal's head. The underside depicts a 'djed' pillar, by this period believed to represent the stylized backbone with ribs of Osiris god of the dead, flanked by the Girdle of Isis or 'tit' amulet. Both were prescribed funerary amulets. Holes have been pierced through the cavetto cornice so the piece could be stitched to the bandages over a mummy's chest.

Cultures/periods
19th Dynasty

Production date
1250BC (circa)

Findspot
Found/Acquired: Egypt
Africa: Egypt

Materials
glazed composition

Technique
pierced
glazed
inlaid

Dimensions
Height: 7.80 centimetres
Weight: 60 grammes
Thickness: 1.28 centimetres
Width: 8.05 centimetres

Inscriptions
Inscription type: inscription
Inscription script: hieroglyphic
Inscription note: Inlaid.

Inscription subject
funerary

Curator's comments
The funerary nature of its decoration is a further indication it was made purely to be taken to the tomb for the life after death. Pectorals worn by the living were made from metal, usually gold; for the dead, yellow glazed composition was an acceptable substitute.

Bibliography:
'Egyptian Treasures' [exhibition catalogue] (Shanghai, 1999), 138-139 No 40.

Bibliographic references
Andrews 2000 / Egyptian Treasures from the British Museum (p.114-115)

Location
Not on display

Exhibition history
2016-2017 10 Oct-30 Apr, Sydney, Powerhouse Museum, Ancient Lives

2017 16 Jun-18 Oct, Hong Kong Science Museum, Ancient Lives

2017-2018 14 Nov-20 Feb, Taiwan, National Palace Museum, Ancient Lives

2018 16 Mar-22 Jul, Brisbane, Queensland Museum of Art, Ancient Lives

2019-2020 14 Sept- 28 Jun, Montreal, Museum of Fine Arts, Ancient Lives EXTENDED DUE TO COVID19

2020-2021, 19 Sept - 21 Mar, Toronto, Royal Ontario Museum, Ancient Lives

2021-2022 9 Oct - 10 Jan, Tokyo, Museum of Science and Nature, Mummies of Ancient Egypt: rediscovering six lives (Egyptian Mummies 2)

2022 5 Feb- 8 May, Kobe City Museum, Mummies of Ancient Egypt: rediscovering six lives (Egyptian Mummies 2)

2022 14 Jul - 26 Oct, Madrid, CaixaForum, Mummies of Ancient Egypt: rediscovering six lives (Egyptian Mummies 2)

2022-2023 1 Dec – 19 Mar, Barcelona, CaixaForum, Mummies of Ancient Egypt: rediscovering six lives (Egyptian Mummies 2)

2023 25 Apr - 2 Sep, Seville, CaixaForum, Mummies of Ancient Egypt: rediscovering six lives (Egyptian Mummies 2)

2023-2024 6 Oct – 21 Jan, Valencia, CaixaForum, Mummies of Ancient Egypt: rediscovering six lives (Egyptian Mummies 2)

2024 27 Feb - 5 Jun, Zaragoza, CaixaForum, Mummies of Ancient Egypt: rediscovering six lives (Egyptian Mummies 2)

Condition
good

Associated names
Representation of: Anubís

Acquisition name
Purchased from: R J Moss & CO

Acquisition date
1897

Department
Egypt and Sudan

BM/Big number
EA29370

Registration number
1897,0511.86

Conservation
Treatment: 7 Jun 2016

Title:
Pectoral with Anubis, 19th Dynasty 1250BC (circa), Glazed composition, Findspot Egypt ,The British Museum

https://www.britishmuseum.org/collection/object/Y_EA29370?selectedImageId=48847001

The British Museum

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Pectoral of Paser, -1279 / -1212 (Ramses II), Place of discovery: isolated tomb Ramses II, gold lapis lazuli and glass, The Louvre Museum

Pectoral of Paser

-1279 / -1212 (Ramses II)

Place of discovery: isolated tomb Ramses II

E 68; IM 2893; N 762; S 1344

Department of Egyptian Antiquities

Inventory number Main number: E 68

Other inventory number: IM 2893

Other inventory number: N 762

Usage number: S 1344

Collection
Department of Egyptian Antiquities

Description

Object name/Title Denomination: pectoral in naos

Title: Pectoral of Paser

Description/Featuresscarabee (flanked by); Isis (standing, sign of Isis, protecting); Nephthys (standing, sign of Nephthys, protecting); band of alternating rectangles; with belière (2); missing inlay

Registrations Writing:
Hieroglyphic

Nature of the text:
Funeral formulas

Names and titlesPaser (vizir, city director)

PHYSICAL CHARACTERISTICS

Dimensions Height: 8.7 cm; Length: 10.1 cm; Thickness: 2.6 cm

Materials and techniques Material: lapis-lazuli, gold

Secondary material: glass

Technique: cutting, half-round bump, welding

Color: red-green-blue

PLACES AND DATES

Date Ramses II (character mention) (-1279 - -1212)

Date of discovery 19 March 1852

Place of discovery isolated tomb Ramses II (Serapeum of Memphis->Saqqara-Nord-Saqqara) (Salle de Schaem-djom. Under the coffin, on the right, when entering.)

HISTORY

Collector / Previous owner / Commissioner / Archaeologist / Dedicate Mariette Pasha, Auguste, Dilleur/Archaeologist

Acquisition details share after excavations

Acquisition date date of registration on the inventory: 20/05/1852

Owned by State

Held by Louvre Museum, Department of Egyptian Antiquities

LOCATION OF OBJECT

Current location
Not exposed

Acquisition method: sharing after excavations

Name pectoral in naos

Material- lapis-lazuli - glass

Cutting techniques - welding - half-round-bump

Description/Features sign of Isis - sign of Nephthys - protecting - flanked by - standing - 2 - beetle - Isis - Nephthys - band of alternating rectangles - with belière - missing inlay

Names and titles Paser - vizier - director of the city

Period Ramses II

Isolated Places tomb of Ramses II

Nature of text: funerary formulas

Script hieroglyphic

BIBLIOGRAPHY
Boyer, Valentin, "Ancient Egypt in Exlibris. Objects and Images: Egyptological and Archaeological Sources", in Bouhafs, Amel; Chapon, Linda; Claude, Marion; Danilova, Margarita; Dautais, Louis; Fathy, Noemie; Fernández Pichel, Abraham I. ; Guigner, Mallaury; Pinon, Marianne; Valerio, Marta (dir.), Current Research in Egyptology 2022.

