r/ryuuko

Credit:

All genga by Sushio.

Translations:

1. Please feel free to color her hair, skin, etc. As you wish.

- Completed.

- School uniform in the crowd is labeled.

- Master layer.

- I know that there are a lot of small details, but please make it carefully.

Coming at ya today with a mix of frames! The first one, we will look at more layers tomorrow! Had to tease that lovely artwork, first. :) There really is an insane amount of detail in this one illustration! Gives me a whole new appreciation for that little scene. Gotta have that cute Ryuuko and Mako, too! My favorite frame of the bunch, in that sequence. Lastly! Two top correction layers. Not much needed fixing in this scene!

Credit:

All genga by Sushio.

Another adorable classic for your dashboards today! :) Always have loved this scene! It is just sp cute, even in its rough form! Who doesn't love Ryuuko and Mako together? I particularly the expressions in these pieces of artwork. Especially Mako's, I think. In this set, her eyes are just so sharp! Something about the lack of color really makes the linework pop!

Credit:

All genga by Sushio.

Translations:

2. This trace is for cheek touch-ups and eye color.

3. See the cheek trace.

- Her cheek blush is labeled.

- Master layer. ☆

- Please add the touch-up on her cheeks for the master layer, using the trace layer. (Everything but please is underlined)

- Please complete the cheek blush correction on a separate sheet. (Cheek blush on a separate sheet is underlined twice)

- Please keep the solid lines as fine as those in the original artwork.

- Use image processing.

- Guitar case belt.

A trio today! Another classic. :) We get some fantastic direction notes, too! These are by Imaishi. The duo of frames are both of the layers I have for this shot. We will do a fresh one tomorrow! I do love the sketchiness of the top layer where they've corrected things! Sushio did a fantastic job, as always. If you read the translations, you can literally flip back to the correction layer and see the adjustments! Love doing that. And I do find the extra layer to be more 'Ryuuko', if that makes sense!

Credit:

All genga by Sushio.

Since she is technically nude, I've decided to tag this one. The indignant face she is making has me giggling. I absolutely love when Sushio draws her like this. His more cartoony style really captures me! We do gain some x-ray vision for the first illustration. :P Lol. I see them cheeks, Ryuuko.

Credit:

All genga by Sushio.

Ayo, more from this hilarious scene! And one more straggler frame trace layer that I forgot to put with the others. Oops! I love all three today for different reasons! We get some Aikurou added, and more animation notes! Plus, these are all top layers. I find it interesting when there isn't as much detail to correct! Like how we have invisiRyuuko in the second and last slots. So interesting!

Credit:

All genga by Sushio.

Translations:

1. (Sailor Uniform) His eye is closed.

- Please check the column of cels for width with the framing and ensure the text does not overflow from this cel.

Here are the other layers for yesterday's scene! I ended up sleeping, so I'm late, but I'll do a catch-up! So anyway, we are finishing up yesterday's little scene with these ones. Plus a bonus couple! Lots of animation notes, this time! I love the artwork here, especially in the second sketch, haha! So cute.

Credit:

All genga by Sushio.

2. In this scene, there is yellow color here.

- Cables are hanging from the ceiling.

- Shoes are labeled. (Sitting on a shelf)

- There are gaps in the blinds.

- Light coming through.

- Seam of his eye. (Senketsu)

- No bandages. (On Senketsu)

- Mouse is labeled. (Computer)

- Monitor is labeled. (Computer)

- Curtain and cushion labeled.

- Sofa's removed cushion is labeled.

- A flower behind the head.

- Don't tamper with this.

- On C151, move slightly down and to the left.

- Sofa OK.

- We are looking at the bottom of the overturned sofa.

We are officially into the next episode! And this scene never fails to make me laugh! I love that we have a layout genga today! They are rare and few and far between. Lots of little notes on how they will set up the scene. :) I will be posting more for this one! And, as I promised, we finish up with the remaining layer from yesterday! I love that particular piece of artwork. So much great stuff incoming!

Credit:

All genga by Sushio.

Translations:

1. ☆ Main artwork layer.

-Please leave a small gap before the solid line in the 3rd layer.

- Lines that are thinner than the original artwork are not permitted.

- Please make a new entry on a new layer using the notes.

- Please take special care when working on her eyes.

- Please make sure that Ryuuko's sailor uniforms linework is solid, and fitted to her.

- Throwing her hand up.

- For the C in-between frames, changing the character is a task to be carried out during night hours.

- From B to C and onwards, please carry out the work in accordance with these instructions highlighted in red.

2. Frame A4 was created during the final stages.

- This is a solid line!

- The others should also be shown as solid lines.

4. Bare hand.

I got a real treat for you guys today! A genga key frame with a ton of Imaishi's and Nakashima direction! Though most of it comes from Imaishi this time. :) We get interesting looks into the stages just before production! I also wonder. There has been many notes about the lines on Senketsu being solid lines over many of the frames that I have posted! I wonder if that means they had some trouble with it? Since these are fairly consistent reminders. Perhaps this is an issue the team ran into while animating! Teaser for tomorrow is at the end. ;) I'll have the other layers of that frame for ya.

Credit:

All genga by Sushio.

Moving toward a new key frame today! And we finish up with the final two layers from yesterday's post. :) All of the genga posted today are top layers. We can see the refining of details especially between the third and fourth slots. I did not offer translations this time because I'm actually stumped for a change! I can read it, but it doesn't make sense to me. I think it must be inside animator knowledge stuff. First time that's happened! Anyway! On we go! This week is going by so fast!

Well, in this case, "waits for her to wake up" because Mako fell asleep halfway.

Credit:

All genga by Sushio.

Translations:

4. Her hair is colored red in this section.

Yes!! Was looking forward to sharing Tuesday's selection! Love these frames! Our target frame is cool, but just look at these genga without all the darkness in the shot! Love being able to see the full details of these Ryuuko poses. We have the top layer coming in second. And! Of course, the main layer to yesterday's Imaishi illustration. You can even spot the differences there! But I think that first piece of artwork shines the brightest, today. :) Always love when they use more color in their genga!

Credit:

1. Hiroyuki Imaishi.

2. Sushio.

3. Sushio.

4. Sushio.

It's my pleasure to start with another Imaishi illustration! This director's layer is always the final cut, and the genga goes through a on-model change, but that's it! I love it when we get a glimpse into what the directors wanted exactly, because it is what plays in their mind! Maybe its because I write a lot of stories, but I love to see other people's story visions. :) Anyway! Frames are in reverse-order today. SNAP! No peeling Senketsu off, after all!

Credit:

All genga by Sushio.

Yikes, my boobies hurt, looking at this. Lmao. STOP PULLING RYUUKO, OMG. No wonder she be sending off in the last frame. :P The animators do an incredibly good job of the Comedy in this scene, and also making us uncomfortable on her behalf, lol. If you're just glancing at the middle frames, she also kinda looks like a headless Thanksgiving turkey, rofl. The last few days are the perfect example of a wonderfully cartoonish sequence!