
the Self-Titled record
Just finished my first spin of this record, and I’m really pleased with how the pressing came out. I’m stoked to finally have my three favorite Say Anything albums collected on vinyl.

Just finished my first spin of this record, and I’m really pleased with how the pressing came out. I’m stoked to finally have my three favorite Say Anything albums collected on vinyl.
I feel like as a stand alone story around Oliver, a man who is struggling with identity, sexuality and his place in the world, I think it's fantastic. At the time I thought it was a little half-baked, but coming back to it years later I think it's a really important piece in the catalog of it all. I also find it incredibly refreshing from what the emo scene typically churns out.
My one real gripe with it is the fact that it's tied to IARB, and not because of quality or legacy reasons, I just feel like that bit is shoe-horned in. But as a stand alone story, I think it's great.
Only posting this because I know he'll see it
Some random thoughts after coming across a few things:
1 - this video for a wow I can get sexual too
2 - the recent EP covering animal collective and YYY
3 - this video describing Indie Sleaze https://www.instagram.com/reel/DYXYBngBFD7/?igsh=NTc4MTIwNjQ2YQ==
In their heyday, Say Anything felt like a band in a perpetual identity crisis. A creative ambition too challenging for the traditional emo/pop punk scene, but a self-consciousness too doubtful to push out of the genre and into a bigger scene.
I do understand their hesitation, and wonder if the continued fan revolts of emo acts branching out kept them from pushing things too far (cases in point: Saves The Day / In Reverie, The Get Up Kids / On a Wire, The Anniversary / Your Majesty). There were a few later success stories from the scene who broke through (Sonny Moore, Jack Antonoff), but it always felt like Max would retreat to the scene when pressed on ambitions of breaking out.
I specifically remember talking points like “I’d rather listen to New Found Glory than Bob Dylan” when he was compared to Bright Eyes, and there’s maybe no greater evidence than the fact that he named his first follow up record after a big success “In Defense of the Genre” and filled it up with emo superstars. It seems like he was uncomfortable with the lofty comparisons being thrown at him.
None of this is intended to be critical by the way, just more of an observation. No one other than Max knows what was truly in his heart, and I always appreciated that there was someone out there throwing his lot in with the people who had more fun at Warped Tour than Coachella, but I always wondered if there was a part of him holding himself back from pushing out of the box out of fear of going from being a big fish in a small ocean to whatever mainstream Indie was at the time.
There were a few calculated risks here and there, but he always seem to wave a big flag to indicate where his allegiances were. Hebrews took a big swing, but he also made a big point about being on Equal Vision (and kept the guest appearances largely in his comfort zone).
All this to say, there seemed to be a small moment when Wow I Can Get Sexual Too came out that he really had a foot in two genres—comfortable on a tour with Saves The Day, but not too many degrees away from early LCD Soundsystem, Hot Chip, and the like. When I watch the video of this performance on Carson Daly, I can’t help but wonder what the parallel universe might look like where Max threw off the safety net of the emo/pop punk scene and dove headfirst into the world of mainstream 2000s Indie world. Would it have been a total catastrophe, or led to more interesting music?
I can’t think of too many other bands straddling these two genres, but a few examples that popped to mind (all for different reasons):
Nightmare of You
Cobra Starship
The Blood Brothers
Hellogoodbye (Everything is Debatable era)
The Faint (early records)
What do you think? Could there have been a world that saw Max find success on this path? Or is it all just a wayward “what if” daydream?
As a mom, does anyone ever just not want to anymore?
Like adulting, wifing, momming, I don’t know what it is that makes people think that we have an extra chromosome to make us superhumans, but we don’t, we don’t.
We are just human. We don’t have anything extra. I don’t know what it is. That makes people think that moms can do everything and hold it together and be OK but we’re not OK like anyone else crying in the shower secretly or holding resentment or wanting to just not anymore?
Please can someone help me, I’m so confused on how to layout the exercise and how many to do if the same ones
Eg do I do something from core and then go to something from leg series.
Or do I list all exercises from one category at once eg evrythubg from leg series, then everything from core in order ? Please help
Any word or speculation on any sort or new music coming anytime soon?
I have been listening to my CD of IDOTG since highschool, and always liked disk 2 (purple) better than disk 1 (yellow). I just clued in today after reading the tracklist that the purple disk actually contains the tracklist of disk 1 (I clued in at 'The Church Channel', love that song).
Has anyone else found this? I couldn't find any info readily online.
Just looking for some more information about this hoodie I have, pretty sure I got it during the promotion tour for In Defense of the Genre but I just came across it after being stored for awhile. I can't find any info online at all thanks in advance!