Proceedings of the Twenty-Second Annual Symposium, Paul-Valéry University Montpellier 3, 36-30 September 2022, Oxford, Archaeopress, 2023, p. 46-60, p. 52

De Putter, Thierry; Karlshausen, Christina, Stones of Ancient Egypt. Guide to materials in architecture, sculpture and jewelry., Brussels, (Knowledge of ancient Egypt 20), 2022, p. 196, 198

Dalino, Edwin, The high priests of Egypt in the Ramesside era: Prosography and History, 2, Corpus, Milano, SylvanaEditoriale, (CENiM 30), 2022, p. 463

Staring, Nico, The Saqqara Necropolis through the New Kingdom. Biography of an Ancient Egyptian Cultural Landscape, Leiden; Boston, Brill, (Culture and History of the Ancient Near East 131), 2022, p. 433

Charron, Alain; Barbotin, Christophe (ed.), Khaemouaset, the archaeologist prince. Knowledge and power in ancient Egypt, cat. exp. (Arles, Departmental Museum of Ancient Arles, 2016), Arles / Ghent, Departmental Museum Arles Antique / Snoeck, 2016, p. 81, 114, 115, 116-117, 118, p. 116, No. 44

Aubert, Jacques-François; Aubert, Liliane, Egyptian Bronzes and Golds, Paris, Cybèle, (Contribution to Egyptology; 11), 2011, p. 100

Caubet, Annie; Pouysségur, Patrick; Prat, Louis-Antoine (ed.), The Empire of Time: Myths and Creations, cat. exp. (Paris, Louvre Museum, 2000), Paris, RMN, 2000, p. 95, ill. p. 95, No. 79

Ziegler, Christiane, "Pharonic Egypt: the example of the jewels of the Serapeum", in Caubet, Annie (ed.), Carnelian and precious stones. The Mediterranean, from Antiquity to Islam, Paris, La Documentation française / Louvre éditions, 1999, p. 15-41, p. 26, 28 note 17, 31, 35, fig. 1, 12

Dodson, Aidan, "Of Bulls & Princes: the Early Years of the Serapeum at Sakkara", KMT, 6/1, 1995, p. 18-32, p. 25, ill. p. 25

Delange, Élisabeth, the jewels of Egyptian antiquity, [Musée du Louvre, Paris], Paris, Éditions de la Réunion des musées nationaux, 1990, p. 16

Donohue, V.A., "The Vizier Paser", The Journal of Egyptian Archaeology (JEA), 74, 1988, p.103-123, p. 110

Porter, Bertha; Moss, Rosalind L.B., Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Reliefs, and Paintings, 3.2, Memphis. Saqqâra to Dahshûr, Oxford, Griffith Institute, Ashmolean Museum, 1981, Available at: http://www.griffith.ox.ac.uk/topbib/pdf/pm3-2.pdf, p. 783

Gregorietti, Guido, The wonderful world of jewelry, Paris, The 2 golden roosters, 1971, p. 112

Kitchen, Kenneth Anderson, Ramesside Inscriptions. Historical and Biographical, 2, Oxford, B.H. Blackwell Ltd, 1969-1979, p. 366-367, No. 130, B, ii

Michalowski, Kazimierz, The art of ancient Egypt, Paris, L. Mazenod, 1968, p. 460, fig. 797 p. 440

Vandier, Jacques, Summary Guide, [Museum of the Louvre, Paris. The Department of Egyptian Antiquities], Paris, Éditions des Musées Nationaux, 1952, p. 49

Vandier, Jacques, Summary Guide, [Museum of the Louvre, Paris. The Department of Egyptian Antiquities], Paris, Éditions des Musées Nationaux, 1948, p. 48

Maspero, Gaston, "The Egyptian jewels of the Louvre", in Essays on Egyptian art, Paris, Eastern and American bookstore E. Guilmoto, Publisher, 1912, p. 179-188, p. 182, fig. 55 p. 183

Rougé, Emmanuel de, Summary description of the rooms of the Egyptian Museum, [Imperial Museum of the Louvre], Paris, Librairies-imprimeries réunies, 1895, p. 74

Towry Whyte, E., "Notes on Pectorals", Proceedings of the Society of Biblical Archaeology (PSBA), 15, 1893, p. 409-416, p. 411

Darcel, Alfred, "The technique of antique jewelry (second and last article)", Gazette des Beaux-Arts, 37, 1888, p. 242-250, p. 242, ill. p. 243

Pierret, Paul, Catalogue of the historical room of the Egyptian gallery, Paris, 1882, Available at: https://bibliotheque-numerique.inha.fr/idurl/1/11830 , p. 125, No. 524

Mariette, Auguste, Le Sérapéum de Memphis, Paris, Gide, 1857, Available at: https://gallica.bnf.fr/ark:/12148/bpt6k6231404v, p. 14, pl. 12

Rougé, Emmanuel de, Summary notice of Egyptian monuments exhibited in the galleries of the Louvre Museum, [Imperial Museum of the Louvre], Paris, Imp. Simon Raçon et Comp., 1855, Available on: https://bibliotheque-numerique.inha.fr/idurl/1/12321, p. 63

EXHIBITION HISTORY
- Khaemouaset, the archaeologist prince. Knowledge and power in ancient Egypt, Arles (Externe, France), Departmental Museum of Ancient Arles, 08/10/2016 - 22/01/2017

Last updated on 24.10.2025

The contents of this entry do not necessarily take account of the latest data.

Permalink: https://collections.louvre.fr/ark:/53355/cl010011105

JSON Record: https://collections.louvre.fr/ark:/53355/cl010011105.json

Title:
Pectoral of Paser, -1279 / -1212 (Ramses II), Place of discovery: isolated tomb Ramses II, gold lapis lazuli and glass, The Louvre Museum

https://collections.louvre.fr/en/ark:/53355/cl010011105

The Louvre Museum

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Image of Osiris, Bronze and gilding and inlay, no date or findspot given, Rijksmuseum van Oudheden

Image of Osiris

Bronze statue of a standing Osiris, gilded and with inlaid details. On the head the atef crown, over the chest the crossed arms with crooked staff and vlegel

Measurements: H. 105 cm (without socket under feet). No plinth but hollow square socket directly under feet, h. 12 cm.

Description: Osiris standing with feet closed, separation of feet not marked. Anatomy of legs well-modeled (calves, knees, no shins). Both arms are with protruding elbows, arms crossed right over left, fists with modelled fingers. Right fist (on left shoulder) holds flail (on right shoulder; i.e. sceptres cross too!): short butt protruding under fist, plain handle, tripartite pendant interrupted by triple bead-pattern or strap. Left fist (on right shoulder) holds crook (on left shoulder): handle id., curve towards neck. No collar. Head with detailed features: curved beard, fully free, with braiding indicated by recesses filled with inlays of dark grey to blue stone (partly preserved, set in brown paste). Straps of beard likewise recessed and filled with stone inlays (fully preserved), brownish grey. Well-modeled lips and nose (nostrils indicated). Eyes with rims, brows, and cosmetic stripes recessed and filled with brown/grey inlays. Sockets of the eye filled with three pieces of stone (left: light-dark-light, discoloured) or white paste (right: ancient restoration?). Detailed ears applied. Upper-Egyptian crown (ridged edge on front only) flanked by ostrich feathers (oblique recesses with exterior ends rounded and separated from rest by transverse ridge; brown paste in tips, greenish paste in rest, inlays themselves lost). Uraeus protome applied, with 8-shaped curve and wavy tail extending upwards.

