r/metalmusicians

Hey there !! Recording some Heavy Guitar Riffs using my 27” scale length guitar: Esp Ltd M 7 ht Baritone Black metal loaded with a Seymour Duncan blackened black winter pickup into a Peavey Invective MH ( Misha Mansoor signature amplifier) and a Mesa Boogie Mini Rectifier!! For drums I’m using GGD The Downbeat by Adam Nolly GetGood and Craig Reynolds!! 🤘🏼
Have a great Sunday everyone!!

My young, swiss powermetal inspired band has just released our first single Prometheus Fire ! Filmed on a ruin

Every watch, listen or feedback would mean a lot! It was bloody cold on that ruin:)

And yes, I am aware that we have a viking look but sing about a Greek God haha. Two of us are literature students…

Any opinions much appreciated. I'm really disappointed but also don't know if I'm justified in that feeling. Be sure to crank the volume on my mix, there's no mastering there.

My mix: https://jumpshare.com/share/1X2KM0gzaB1E0JvKR5Ak

New mix+master: https://jumpshare.com/share/Wm38aaQyQZtqm931YLw8

I am heavily influenced by the great southern trendkill and far beyond driven by pantera, crowbar, sepultura, real nirvana (not smells like teen spirit), bit sabbath and stuff. And i wanna stay (or get) close to the songwriting and sound of the great southern trendkill. i think the songwriting is almost theatralic or like classic music, and not just verse chorus verse. i often think about, if pantera didnt do steel, which is softer, fatter and more sabbath-like, but got even heavier and extremer after trendkill. so i would say, i‘m pretty oldschool. cause i dont like the kind of metal people play today. i want maximum groove, aggression and destruction in my music. i dont wanna be the 1000th whatever copy but also dont know how to develop the genre even further without becoming this type of metal, which is played now. i hope someone understands what im trying to say. please share your thoughts. thanks!

Hey everyone,

I want to talk about a massive mistake I see constantly in the underground scene right now, especially with death, black, thrash, and doom bands.

A band spends six months to a year writing, tracking, and mixing a killer album. They pour blood, sweat, and thousands of dollars into the production. Then, the moment the master files hit their inbox, they immediately upload the whole thing to Bandcamp, hit "Publish," make a single post on their personal Facebook page, and just... pray. Three weeks later, they’re wondering why they have 50 downloads, zero reviews, and complete silence.

The hard truth about the modern underground is that the single-event release model is dead.

1. Passive Platforms Do Not Generate Traffic

Bandcamp, Spotify, and YouTube are incredible distribution tools, but they are completely passive. They are warehouses, not traffic drivers. If you don't actively build a mechanical pathway to your link, no one is going to stumble upon it. The algorithm isn't coming to save an independent metal band.

2. The "One-and-Done" Hype Myth

Many bands think a release is an event. It’s not. It’s a campaign. If you blast your network on release day, you get a small spike of attention from your closest friends. By day three, that noise is buried under the thousands of other tracks uploaded that same day.

3. The Power of the "Train of News"

If you want the underground press, zines, blogs, and internet radio stations to actually cover you, you have to give them time to breathe. A successful rollout requires a multi-phase, staggered approach over at least a 3-month window:

• Phase 1 (The Setup): Building your electronic press kit (EPK) and hitting media targets weeks before the single released.
• Phase 2 (The Momentum): Releasing a calculated single to build anticipation, secure initial reviews, and create a searchable digital footprint.
• Phase 3 (The Landing): Dropping the full record only after the scene already recognizes your band's name.

If there is no continuous movement, nothing happens. Silence kills momentum - whether you are independent or signed to a label. Treat your rollout like a formidable business operation, not a lottery ticket.

Note: I’ve spent years working on the promotional side of the underground, and I finally got tired of seeing killer bands disappear into the void. I just published a massive 3,000-word mechanical blueprint breaking down global radio outreach, press kit formatting, and exact timeline structures on my site. No email walls or catch, just raw logistics for independent bands. If you want to dive into the full strategy, you can read it here https://globmetal.org/metal-pr-guide