r/classicfilms

Any Must Read Biographies/Autobiographies?

I have spent the last year amassing quite a collection of Old Hollywood autobiographies/biographies. I love the older ones from the 70s-90s, but will read any. I will list the ones I’ve read in the last year, but I would love any suggestions you have! I mostly read about women, but am open to good ones about male stars or directors too. I trust your opinions very much so thank you in advance!

I’ve read:

Detour - Cheryl Crane
Portrait of a Survivor (about Susan Hayward)
Child Star - Shirley Temple
By Myself - Lauren Bacall
Stanwyck - Axel Madsen (currently reading)
Call Me Anna - Patty Duke

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u/freshprincess314 — 11 days ago

Seven Brides for Seven Brothers (1954) : Hollywood’s most dynamic and enchanting display of dance in musical history

This magnificent group choreography brought to life on the giant screen remains fresh in my memory.

u/koj2013 — 11 days ago

"What classic actresses are underrated and don't get the credit they deserve? Gail Russell comes to mind"

"I recently watched Moonrise (1948) and truly loved it and it was beautifully shot, beautifully made, and beautifully written. Gail Russell was luminous in it, and it made me realize how underrated she is. She doesn't seem to get the credit she deserves. What other classic actresses do you think are underrated and deserve more recognition?"

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u/OldHollywoodfan94 — 11 days ago
▲ 109 r/classicfilms+1 crossposts

A Face in The Crowd (1957) Directed by Elia Kazan. Directors of Photography: Gayne Rescher and Harry Stradling Sr.

u/Restless_spirit88 — 11 days ago

What Did You Watch This Week?

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https://preview.redd.it/3id9q514rf3b1.jpg?width=640&format=pjpg&auto=webp&s=dd89760000acc70d6bf72374ae3629a947d9a219

In our weekly tradition, it's time to gather round and talk about classic film(s) you saw over the week and maybe recommend some.

Tell us about what you watched this week. Did you discover something new or rewatched a favourite one? What lead you to that film and what makes it a compelling watch? Ya'll can also help inspire fellow auteurs to embark on their own cinematic journeys through recommendations.

So, what did you watch this week?

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As always: Kindly remember to be considerate of spoilers and provide a brief synopsis or context when discussing the films.

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u/AutoModerator — 11 days ago

"I Married a Witch" (Paramount/United Artists; 1942) – Fredric March and Veronica Lake – publicity photo

u/oneders63 — 11 days ago

Mexican Immigration Service papers of Margarita Cansino Welles, aka Rita Hayworth, in October, 1946. The "Welles" surname followed her marriage to Orson Welles in 1943.

u/waffen123 — 11 days ago
▲ 42 r/classicfilms+1 crossposts

The Great Escape (1963)

One of the more interesting things about The Great Escape is what it doesn't show, and that's because it couldn't.

It wouldn't (and to some degree, couldn't) show the grim, brutal reality of WWII and it's impact on the men who served, nor could they show the terrible conditions of the camp, or the treatment of the prisoners, or the cruelty of their captors, and for a very simple-yet-complicated reason.

No one back then wanted to see that kind of movie. They wanted heroic men banding together heroically, and fighting against evil oppressors and coming out the other side with all limbs and a hearty spirit intact. While modern day film making definitely makes space for the reality and starkness of wartime and does it very well, a movie like The Great Escape does the opposite.

And it does it so very well. With a cast so stacked it's practically absurd, we're treated to men not merely surviving in a camp designed to be inescapable, but thriving, and in such a fun, grandiose way. Each man in the camp is known to the other, either because they were all banged up in another Nazi camp elsewhere or because their exploits in their OWN camps were so legendary that word passed like wildfire.

There are forgers and diggers and scroungers and builders and it's all so much damned fun. If the movie itself didn't cover such dire circumstances, I'd damn near want to call this an adventure comedy. The stakes are real enough that we're reminded of what happens when Ives makes a break for it, but watching a ragtag band of soldiers from all corners of the world consistently get one over on their Nazi captors is just an old fashioned good time.

Even though there are more stars in this movie than there might seem to be in Heaven, for some reason I just absolutely loved seeing James Garner here. I know, I know, Steve McQueen's the star as Hilts The Cooler King, but James Garner as Hendley 'The Scrounger' scratched an itch I didn't know I had. There's just something about the smoothly glib way Hendley manipulates Werner to get valuable documents that's just a blast.

