r/Filmmaker4Filmmaker

Something I keep noticing after talking to animation alumni
▲ 4 r/Filmmaker4Filmmaker+3 crossposts

Something I keep noticing after talking to animation alumni

I talk to a lot of students and recent grads in this space, and the same thing keeps coming up no matter who I ask.

It's not the classes they miss. It's not the professors. It's knowing what they're supposed to be doing every day. In school there's a clear path, you know what step comes next and how to actually get from an idea to something finished. Once that's gone, people are just figuring it out on their own, and a lot of them don't even know who else out there is going through the same thing.

I've heard some version of this from more than one person now, different schools, same answer. Structure, and having people around you working on the same stuff.

Once you're out, the options aren't great. Job boards work if you already know exactly what role you need. Discord servers work if you're lucky and the right person happens to see your post. Neither one gives you back what school actually gave you, which was never just a class, it was a team and a process.

That's basically what pushed me to build something around it, a competition where a team works through animation production together, stage by stage, so nobody's carrying the whole thing alone. Looking for 30 people to lead a team right now. It's called UMDB: umdb.org

Anyone else find a real fix for this once school ends?

u/Outrageous_Eagle_757 — 10 days ago

Looking to connect with filmmakers interested in documentary/storytelling

Hey everyone, I'm Michael.

I'm a YouTube creator and I'm currently working on building a small production team for some documentary/storytelling projects.

I'm interested in psychology, human behavior, strange real-life stories, and the kinds of stories where there's something deeper going on beneath what happened on the surface.

I'm especially interested in connecting with writers, researchers, editors, filmmakers, sound designers, and other creatives who enjoy that kind of work.

I'm not looking to make this a one-and-done project. I'm trying to build relationships with people who want to collaborate on multiple projects and build some real work for their portfolios along the way.

I'm still putting the team together, so right now I'm mainly interested in meeting other filmmakers and hearing what you guys are working on.

If you're into documentary or narrative storytelling, I'd love to hear what you're working on or what part of filmmaking you enjoy most.

reddit.com
u/Holiday_South_2428 — 13 days ago
▲ 4 r/Filmmaker4Filmmaker+2 crossposts

Filmmakers in London looking for a DOP/Cinematographer?

I’m based in London and looking to meet film makers in London.

To be upfront: I am not looking for money/pay. I’m a self taught DOP / an aspiring film maker. Ive’ Just coming off of two really great projects where I worked as a DOP (a music video and a short film). I’ve been able to work and collaborate with some great people.

My Oct and Nov have opened up as the next project I was supposed to go on to has been postponed till next year. I’m in good momentum and just really keen to not slow down. I want to jump on new projects and work with creative film makers. Open to all genres and varying production sizes. As long as you’re taking it serious and actively trying to make things happen.

So if you’re a film maker, director, writer or Actor and you’re looking for a DOP to join your project/production, please give me a shout.

reddit.com
u/Fabulous_Inspection4 — 13 days ago

Is marketing a soundtrack more important than having a consistent tone in the music?

When it comes to having the opportunity to market a soundtrack for your film some say not to do this if it means messing with the integrity of the tone.

For example , on the Batman 1989 soundtrack , there are Prince songs, but people say this was a mistake because Prince's style of music did not fit the tone of the movie.

But as for marketing a soundtrack , what is more important for having a consistent tone in the story world versus having a sountrack that is more sell-able?

Thank you very much for any opinions on this! I really appreciate it!

reddit.com
u/harmonica2 — 12 days ago

Why do a lot of indie films have title sequences if the advice is it's a bad idea?

A lot of advice from filmmaker to filmmaker I hear is don't have a title sequence in the opening of a feature film because you want to draw the audience in right away without distraction, but that also, it's not worth showing a title sequence in the opening to audiences if it's full of unknowns either, if that's true.

However, when I see indie films at festivals, they almost all have full title sequences in the openings. So I wonder if there are other reasons to do do thus that may be counterintuitive, if they almost all do it?

Thank you very much for any input on this. I really appreciate it!

reddit.com
u/harmonica2 — 12 days ago