Technique: Hollow cast with one square iron bar from feet to head. Cross-supports detected: on central axis above insteps, at belly, and chest under fists; lateral at left hip and both shoulders; torso on each side of fists and above sceptres. Core material was fully preserved, removed 1990 during restoration. Socket open to interior of statue, but miscast: bronze skin turned inwards, left part of socket not consisting of bronze but added in plaster, 1990 replaced by metal during restoration. Transverse pin through socket for securing. Whole surface covered in white plaster and overlaid in gold leaf, large patches fell off but 1990 added again. Right feather and tip of left feather lost (now added). Protome of uraeus lost (now added). Feathers fixed by means of two pegs fitting into sockets in crown, separately cast. Tip of crown lost (now reconstructed). Serpent cast separately.

This statue of Osiris is the largest bronze statue from Egypt in the RMO collection. Casting such a figure required great craftsmanship.

This image was made according to the lost-wax method: a model of beeswax was made around an earth core. Around it was a layer of clay that was connected to the core. The wax was melted away and the metal could be poured into the cavity. For this statue, the bronze skin was then plastered and gilded with gold leaf. The separately cast feathers of the crown and the eyes, eyebrows and beard still have remnants of colored stone inlay.

The statue represents the god Osiris. He can be recognized by his mummy face, with his legs tight together. The arms are crossed over the chest here. In his right hand, Osiris holds an attribute that is usually called 'scourt'. In his other hand, the god holds a crooked stick, as used by shepherds to drive together cattle. These two attributes have been considered the scepters of royalty since the first Egyptian kings. Osiris wears them because he was once king of Egypt. After being killed by his brother Seth, he became king of the realm of the dead.

Possibly the statue was given to a temple by a rich person, or it stood in a special chapel as a cult statue, to be revered as an image of the god of a particular temple.

This text was written in 2024 and is based on: Willemsen (ed.), Topstukken from the Rijksmuseum van Oudheden, 2020, p.61 ; Raven and Taconis, Egyptian Mummies, 2005, p.146-150.

Title:
Image of Osiris, Bronze and gilding and inlay, no date or findspot given, Rijksmuseum van Oudheden

https://www.rmo.nl/en/collection/search-collection/collection-piece/?object=22576

Rijksmuseum van Oudheden

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Pectoral in the form of a Naos-Anubis and Oudjaț Eye on one side, on the other side is a Djed Piller flanked on both sides by a Knot of Isis, -1539 / -1069 (New Kingdom), Findspot unknown, siliceous earthenware and paint, The Louvre Museum

Pectoral in the form of a Naos-Anubis and Oudjaț Eye on one side, on the other side is a Djed Piller flanked on both sides by a Knot of Isis

-1539 / -1069 (New Kingdom)

N 2743

Department of Egyptian Antiquities

Inventory number Main number: N 2743

Collection
Department of Egyptian Antiquities

Description

Object name/Title Denomination:
pectoral in naos

Multiple Description/Features plcement (back)

Decor: Anubis (on the front, canid, lying down, collar); oudjat eye; djed pillar (on the back, flanked with); Isis knot (2)

PHYSICAL CHARACTERISTICS

Dimensions
Height: 7.5 cm; Width: 7.9 cm; Thickness: 0.6 cm

Materials and techniques
siliceous earthenware

PLACES AND DATES

Date New Kingdom (-1539 - -1069)

HISTORY

Acquisition details old fund

Acquisition date date of registration on the inventory: 16/02/1857 (at the latest)

Owned by State

Held by Louvre Museum, Department of Egyptian Antiquities

LOCATION OF OBJECT

Current location
Not exposed

Index

How to acquire old fund

Name pectoral in naos

Materials siliceous earthenware

Description/Featuresdjid pillar - oudjat eye - Isis knot - flanked by - on the back - on the front - lying down - collar - canid - 2 - Anubis - multiple drilling

Period New Kingdom

BIBLIOGRAPHY
Pharaonic Egypt, Terra dos deuses, cat. exp. (Sao Paulo, Museu de Arte Brasileira, September 27, 2001 - April 7, 2002), Paris; Sao Paulo, Louvre Museum; Museu de Arte Braseileira, 2001, p. 166, ill. p. 167, No. 58

EXHIBITION HISTORY
- Pharaonic Egypt, land of the gods, Sao Paolo (Brazil), Museu de Arte, 27/09/2001 - 16/12/2001

Last updated on 14.01.2026

The contents of this entry do not necessarily take account of the latest data.

Permalink: https://collections.louvre.fr/ark:/53355/cl010007168

JSON Record: https://collections.louvre.fr/ark:/53355/cl010007168.json

Pectoral in the form of a Naos-Anubis and Oudjaț Eye on one side, on the other side is a Djed Piller flanked on both sides by a Knot of Isis, -1539 / -1069 (New Kingdom), Findspot unknown, siliceous earthenware and paint, The Louvre Museum

https://collections.louvre.fr/en/ark:/53355/cl010007168

The Louvre Museum

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Pectoral in the form of a naos featuring Thot,Horus, and on the opposite side Anubis, -1539 / -1069 (New Kingdom), Wood and paint, Findspot unknown, The Louvre Museum

Pectoral in the form of a naos featuring Thot,Horus, and on the opposite side Anubis

-1539 / -1069 (New Kingdom)

N 2752; Salt No. 1070

Department of Egyptian Antiquities

Inventory number
Main number: N 2752

Collection
Department of Egyptian Antiquities

Description

Object name/Title Denomination
pectoral in naos

Description/Feature
multiple drilling (4, at the top, on the sides)

Decor
Horus (on the front, hawk-headed god, squatting, tripartite wig, shroud, necklace); Thot (on the front, ibis-headed god, squatting, tripartite wig, shring); Anubis (on the back, canid, lying down, necklace, flagellum)

Registrations Writing:
Hieroglyphic

Nature of the text
Behalf

Names and titles Thot; Horus; Anubis

PHYSICAL CHARACTERISTICS

Dimensions
Height: 8.5 cm; Width: 7 cm; Thickness: 1 cm

Materials and techniques Material
wood

Technique
protruding bas-relief, painting

PLACES AND DATES

Date
New Kingdom (bibliography/reference work) (-1539 - -1069)

HISTORY

Collector / Previous owner / Commissioner / Archaeologist / Dedicatee
Salt, Henry, Seller; Collector

Acquisition details
purchase

Acquisition date
date of arrival at the Museum: 1826

Owned by State

Held by Louvre Museum, Department of Egyptian Antiquities

LOCATION OF OBJECT

Current location
Sully, [AE] Room 319 - Book of the Dead, Showcase 6

Index

Acquisition method of purchase

Name pectoral in naos

Materials wood

Painting techniques - protruding bas-relief

Description/Features
Thot - on the back - on the front - on the sides - at the top - squatting - lying down - necklace - canid - 4 - flagellum - Horus - ibis-headed god - falcon-headed god - Anubis - shrench - tripartite wig - multiple drilling

Names and titles Thot - Anubis - Horus

Period New Kingdom

Nature of text
nom

Script
hieroglyphic

BIBLIOGRAPHY
Guichard, Sylvie (ed.), Champollion, Jean-François, Descriptive notice of the Egyptian monuments of the Charles X Museum, Paris, Louvre editions / editions Khéops, 2013, p. 210, ill. p. 210, K. 1486 to 1488

Daumas, François (ed.), Summary catalogue of Egyptian objects exhibited at the Fabre Museum from December 5 to 15, 1972, cat. exp. (Montpellier, Fabre Museum; December 5-15, 1972), Montpellier, Paul Valéry University, 1972, p. 10, No. 94

Champollion, Jean-François, Descriptive notice of the Egyptian monuments of the Charles X Museum, Paris, Imprimerie de Crapelet, 1827, Available at: https://gallica.bnf.fr/ark:/12148/bpt6k1040365n, p. 90, K. 1486 to 1488

EXHIBITION HISTORY
- 150th anniversary of the decryption of hieroglyphs by Champollion, Montpellier (Externe, France), Musée Fabre, 05/12/1972 - 15/12/1972

Last updated on 29.07.2026

The contents of this entry do not necessarily take account of the latest data.

