



My Date With the President’s Daughter(1998) with Will Friedle and Elisabeth Harnois(Missy Robinson on BMW)
I wanted Hallie’s pink dress SO BAD. I loved this movie!




I wanted Hallie’s pink dress SO BAD. I loved this movie!
Of course, I Was a Teenage Spy is an obvious example of this, but I also just watched The Happiest Show on Earth and that episode starts with Cory doing the twist to a doo-wop song. I feel like that could have been a riff on him being a grandfatherly square but I also remember Pod Meets World mentioning how certain anachronisms made no sense based on the main demographic of the show (like the Monkees appearance). I feel like there are other examples that just aren’t coming to mind, and I also haven’t listened to Pod Meets World in awhile so I’m not sure how deep they’ve dived into this.
So I figured I’d ask yall — does this feel like a stylistic choice or intentional approach to character development/world building, or does it feel at odds with the BMW universe and like an oversight of the show’s creators?
30 years on, this still rings true.
Hear me out. Since Danielle, Will, and Rider started their podcast, they have proven that the fanbase for this universe is still active, passionate, and massive. The podcast has found a huge following, and now that they are diving into recapping Girl Meets World, the nostalgia hype around the entire franchise is peaking all over again. Disney clearly sees the value of this audience, and in an era where revivals and reunion movies are thriving on streaming, a proper wrap-up film or limited series feels like a no-brainer.
The best part is that the creative talent is already built into the core cast. Rider and Will have always had a strong passion for writing and directing, while Danielle has spent years directing across television.
Letting them take the wheel instead of a disconnected writers' room would give us an authentic, grounded story that balances genuine heart with the classic humor we love.
Unlike Girl Meets World, which had to fit the Disney Channel tween demographic, a streaming movie or miniseries could actually tackle real adult life stages. We could see the characters navigate midlife challenges, parenting, and where their friendships stand today, much closer to the tone of the later seasons of the original show.
Even if the cast dynamic looks slightly different today, the world they built has more than enough heart to carry a great story. Would you want to see a standalone movie or a limited series, and what storyline would you want them to explore?
Trina has posted a link to raise money for an African school for a gofundme page. She has raised zero dollars in almost a week. This smells like a fraud and hustle. She has moved around multiple times the last few years and never explaining why she left her previous location. What are your thoughts? She’s is clearly avoiding living in the US for the last decade. Her life is one shady episode after another. Why doesn’t no one comment or investigate this behavior? Who knows what really happened to her. Wasn’t she living on a small boat for years before hoping around from Belize to now multiple cities in Africa?
Pretty cool considering he prefers not being in front of the camera.
I wish they had done gone back and done a rewatch of the pilot after the finale. Would have been interesting to hear those thoughts after watching the show through.
For those that are interested
I’m a 2000s kid watching Boy Meets World for the very first time. As I watch, I feel like a lot of the choices the characters make fit their age, the era, and the narrative flow of the show.
However, when hearing the cast talk about these same moments years later, it seems like they view those choices very critically or judge them by cynical POV rather than the context of the story.
For those who have listened to the rewatch commentary: Why do you think there’s such a disconnect between how the story portrays these decisions and how the actors interpret them looking back? Shouldn't they have had the most context while making the show?