Less than a month with “Inferno” but ready to rate the releases

I’ve sat with “Inferno” almost daily since its release and I’d like to put out my ratings and favorite track from each. I’ll go chronologically on a 0-10 scale (10 highest), include the unofficial releases and EPs, and exclude lost releases, basically what I’ve been able to get my hands on. Share yours too.

Twoism: 8.5 (“Sixtyniner”)
A Few Old Tunes: 9 (“5.9.78”)
Old Tunes Vol. 2: 8.8 (“Staircase Whip”)
BoC Maxima: 8.5 (“Everything You Do Is A Balloon”)
Hi Scores: 7.8 (“June 9th”)
MHTRTC: 10 (“Aquarius”)
IABPOITC: 8.2 (“Kid for Today”)
Geogaddi: 9 (“Corsair”)
The Campfire Headphase: 9.5 (“Chromakey Dreamcoat”)
Trans-Canada Highway: 7.6 (“Left Side Drive”)
Tomorrow’s Harvest: 7.5 (“Nothing Is Real”)
Inferno: 9.2 (“Blood in the Labyrinth”)

I am grateful to be here for a new BoC release that was 13 years in the making. If “Inferno” were their last official release I’m happy to have experienced a fitting end to the works of the geniuses they are. Where “Tomorrow’s Harvest” predicted an apocalyptic future, “Inferno” put us directly into the fire, the aftermath of right now…in the future. Until next time. 🍊

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u/1000_pizzaslices — 2 months ago

It’s been two weeks, re: Memory Death

I’ve taken in “inferno” almost daily. I understand how it ties into Geogaddi and Tomorrow’s Harvest as part of this trilogy of end times. I guess I just need confirmation, or validation, about “Memory Death.”

I have three interpretations of one of the most straightforward, heartbreaking tracks I’ve heard in the 20 years I’ve been a BoC fan.

I interpret “Memory Death” as:

  1. The death of the past, an innocence, the “before times”
  2. The actual death of memory of someone (loved one) through illness (Alzheimer’s/dementia)

(Please, I ask that you be kind in your views and understanding of what we’ve been through since 2013)
3. A “tribute” to 2020-21/early pandemic times when COVID was at the forefront, many people sick and dying (heart monitor/EKG beeping), since then society has mostly chosen to move past it. When I first heard this track it brought me back to a time I think we want to forget, a collective “memory death.” What do you think? It’s a beautifully tragic interlude, isn’t it? Truly.

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u/1000_pizzaslices — 2 months ago

What happened to Ramon?

Maybe I uncovered a filming/continuity error but Jerry dragging Ramon into the pool caused Ramon to go further into the pool than Jerry yet when Newman jumps in Ramon is closer to the edge than Jerry. And Newman couldn’t get out of the way in time? 🤨

u/1000_pizzaslices — 3 months ago

My interpretations:

“Oh Well, OK”: the ending depicts the person’s frustration boiling over with having to read mixed messages from someone, wondering if they’re friends, more than friends, not friends at all. In the end admitting defeat with a sort of bitter indifference.

“Waltz #1”: I think “zone” means comfort zone in this context, the person tried to make a move and got shot down, and likely due to their feelings for the other, they wish they hadn’t ever even met them. I remember in the “Heaven Adores You” doc how Larry (Crane) discussed recording a demo of the song that day where it was a gloomy Portland day, originally called “Bushmills” likely due to the night before, and his reaction of “ugh, just knock out a mix and let’s go get a drink.”

I think it was Autumn de Wilde’s book which includes an interview with someone saying “that’s a long ‘face’ (laughing)” and it really is.

Really heartbreakingly beautiful songwriting from one of the best to do it. What are some of yours?

u/1000_pizzaslices — 4 months ago