Permalink: https://collections.louvre.fr/ark:/53355/cl010007171

JSON Record: https://collections.louvre.fr/ark:/53355/cl010007171.json

Title:
Pectoral in the form of a naos featuring Thot,Horus, and on the opposite side Anubis, -1539 / -1069 (New Kingdom), Wood and paint, Findspot unknown, The Louvre Museum

https://collections.louvre.fr/en/ark:/53355/cl010007171

The Louvre Museum

u/Handicapped-007 — 2 days ago
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Without straying too far off the path of reality, how would you go about writing ancient Egyptian for a fantasy novel?

Apologies if this isn't in the right sub...

I've been weaving a little bit of Egyptian history into the background of one of my characters. She never appears in the book itself, but some of her echoes are left for my main character to find (like audio logs in a video game).

TL;DR version of all this, is how does one write so modern brains can interpret the pronunciation of what's said? I'm not looking for full-on paragraphs, but more of small phrases, questions, or greetings.

Latin's easy, but this is kind of stumping me, since there aren't usually enough vowels to go around.

Edit: Transliteration! I think that's the word I'm looking for (Gods, I'm a derp).

reddit.com
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Pectoral in the form of a Naos featuring a Scarab, -1539 / -1069 (New Kingdom), findspot unknown, Siliceous earthenware, The Louvre Museum

Pectoral in the form of a Naos featuring a Scarab

-1539 / -1069 (New Kingdom)

N 2743

Department of Egyptian Antiquities

Inventory number Main number: N 2743

CollectionDepartment of Egyptian Antiquities

Description

Object name/Title Denomination: pectoral in naos

Multiple Description/Featurespercement (4, top)

Decor: representation of the sunrise; Khépri (beetle, armed with wings, holding, solar disc, in, boat, flanked by); monkey (2, standing, worshiping); oudjat eye (2); fish (2); frame of alternating rectangles (undecorated back)

PHYSICAL CHARACTERISTICS

Dimensions Height: 12 cm; Width: 11.5 cm

Materials and techniques Material: siliceous earthenware

Color: bright blue with black decor

PLACES AND DATES

Date New Empire (-1539 - -1069)

HISTORY

Acquisition details old fund

Acquisition date date of registration on the inventory: 16/02/1857 (at the latest)

Owned by State

Held by Louvre Museum, Department of Egyptian Antiquities

LOCATION OF OBJECT

Current location
Sully, [AE] Room 319 - Book of the Dead, Showcase 6

Index

How to acquire old fund

Name pectoral in naos

Materials siliceous earthenware

Description/Featuresboat - equipped with wings - solar disk - oudjat eye - adoring - holding - flanked with - in - at the top - representation of sunrise - standing - monkey - 4 - 2 - fish - beetle - Khépri - frame of alternating rectangles - multiple drilling

PeriodNew Empire

Last updated on 14.01.2026

The contents of this entry do not necessarily take account of the latest data.

Permalink: https://collections.louvre.fr/ark:/53355/cl010007170

JSON Record: https://collections.louvre.fr/ark:/53355/cl010007170

Title:
Pectoral in the form of a Naos featuring a Scarab, -1539 / -1069 (New Kingdom), findspot unknown, Siliceous earthenware, The Louvre Museum

https://collections.louvre.fr/en/ark:/53355/cl010007170

The Louvre Museum

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Pectoral with Scarab ca. 1539–1295 B.C.E. or later New Kingdom Dynasty 18, Faience, Findspot unknown, Egypt, The Brooklyn Museum

Pectoral with Scarab

ca. 1539–1295 B.C.E. or later

Object Label
Living persons wore only one or a few amulets at a time, but mummies usually bear many amulets. The Ma’at amulet (no. 2) and heart scarabs (nos. 1, 3, 11), which occurred in many forms, guaranteed a successful judgment of the dead. The amulets of a hand (no. 8), lungs and a windpipe (no. 12), and wadjet-eyes (i.e., “healthy” eyes; no. 4) protected those parts of the body and also had connotations of resurrection and the unity or integrity of the mummy. The enigmatic aper amulet (no. 13) takes the form of the hieroglyph meaning “to be equipped,” perhaps in reference to the mummy’s preparation. The two crowns (nos. 5, 6) were symbols of power. The Heh insignia (no. 7), like the popular ankh-sign, denoted eternal life. Among the living, the frog (no. 9) and possibly also the hare (no. 10) suggested fertility. The amulets of the Four Sons of Horus (no. 15) perhaps served, as they did with canopic jars, to protect various organs of the body.

Caption
Pectoral with Scarab, ca. 1539–1295 B.C.E. or later. Faience, 4 1/16 × 4 1/2 × 1 3/16 in. (10.3 × 11.5 × 3 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 08.480.159. (Photo: Brooklyn Museum)

Gallery
Not on view

Collection
Egyptian, Classical, Ancient Near Eastern Art

Catalogue description
Pectoral in green faience, with a scarab in purplish-blue faience. Form of a naos with projecting cornice. Front, painted solar bark with Nephthys (left) and Isis adoring the scarab. Names of goddesses and borders painted. Back, oval like bottom of scarab, painted with six lines of almost illegible inscription, flanked by two girdle knots. Back of cornice pierced four times at each end, with corresponding holes at the top of the cornice.

Condition
Intact. Surface worn. Chip in base. Large crack in back due to defective firing. Inscription almost illegible.

Provenance
Archaeological provenance not yet documented; before March 16, 1896, purchased in Egypt by Armand de Potter of Belgium and New York, NY; 1905, inherited from Armand de Potter by Aimee S. Beckwith (Mrs. Aimee S. de Potter) of New York and Asheville, NC; 1908, purchased from Aimee S. Beckwith by the Brooklyn Museum.

