

October 5, 1938 Holocaust: The Red "J" Stamp on Jewish Passports
Forcing Jewish Men & Women to Bear the Names "Israel" & "Sara"
"The Reich Ministry of the Interior invalidates all German passports held by Jews. Jews must surrender their old passports, which will become valid only after the letter “J” has been stamped on them.
The government required Jews to identify themselves in ways that would permanently separate them from the rest of the German population. In an August 1938 law, authorities decreed that by January 1, 1939, Jewish men and women bearing first names of “non-Jewish” origin had to add “Israel” and “Sara,” respectively, to their given names.
All German Jews were obliged to carry identity cards that indicated their heritage, and, in the autumn of 1938, all Jewish passports were stamped with an identifying red letter “J”. As Nazi leaders quickened their war preparations, antisemitic legislation in Germany and Austria paved the way for more radical persecution of Jews." https://www.ushmm.org/learn/timeline-of-events/1933-1938/reich-ministry-of-the-interior-invalidates-all-german-passports-held-by-jew
NOTE: The Swiss request for the "J" stamp was driven by a desire to block Jewish refugees at their border while avoiding a full diplomatic fallout with Nazi Germany.
Following Nazi Germany's annexation of Austria in March 1938, thousands of desperate Austrian Jews began fleeing toward Switzerland. In response, the Swiss government closed its borders to refugees who lacked pre-approved visas.
However, because German and Austrian passports did not explicitly state a citizen's religion or ethnicity, Swiss border guards could not easily tell who was a "standard" German tourist and who was a Jewish refugee seeking asylum. To solve this, Switzerland threatened to require visas for all German citizens.
To avoid this restriction on general travel, the Nazi regime agreed to a compromise proposed during negotiations led by Heinrich Rothmund, the head of the Swiss Federal Police.
On this day, an official agreement was finalized. Nazi authorities invalidated all existing passports held by German and Austrian Jews, requiring them to surrender the documents. The passports were only reissued after a large, red letter "J" (for Jude) was stamped on the front page.
The stamp provided Swiss border guards with a clear visual marker to instantly identify and deny entry to Jewish refugees. Historical investigations, such as the Bergier Commission report, concluded that this policy directly contributed to the Holocaust by closing off one of the last available escape routes just weeks before the violence of Kristallnacht.
1: “In 1943, little more than a year before his murder in Auschwitz, Nussbaum painted one of his most striking and devastating self-portraits titled “Self Portrait with Jewish Identity Card.”
Unlike the first two portraits discussed here, in this portrait, the symbols of Jewish identity do not come from the Jewish faith itself, but rather are symbols of persecution and degradation imposed upon Jews by the Nazis.
Turning his head to visually engage the viewer, Nussbaum seems to have been cornered next to a crumbling and dirty white wall (a symbol of menace in Nussbaum’s visual vocabulary). Lifting his coat collar up, he reveals the yellow badge of shame concealed under it, while his left hand shows us his Jewish identity card.
His expression is furtive, alert, his direct gaze is penetrating. What does it mean to us as viewers? Is it a conspiratorial gaze, asking us to help keep the secret of his Jewish identity? Is it the gaze of the accuser, demanding from the viewer answers as to why he has been allowed to be so humiliated and persecuted? Is this the terrified face his persecutors will see when he is eventually arrested in July, 1944?
Or perhaps, 17 years after first painting himself as a Jew, he again asks the viewer to consider the implications of what it means to be a Jew at this point in history, with the threat of annihilation looming so close. Beyond the wall, a dark cloud floats in the lowering dark sky, while windows of a nearby house witness the scene.
Do these windows represent the life-saving shelter of hiding, now lost? Perhaps they symbolize the bystanders, those who detachedly witness Nussbaum’s revelation from the safety of their own homes? The tree, which juts up on the other side of the wall, combines two symbols that appear repeatedly in Nussbaum’s artwork.
The most prominent part of the tree is limbless; a symbol in Jewish funerary art of a life cut short, and in Nussbaum’s art, a symbol of melancholy, hopelessness and death. In the midst of this dark and despairing scene with a portent of approaching doom, a blossoming branch grows from a lower limb of the dead tree, highlighted by a small patch of blue sky behind it. This small symbol of optimism represents the quintessentially human quality of hope. Even in the shadow of death, most people are loath to believe they will actually die.
In the midst of his horrible predicament, it appears that Nussbaum still held on to a glimmer of hope that he and his loved ones would somehow survive. Felix Nussbaum was one of six million Jews murdered during the Holocaust for merely being a Jew.
His genius, his vision, his voice were all snuffed out by those whose hatred prevented them from seeing Nussbaum as a human being. Until the bitter end, Nussbaum created his art, using his talent to visually portray his inner struggles with fear and solitude as an artist, a man, and a Jew spiraling toward catastrophe. Even under such horrific circumstances, in his brief 40 years of life, he still managed to bring great beauty to the world.
By seeing Felix Nussbaum’s artwork, and trying to understand its messages, we honor one of his last wishes: that after his death, his artwork would not die with him.” MORE---> Felix Nussbaum: Self Portraits of a Jew in Turmoil, by Liz Elsby
2: Left: “German police authorities issued this passport to Erna "Sara" Schlesinger on July 8, 1939, in Berlin.
This first page of the passport illustrates the German laws that facilitated the identification of Jews in Germany. From 1938, German regulations required that Jewish women with a first name of "non-Jewish" origin use the middle name "Sara" on all official documents. Jewish men had to add the name "Israel".
The letter "J" (standing for "Jude," that is, the word "Jew" in German) was stamped in red on the passports of Jews who were also German nationals. Erna Schlesinger immigrated to the United States in 1939.”
Right: “Passport issued to Lore Oppenheimer, a German Jew, with "J" for "Jude" stamped on the card. "Sara" was added to the names of all German Jewish women. Hildesheim, Germany, July 3, 1939.”