But that's not to say the other big name men in this movie don't deserve their kudos. I loved seeing Donald Pleasance outside of a Halloween movie (where he chewed the scenery so hard I'm surprised the sets didn't fall down) and Charles Bronson as Danny The Tunnel King, which is so far from his iconic roles in Death Wish he seems like a different actor altogether.

I feel like they didn't use James Coburn nearly enough, or Richard Attenborough, but like the song says, we can't always get what we want, but we might get what we need. And what we needed was a big ole adventure with a lot of now extremely famous actors playing what really is tantamount to small roles that contributed to an enormously entertaining movie about triumph through adversity, and comradery through shared miseries.

If you're wondering why I haven't really talked about Steve McQueen at all until now, here's why. I suppose he was the biggest star in the movie at the time, and the studio was banking on his specific star power to bring people to the theaters to see their movie, but he really, genuinely didn't feel like the focal point of the movie. I understand after looking a few things up that he walked off the set and refused to come back until his role was made bigger and that the now legendary motorcycle scene was added.

I can't deny that all of that was really awesome, but at the same time, I feel like it somehow defeated the inherent purpose of the movie: to show that everyone, doing their small part, could make a long-lasting impact.

This don't make the movie 'worse' or 'unenjoyable' because that's impossible. The Great Escape is absolutely fun movie that is so worth anyone's time that if you haven't seen it, you really should. I bring up Steve McQueen the way I did because until sitting down to watch this movie for the first time, the only things I knew about it were that he was in it, and the motorcycle escape.

I thought the entire movie was about him engineering The Great Escape with little to no help, but the moment I saw the cast, saw how it was all put together, that changed the dynamic for me in a big way. I understand the marketing of it all, and I can't blame the studio for doing as they did, because The Great Escape is still absolutely fantastic.

One of the things I am appreciating most about my movie challenge this month so far is that it's introduced me to some movies I dismissed kind of casually out of hand. These are movies that have always been lauded as excellent, and so far, I'm pleased that it's been a trifecta of absolute brilliance.

u/screen_stack — 11 days ago
▲ 27 r/classicfilms+1 crossposts

No Name on the Bullet (1959) - Western, directed by Jack Arnold. Starring: Audie Murphy, Charles Drake, Joan Evans, & Virginia Grey.

Woke up early on a Saturday morning & we're off to a wedding this aft but my bf is still fast asleep as its still really early so, of course, I put a classic western on from my 1950s film file on my external hard drive, because my bf doesn't like Westerns. I chose No Name on the Bullet (1959), directed by Jack Arnold & starring genre legend Audie Murphy.

The Plot: lonesome gunslinger John Gant (Murphy) rides into a dusty Old West Town where everyone already knows his reputation but they don't know why he is there? Gant is a killer, but whom is there to kill? Gant befriends local doctor/veterinarian Luke Canfield (Charles Drake) & his father, blacksmith Asa (R.G. Armstrong) & a number of townspeople are immediately threatened, including sheriff Buck Hastings (Willis Bouchey), local businessmen Reeger (Simon Scott), Stricker (Karl Swenson), & Pierce (Whit Bissell), adulterous couple Roseanne (Virginia Grey) & Lou Fraden (Warren Stevens), & Anne Benson (Joan Evans) & her tuberculosis-suffering father Judge Benson (Edgar Stehli).

So No Name on the Bullet is a classic Western which I have never seen before; I actually haven't watched many Audie Murphy films but I'm aware of his stature as an icon of the genre. For such a diminutive actor, Murphy really does command gravitas as the lethal gunslinger who puts everyone on edge as soon as he arrives in town. Arnold's film is only 1hr 17mins long but the director manages to fit so much in in such a short space of time. His film is packed full of impactful characters & deep-rooted themes that are typical of the Western genre.

The cast is stacked full of familiar faces & everyone delivers. I particularly like that the female leads Evans & Grey don't play the usual genre stereotypes, instead their characters are very sympathetic & not at all cliched. Murphy is essentially playing an anti-hero but the audience are fully on his side & its fun trying to work out who his target is.

I recommend this elegiac Western to anyone who loves the genre & who may or may not (like myself) be all too familiar with Murphy, who really does anchor every film he is in.

I gave No Name on the Bullet a full 4 ☆☆☆☆ out of 4.

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u/Ok-Pomegranate-4963 — 12 days ago