Title
Pectoral with Scarab

Date
ca. 1539–1295 B.C.E. or later

Dynasty
Dynasty 18

Period
New Kingdom

Geography
Place collected: Egypt

Medium
Faience

Classification
Document

Dimensions
4 1/16 × 4 1/2 × 1 3/16 in. (10.3 × 11.5 × 3 cm)

Credit Line
Charles Edwin Wilbour Fund

Accession Number
08.480.159

Title,
Pectoral with Scarab ca. 1539–1295 B.C.E. or later New Kingdom Dynasty 18, Faience, Egypt, The Brooklyn Museum

The Brooklyn Museum

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Pectoral featuring Hathor, Not dated, Findspot unknown, Copper alloy and glass,The Louvre Museum

Pectoral featuring Hathor

Main number: E 3743

Presentation number: 997

CollectionDepartment of Egyptian Antiquities

Description

Object name/Title Denomination: pectoral

Description/Features with belière (this French word refers to a jewelry bail—the small loop or ring that connects a pendant to a necklace chain)

Decor: Hathor's head (cow, ousekh collar, disc horns, double ostrich feather, flanked by); winged goddess (2, standing, disc horns)

At the top; uraeus frieze (solar disk); uraeus winged solar disc; frame of alternating rectangles

PHYSICAL CHARACTERISTICS

Dimensions Height: 12.9 cm; Width: 13.6 cm

Materials and techniques Material: copper alloy

Secondary material: glass

Technique: inlay, relief cut

Color: dark blue-light blue-red

HISTORY

Collector / Previous owner / Commissioner / Archaeologist / Dedicatee Comte Tyszkiewicz, Michel, Donateur; Collector

Acquisition details donation

Acquisition date date of entry on the inventory: 04/03/1862

Owned by State

Held by Louvre Museum, Department of Egyptian Antiquities

LOCATION OF OBJECT

Current location
Not exposed

Index

Donation acquisition method

Name pectoral

Materialscopper alloy - glass

Inlay techniques - cut relief

Description/Features winged solar disk with uraeus - solar disk - flanked by - at the top - standing - double ostrich feather - disc horns - ousekh necklace - cow - 4 - 2 - winged goddess - Hathor's head - uraeus frieze - frame of alternating rectangles - with belière

BIBLIOGRAPHY
Aubert, Jacques-François; Aubert, Liliane, Egyptian Bronzes and Golds, Paris, Cybèle, (Contribution to Egyptology; 11), 2011, p. 103

Koschel, Klaus, "Eine Gruppe seltener bronzener Votiv-Pektorale und ihre Deutung", Studien zur Altägyptischen Kultur (SAK), 30, 2002, p. 249-254, p. 251 note 7

Rouit, Charles, "The Tyszkiewisz Collection of the Louvre Museum", in Aksamit, Joanna; Dolińska, Monika; Majewska, Aleksandra; Niwiński, Andrzej; Rzepka, Sławomir; Szafrański, Zbigniew (ed.), Essays in honour of Prof. Dr. Jadwiga Lipińska, Warsaw, National Museum in Warsaw; Pro-Egypt, (Warsaw Egyptological Studies 1), 1997, p. 213-224, p. 220

Last updated on 30.06.2025

The contents of this entry do not necessarily take account of the latest data.

Permalink: https://collections.louvre.fr/ark:/53355/cl010006811

JSON Record: https://collections.louvre.fr/ark:/53355/cl010006811.json

Title:
Pectoral featuring Hathor, Not dated, Findspot unknown, Copper alloy and glass,The Louvre Museum

https://collections.louvre.fr/en/ark:/53355/cl010006811

The Louvre Museum

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Pectoral with heart amulet, Egyptian, New Kingdom, Dynasty 18-19 1352–1186 B.C., Polychrome faience, Findspot unknown, Museum of Fine Arts, Boston

Pectoral with heart amulet

Egyptian
New Kingdom, Dynasty 18-19
1352–1186 B.C.

MEDIUM/TECHNIQUE
Polychrome faience

DIMENSIONS
Height x length: 12 cm (4 3/4 in.)

CREDIT LINE
Walter and Celia Gilbert Acquisition Fund for Ancient Egyptian Art

ACCESSION NUMBER
2014.857.1-2

NOT ON VIEW

COLLECTIONS
Jewelry, Africa and Oceania, Ancient Egypt, Nubia and the Near East

CLASSIFICATIONS
Jewelry / AdornmentPectorals

PROVENANCE
Between 1895 and 1898, found at Abydos, Egypt, by Emile Amélineau (b. 1850 – d. 1915), Châteaudun, France; February 8-9, 1904, Amélineau sale, Hotel Drouot, Paris, lot 55. 1925, A. Caron; December 9-11, 1925, Caron collection sale, Hotel Drouot, Paris, lot 13. Before 1980, Robert Monier, France. 1985, acquired by Charles Bouché (b. 1928 – d. 2010), France; October 24, 2012, posthumous Bouché collection sale, Hotel Drouot, Paris, lot 11. By 2013, Rupert Wace Fine Art, London; 2014, sold by Rupert Wace to the MFA. (Accession Date: June 25, 2014).

Title:
Pectoral with heart amulet, Egyptian, New Kingdom, Dynasty 18-19 1352–1186 B.C., Polychrome faience, Findspot unknown, Museum of Fine Arts, Boston

https://collections.mfa.org/objects/596125/pectoral-with-heart-amulet?ctx=70558991-bfd9-4a1c-a6fc-99f5d92519a2&idx=134

Museum of Fine Arts, Boston

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Pylon-Shaped Pectoral with Drawing of Heart Scarab, ca. 1539–1070 B.C.E.Dynasty 18 to Dynasty 20 New Kingdom, Faience, Findspot unknown, Egypt.

Pylon-Shaped Pectoral with Drawing of Heart Scarab

ca. 1539–1070 B.C.

Label
Living persons wore only one or a few amulets at a time, but mummies usually bear many amulets. The Ma’at amulet (no. 2) and heart scarabs (nos. 1, 3, 11), which occurred in many forms, guaranteed a successful judgment of the dead. The amulets of a hand (no. 8), lungs and a windpipe (no. 12), and wadjet-eyes (i.e., “healthy” eyes; no. 4) protected those parts of the body and also had connotations of resurrection and the unity or integrity of the mummy. The enigmatic aper amulet (no. 13) takes the form of the hieroglyph meaning “to be equipped,” perhaps in reference to the mummy’s preparation. The two crowns (nos. 5, 6) were symbols of power. The Heh insignia (no. 7), like the popular ankh-sign, denoted eternal life. Among the living, the frog (no. 9) and possibly also the hare (no. 10) suggested fertility. The amulets of the Four Sons of Horus (no. 15) perhaps served, as they did with canopic jars, to protect various organs of the body.

Caption
Pylon-Shaped Pectoral with Drawing of Heart Scarab, ca. 1539–1070 B.C.E.. Faience, 4 7/16 × 1/2 × 5 7/8 in. (11.3 × 1.2 × 15 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 37.885E. (Photo: Brooklyn Museum)

Gallery
Not on view

Collection
Egyptian, Classical, Ancient Near Eastern Art

Title
Pylon-Shaped Pectoral with Drawing of Heart

Scarab

Date
ca. 1539–1070 B.C.E.

