r/depthsofdepravity

Immolation & Incantation 36 years and no bad albums!!

I just want to celebrate my favourite two death metal bands - particularly their incredibly strong and consistent on output over many decades. Neither band ever hit the Big time but they just ploughed their furrow, creating fiery, tempestuous death metal that never lets you down and is always subtly expanding its vision. Everyone knows the original Classics but I would love to just bring some love and illumination to 2 later albums, the doomy, dark as night Vanquish In Vengeance by Incantation and the smouldering and mindblowingly consistent Atonement by Immolation. Would be great to hear favourite albums, particularly less known ones and just people’s opinions on these vintage death metal bands.

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u/Earl_of_Portobello — 4 days ago
▲ 8 r/depthsofdepravity+2 crossposts

Dog in the Burning House - There Is No Redemption (Istanbul/Ottawa, 2026) (FFO: Strapping Young Lad, Deathspell Omega, Ulcerate)

Hello,

I've released the sophomore record of the one-man prog-death band Dog in the Burning House. The album was written, recorded and mixed in Istanbul and Ottawa over the course of 6 years. It is heavily influenced by Strapping Young Lad’s City, mixed with influences from dissonant death metal outlets such as Ulcerate and Deathspell Omega, and a small taste of the insanity of The Dillinger Escape Plan and Meshuggah. Above all, I wanted the record to be fun to listen to from start to end. Therefore, the focus is on riffs that are fun to play and listen to over meandering atmosphere and explorations.

The songs Risus Sardonicus and Remembrance are good examples of the overall music here if you would like a lead. The intro song Remembrance is about picking up guitar after a long period of not playing and is comprised of three parts, starting with a more melodic opening, leading to a groovy riff that alternates between 3/4 and 4/4 and closing with an explosive dissonant section.

Risus Sardonicus marks the midpoint of the album. It starts with a high tempo riff, progressively becomes slower and groovier and finishes with a The Dillinger Escape Plan style riff over a Winston Churchill sample.

Lyrically, the theme is about being stuck and in between two worlds. It is about not being able to move on or being able to understand whether to want to move on. It is also about carrying the weight of an old world after moving on. Most of the music and lyrics were written during a time when I was a doctor in a COVID clinic in Istanbul, trying to land a PhD position abroad so there is a bit of that too.

Below are the links to the album in major streaming platforms and Bandcamp. Hope you enjoy it as much as I do!

Spotify:

https://open.spotify.com/album/0iWCgXqCuCn5hGyxOcrGYd?si=AUBbBFNsTzGy-mJt2-RHlA

Youtube:

https://www.youtube.com/watch?v=9QGERmY8jQk&list=OLAK5uy_nVGP1d5DJDxSFzudNVM1E9vfkDNr4gcYM

Apple Music:

https://music.apple.com/us/album/there-is-no-redemption/6801719292

Tidal:

https://tidal.com/album/552446519/u

Bandcamp:

https://dogintheburninghouse.bandcamp.com/album/there-is-no-redemption

youtube.com
u/duodenum666 — 3 days ago

4 essential Tech Death records

Hi everyone,

Quick post today! After my last write-up on Mithras and Sarpanitum, I felt like highlighting 4 other tech death records I absolutely love and I keep coming back to:

Demilich – Nespithe (1993, Finland): The riff writing here is pure genius. Instead of standard patterns, they build sprawling, non-linear spiral riffs that sound completely alien, all tied together by those absurd, ultra-deep gutturals.

Decapitated – Winds of Creation (2000, Poland): Pure Polish precision. Still insane to think how young they were when they dropped this. A masterclass in tight, punchy execution. The drum work is legendary relentless speed combined with unreal precision and the guitar riffs carry a raw, aggressive groove that never loses momentum.

Hieronymus Bosch – The Human Abstract / Artificial Emotions (Russia): Musically, this is as sophisticated as it gets. The compositions seamlessly blend heavy, technical death metal with elegant jazz-fusion basslines and neoclassical lead guitar work.

Quo Vadis – Defiant Imagination (2004, Canada):
Exceptional songwriting and crystal-clear sound quality. Every instrument gets room to breathe, showcasing brilliant fretless bass performances, soaring melodic solos, and perfectly structured tracks

What do you think of these bands and records?

u/IICalaVerra — 14 days ago

Similar to DIS

Looking for bands with a similar sound to Dragged Into Sunlight. I’ve only delved into Portal which I know aren’t too similar but I feel like kinda coincide with them nicely.

Thanks!

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u/Portly_234 — 13 days ago

In need of some Doom Metal similar to "Majestic Thou in Ruin" by Dusk.

I love the sound of this album, the absolute crushing weight of it all and I'm craving more. I also just want to get into more Doom Metal as it's a genre I haven't really delved into much.

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u/blublurbagen- — 13 days ago