Dynasty
Dynasty 18 to Dynasty 20

Period
New Kingdom

Medium
Faience

Classification
Accessory

-Dimensions
4 7/16 × 1/2 × 5 7/8 in. (11.3 × 1.2 × 15 cm)

Credit Line
Charles Edwin Wilbour Fund

Accession Number
37.885E

Provenance
Archaeological provenance not yet documented; by 1876, collected in Egypt by Edwin Smith of Connecticut, Italy, and Luxor, Egypt; April 27, 1906, inherited from Edwin Smith by Leonora Sheldon Smith; May 1907, gift of Leonora Sheldon Smith to the New-York Historical Society, New York, NY; September 1948, purchased from the New-York Historical Society by the Brooklyn Museum.

Title:
Pylon-Shaped Pectoral with Drawing of Heart Scarab, ca. 1539–1070 B.C.E.Dynasty 18 to Dynasty 20 New Kingdom, Faience, Findspot unknown, Egypt.

The Brooklyn Museum

https://www.brooklynmuseum.org/objects/117477

The Brooklyn Museum

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Pectoral with two djed-pillars in the center, flanked by tyet-knots, Third Intermediate Period, Dynasty 21 1070–945 B.C., Findspot: Egypt Thebes Deir el-Bahari Said to be from royal cache, Bright blue faience with black details, Museum of Fine Arts, Boston

Pectoral with two djed-pillars in the center, flanked by tyet-knots

Egyptian

Third Intermediate Period, Dynasty 21

1070–945 B.C.

Object Place: Egypt, Thebes, Deir el-Bahari, Said to be from royal cache

MEDIUM/TECHNIQUE
Bright blue faience with black details

DIMENSIONS
Height: 9.1 cm (3 9/16 in.)

CREDIT LINE
Gift of Miss Nina H. Burnham

ACCESSION NUMBER
56.315

ON VIEW
Egypt: Funerary Arts Gallery (Gallery 109)

COLLECTIONS
Jewelry, Ancient Egypt, Nubia and the Near East

CLASSIFICATIONS
Jewelry / AdornmentPectorals

DESCRIPTION
The obverse has two djed-pillars in the center, flanked by tyet-knots. The reverse depicts the deceased, kneeling before Anubis.

PROVENANCE
Said to have been discovered at Thebes, Deir el-Bahari, royal cache, in 1879. By 1909: Frederick George Hilton Price Collection, London; 1909: sold at Sotheby's, London (12-21 July 1911); by 1956: Nina H. Burnham collection, Bar Harbor, ME; 1956: given to the MFA by Nina H. Burnham.
(Accession Date: May 10, 1956)

Title:
Pectoral with two djed-pillars in the center, flanked by tyet-knots, Third Intermediate Period, Dynasty 21 1070–945 B.C., Findspot: Egypt Thebes Deir el-Bahari Said to be from royal cache, Bright blue faience with black details, Museum of Fine Arts, Boston

https://collections.mfa.org/objects/163634/pectoral?ctx=3266f18f-be5e-4b70-b768-8c5b636709f5&idx=124

Museum of Fine Arts, Boston

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Canopic box in the shape of a shrine, Approx. 3.–2. Century BC, Findspot unknown, Wood stucco and paint, Egypt, Kunsthistorisches Museum (Art History Museum)

Canopic box in the shape of a shrine

Approx. 3.–2. Century BCQ

On view: Museum of Art History, Egyptian-Oriental Collection Room I

Boxes like this were used in the Ptolemaean period instead of gut vessels to store the intestines. These were wrapped in bundles of cloth and given to the dead in the grave in a box. The inscriptions of this box mention the name of the dead Hor and his father Djedhor, and also the names of the Canop gods, the four Horus sons. One side shows the door of a shrine with two wings that are double closed. Among them, the dead pray before Osiris, Isis and Nephthys. On the opposite side, the god Harachte is depicted with spread wings. The other two sides are covered with rows of amulets - alternating Djed pillar and Tit loop, for Osiris and Isis, Resurrection and Life. Below that, a mummy lying on a pedestal is guarded by two goddesses (Isis and Nephthys). The upper end of the box is formed by a hollow throat. On the lid was originally a figure of a consecration or a falcon, which is supposed to protect the contents. This has been lost today, but has been replaced by another unrelated figure (877a).

Time:
Approx. 3.–2. Century BC

Object Name
Canopic box

Culture
Egyptian

Location of discovery:
Location unknown

Material/technology:
Wood, stucco, painted

Dimensions:
H 48.5 cm W 30.5 cm, D 24 cm, W 3290 g

Copyright
Art History Museum, Egyptian - Oriental Collection

Invs.
Egyptian Collection, INV 6611

Provenance
1901 Purchase of E. Scanavi

Țitle:
Canopic box in the shape of a shrine, Approx. 3.–2. Century BC, Findspot unknown, Wood stucco and paint, Egypt, Kunsthistorisches Museum (Art History Museum)

Kunsthistorisches Museum (Art History Museum)

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Pectoral fragment with female offrant before Khnum, seated, Hatmehyt standing behind, Undated, Faience, Egypt, Eton College Museum

Pectoral fragment with female offrant before Khnum, seated, Hatmehyt standing behind

ECM.1686-2010

Parts

Object number
ECM.1686-2010

Object type
Jewellery

Identification

Description
pectoral

Comments
Web images used with permission of The Barber Institute

Other number
317
718

Description

Dimensions
Height: 10.9cm
Width: 9.8cm

Material
Faience

Physical description
Pale blue-green faience shrine pectoral, cavetto cornice with winged disc (originally inlaid), surmounted by row of erect uraei; scene in relief of female offrant before Khnum, seated, Hatmehyt standing behind, garbled columns of text in field

History and association

Associated person
Myers, William Joseph, 1858 - 1899 (Compiler)

Object history note
Exhibited at the Roemer-und Pelizaeus Museum, Hildesheim, Germany, "Meisterwerke agyptischer kunst schatze aus dem Myers Museum an Eton College", April 2004 - January 2005

Field collection

Collection place
Egypt

Title:
Pectoral fragment with female offrant before Khnum, seated, Hatmehyt standing behind, Undated, Faience, Egypt, Eton College Museum

https://catalogue.etoncollege.com/object-ecm-1686-2010

Eton College Museum

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Statue of Sety II, 1202–1198 BCE New Kingdom Nineteenth Dynasty Sety II, Egypt: Luxor / Thebes, Karnak, Temple of Amun, Quartzite, Museo Egizio di Torino

Statue of Sety II
A striking example of monumental sculpture, this colossus expresses the stability and strength of the king through its solid rendering of the musculature and its geometric volumes and contours. Sethi II is shown standing with his left leg forward to express his capability to walk and act. He holds a standard with a figure of the god Amon at the top. Along with a similar colossus now in the Louvre, this statue was originally located at the entrance of the chapel built by Sethi II in the large courtyard of the temple of Karnak.

Inv. no. :
Cat. 1383

Material:
Stone / Quartzite

Dimensions:
113 cm x 516 cm x 165 cm

Date:
1202–1198 BCE

Period:
New Kingdom

Dynasty:
Nineteenth Dynasty

Reign:
Sety II

Provenance:
Egypt, Luxor / Thebes, Karnak, Temple of Amun

Acquisition:
Purchase Bernardino Drovetti, 1824Museum

Location:
Museum / Ground floor / Room 14

Selected bibliography:
Riflessi di pietra: l'antico Egitto illuminato da Dante Ferretti [Torino 3 febbraio -30 giugno 2006], Torino 2006, pp. 19–27, 82–87, 132.

Chabas, François-Chabas, François J., Rechèrches pour servir a l'histoire de la XIXe Dynastie et spécialement a celle des temps de l'Exode, Paris 1873, pp. 85, 126.

Chadefaud, Catherine, Les statues porte-enseignes de l'Égypte ancienne (1580-1085 avant J.C.): signification et insertion dans le culte du ka royal, Paris 1982, pp. 56–58

Connor, Simon, Le statue del Museo Egizio, Torino - Modena 2016, p. 48, 80–81.

Curto, Silvio, “Per un computo ponderale di alcuni manufatti litici egizi”, Atti della Accademia delle scienze di Torino: Tomo 2, Classe di scienze morali, storiche e filologiche 114 (1980), p. 167 sgg..

Curto, Silvio, “Il torinese colosso di Osimandia”, Bollettino della Società Piemontese di Archeologia e Belle Arti 18 (1964), pp. 5–26, figg. 1-6.

Davies, Benedict G., Ramesside inscriptions, translated and annotated: notes and comments, volume IV. Merenptah and the late Nineteenth Dynasty, Chichester 2014, p. 230.

Donadoni, Anna Maria (a cura di), Passato e futuro del Museo Egizio di Torino: dal museo al museo (Archivi di archeologia), Torino 1989, p. 137–141.

Donadoni, Sergio, Arte egizia (Piccoli saggi 369), Torino, p. 101, fig. 146.

Kitchen, Kenneth A., Ramesside Inscriptions: historical and biographical: vol. 4., Oxford 1982, p. 268.

Kitchen, Kenneth A., Ramesside inscriptions translated and annotated. (A) translations 4.: Merenptah and the late Nineteenth Dynasty, Oxford 2003, p. 191.

Orcurti, Pier Camillo, Catalogo illustrato dei monumenti egizi del R. Museo Egizio di Torino, Torino 1855, I, p. 62.

Orcurti, Pier Camillo, Catalogo illustrato dei Monumenti Egizi del R. Museo di Torino, Torino 1852, p. 62.

Vandier, Jacques, Manuel d'archéologie égyptienne, Paris, III, p. 399, 407, 409, 412, 420 sgg..

Vidua, Carlo, “Catalogue de la collect. d'antiq. de mons. le chev. Drovetti, a 1822”, in Ministero della Pubblica Istruzione (a cura di), Documenti inediti per servire alla storia dei Musei d'Italia, vol. 3, Firenze - Roma 1880, p. 287, n. 53.

Title:
Statue of Sety II, 1202–1198 BCE New Kingdom Nineteenth Dynasty Sety II, Egypt: Luxor / Thebes, Karnak, Temple of Amun, Quartzite, Museo Egizio di Torino

https://collezioni.museoegizio.it/en-GB/material/Cat_1383/?description=Seti&inventoryNumber=&title=&cgt=&yearFrom=&yearTo=&materials=&provenance=&acquisition=&epoch=&dynasty=&pharaoh=&searchLng=it-IT&searchPage=1

Museo Egizio di Torino

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Pectoral fragment with female offrant before Khnum, seated, Hatmehyt standing behind him , Undated, Faience, Egypt, Eton College Museum

Pectoral fragment with female offrant before Khnum, seated, Hatmehyt standing behind him

ECM.1686-2010

Parts

Object number
ECM.1686-2010

Object type
Jewellery

Identification

Description
pectoral

Comments
Web images used with permission of The Barber Institute

Other number
317
718

Description

Dimensions
Height: 10.9cm
Width: 9.8cm

Material
Faience

Physical description
Pale blue-green faience shrine pectoral, cavetto cornice with winged disc (originally inlaid), surmounted by row of erect uraei; scene in relief of female offrant before Khnum, seated, Hatmehyt standing behind, garbled columns of text in field

History and association

Associated person
Myers, William Joseph, 1858 - 1899 (Compiler)

Object history note
Exhibited at the Roemer-und Pelizaeus Museum, Hildesheim, Germany, "Meisterwerke agyptischer kunst schatze aus dem Myers Museum an Eton College", April 2004 - January 2005

Field collection

Collection place
Egypt

Title:
Pectoral fragment with female offrant before Khnum, seated, Hatmehyt standing behind him , Undated, Faience, Egypt, Eton College Museum

https://catalogue.etoncollege.com/object-ecm-1686-2010

Eton College Museum

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Stela dedicated by Parahotep to Amun-Re of Ipet, Meretseger and Amenhotep I, 1292–1191 BCE New Kingdom Nineteenth Dynasty, Egypt: Luxor / Thebes, Deir el-Medina, Limestone, Museo Egizio di Torino

Stela dedicated by Parahotep to Amun-Re of Ipet, and Meretseger Amenhotep I
Inv. no. :
Cat. 1451/bis

Material:
Stone / Limestone

Dimensions:
20.5 cm x 30 cm x 4 cm

Date:
1292–1191 BCE

Period:
New Kingdom

Dynasty:
Nineteenth Dynasty,

Provenance:
Egypt, Luxor / Thebes, Deir el-Medina

Acquisition:
Purchase Bernardino Drovetti, 1824

CGT:
50033Museum location:
Museum / Floor 1 / Room 06 DEM / Showcase 07

Selected bibliography:
Bruyère, Bernard, Mert Séger à Deir el Médineh (Mémoires de l'Institut français d'archéologie orientale 58), Le Caire 1930, p. 157, fig. 85.

Cerny, Jaroslav-Cerny, M.J., “Le culte d'Amenophis I chez les ouvriers de la nécropole thèbaine”, Bulletin de l'Institut français d'archéologie orientale 27 (1927), pp. 161, 198.

Davies, Benedict G., Ramesside inscriptions, translated and annotated: notes and comments, volume IV. Merenptah and the late Nineteenth Dynasty, Chichester 2014, pp. 388–389.

el Shazly, Yasmin, Royal ancestor worship in Deir el-Medina during the New Kingdom, Wallasey 2015, pp. 114–115, 251.

Exell, Karen, Soldiers, sailors and sandalmakers: A social reading of Ramesside period votive stelae (GHP Egyptology 10), London 2009, p. 39, 45, 162.

Fabretti, Ariodante-Rossi, Francesco-Lanzone, Ridolfo Vittorio, Regio Museo di Torino. Antichità Egizie (Cat. gen. dei musei di antichità e degli ogg. d’arte raccolti nelle gallerie e biblioteche del regno 1. Piemonte), vol. I, Torino 1882, pp. 22–26.

Kitchen, Kenneth A., Ramesside Inscriptions: historical and biographical: vol. 4., Oxford 1982, p. 442.

Kitchen, Kenneth A., Ramesside inscriptions translated and annotated. (A) translations 4.: Merenptah and the late Nineteenth Dynasty, Oxford 2003, p. 312.

Tosi, Mario-Roccati, Alessandro, Stele e altre epigrafi di Deir el Medina: n. 50001 - n. 50262 (Catalogo del Museo Eg. di Torino - Serie II. - Collezioni 1), Torino 1972, pp. 66–67, tav. p. 274.

Vidua, Carlo, “Catalogue de la collect. d'antiq. de mons. le chev. Drovetti, a 1822”, in Ministero della Pubblica Istruzione (a cura di), Documenti inediti per servire alla storia dei Musei d'Italia, vol. 3, Firenze - Roma 1880, p. 54.

Title:
Stela dedicated by Parahotep to Amun-Re of Ipet, Meretseger and Amenhotep I, 1292–1191 BCE New Kingdom Nineteenth Dynasty, Egypt: Luxor / Thebes, Deir el-Medina, Limestone, Museo Egizio di Torino

5https://collezioni.museoegizio.it/en-GB/material/Cat_1451_bis/?description=&inventoryNumber=&title=&cgt=&yearFrom=&yearTo=&materials=4755b4240b924e1ba0a5fae2d57f85d4&provenance=&acquisition=&epoch=&dynasty=&pharaoh=&searchLng=en-GB&searchPage=3

Museo Egizio di Torino

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Pectoral with a depiction of Osiris, undated, Egypt, Faience, Eton College Museum

Pectoral with a depiction of Osiris

ECM.814-2010

Parts

Object number
ECM.814-2010

Object type
Jewellery

Identification

Description
pectoral - inscription

Dimensions
Height: 7.5cm
Width: 10.9cm

Material
Faience

Physical description
Rectangular purple faience pectoral, relief picked out in green: Osiris seated under canopy in barque, hieroglyphs before; in front, Onuris seated, behind, lioness headed(?) deity seated, both holding ankh. Pierced front to back at top right and lef

History and association

Associated person
Myers, William Joseph, 1858 - 1899 (Compiler)

Object history note
Exhibited at the Roemer-und Pelizaeus Museum, Hildesheim, Germany, "Meisterwerke agyptischer kunst schatze aus dem Myers Museum an Eton College", April 2004 - January 2005

Field collection

Collection place
Egypt

Title:
Pectoral with a depiction of Osiris, undated, Egypt, Faience, Eton College Museum

https://catalogue.etoncollege.com/object-ecm-814-2010

Eton College Museum

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Limestone stele of Meru, the powerful Overseer of the Treasury, 1973–1972 BCE Middle Kingdom XI Dynasty Mentuhotep II, Egypt Abydos (?), Thebes (?), Limestone, Museo Egizio di Torino

Limestone stele of Meru, the powerful Overseer of the Treasury

Inv. no. :
Cat. 1447

Material:
Stone / Limestone

Dimensions:
70 cm x 172.5 cm x 13 cm

Date:
1973–1972 BCE

Period:
Middle Kingdom

Dynasty:
XI Dynasty

Reign:
Mentuhotep II

Provenance:
Egypt, Abydos (?), Thebes (?)

Acquisition:
Purchase Bernardino Drovetti, 1824Museum

Location:
Museum / Floor 3 / Writing Gallery / Base 04

Selected bibliography:
Champollion, Jean-François, Lettres à M. le duc de Blacas d'Aulps, Premier Gentilhomme de la Chambre, Pair de France, etc., relatives au Musée Royal Égyptien de Turin, Paris, p. 114, p. 163.

Étienne, Marc, Les portes du ciel: visions du monde dans l'Égypte ancienne: Paris, musée du Louvre, 6 mars - 29 juin 2009, in Étienne, Marc (éd.), Paris 2009, pp. 272–273.

Farina, Giulio, Il Regio Museo di antichità di Torino: sezione egizia (Itinerari dei musei e monumenti d'Italia 7), Roma 1931, p. 40.

Lichtheim, Miriam, Ancient Egyptian autobiographies chiefly of the Middle Kingdom: a study and an anthology(Orbis Biblicus et Orientalis 84), Freiburg 1988, pp. 63–64.

Mathieu, Bernard-Grandet, Pierre, Corso di egiziano geroglifico, Torino 2007, pp. 149–152, 414 n. 2, 504–506, 833.

Müller, Matthias-Loprieno, Antonio-Uljas, Sami, Non-verbal predication in Ancient Egyptian (The Mouton Companions to Ancient Egyptian 2), Berlin/Boston 2017, p. 168.

Peis, Luca, I geroglifici: manuale per leggere la scrittura egizia, Torino 2018, p.137–139, figg. pp.137-138, 256.

Roccati, Alessandro, Elementi di lingua egizia, in - (Studi Camito-Semitici 6), Torino 2002, 53, 104–105.

Rossi, Francesco, “Illustrazione di una stela funeraria della 11. dinastia del Museo di Torino”, Torino 1878, p. 3–22.

Schenkel, Wolfgang, Memphis, Herakleopolis, Theben. Die epigraphischen Zeugnisse der 7.-11. Dynastie Ägyptens.(Ägyptologische Abhandlungen 12), Wiesbaden 1965, pp. 240–241.

Stephan, Karin, Frauen am Königshof im Alten Ägypten des fruhen Mittleren Reiches. Untersuchungen zu Funktion und Stellung nicht-königlicher Frauen in der ägyptischen Gesellschaft (Studien zu den Ritualszenen altägyptischer Tempel 29), Dettelbach 2018, pp.161–162, 168, Fig. 67.

Vandier, Jacques, Manuel d'archéologie égyptienne, Paris, II, p. 479, fig. 294.

Vassilika, Eleni, I capolavori del Museo Egizio di Torino: guida ufficiale, Firenze 2009, pp. 28–29, pp. 28-29.

Vernus, Pascal, Future at issue. Tense, mood and aspects in Middle Egyptian: Studies in syntax and semantics (Yale Egyptological Studies 4), New Haven 1990, 24, 43.

Wiedemann, Alfred, Ägyptische Geschichte: 1. Teil, von den ältesten Zeiten bis zum Tode Tutmes' III. - 2. Teil. Von den Tode Tutmes' III. bis auf Alexander den Grossen. - SupplementsHandbücher der Alten Geschichte 1), Gotha 1884, pp. 226–7.

Title:
Limestone stele of Meru, the powerful Overseer of the Treasury, 1973–1972 BCE Middle Kingdom XI Dynasty Mentuhotep II, Egypt Abydos (?), Thebes (?), Limestone, Museo Egizio di Torino

https://collezioni.museoegizio.it/en-GB/material/Cat_1447/?description=&inventoryNumber=&title=&cgt=&yearFrom=&yearTo=&materials=4755b4240b924e1ba0a5fae2d57f85d4&provenance=&acquisition=&epoch=&dynasty=&pharaoh=&searchLng=en-GB&searchPage=2

Museo Egizio di Torino

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