I WANT MY 9 MINUTES! The Esra Hudson saga.

I WANT MY 9 MINUTES! The Esra Hudson saga.

MS. HUDSON: Okay. Let's go off the record.

MS. SHAPIRO: We're not going off the record.

MS. HUDSON: I'm taking a break. Yes, we are.

MS. SHAPIRO: We're not going off the record.

MS. HUDSON: Yes, we are. Yes, we are. It's not up to you. This is my deposition. We're going to go off the record.

MR. BACH: How much time is left?

MS. SHAPIRO: There's six minutes left. Oh, sorry, seven minutes.

MS. HUDSON: Okay. I have seven minutes.

THE VIDEOGRAPHER: Nine minutes left.

MS. HUDSON: Nine. There you go. We're gonna take a 10-minute break. We'll come back for the last nine.

MR. BACH: Let's make a record before you go. Let's make a record.

(Cross talk.)

MS. HUDSON: Not on the record. Not on my time.

MR. BACH: Can we go on the record?

MS. HUDSON: Absolutely not. Okay. You can go on the record and make any statement you want—

MR. BACH: I'm going to go on the record.

MS. HUDSON: —but you're not taking my nine minutes. I'm not—you are not taking my nine minutes to make a record.

MS. SHAPIRO: So you can ask more questions about a dead former client of one of the lawyers in this case?

MS. HUDSON: If you want to make a—

MS. SHAPIRO: And how is that—how is that proper?

MS. HUDSON: I understand that you are new to this case, and you don't understand everything.

MR. BACH: I want to go on the record. I don't care whether—

(Cross talk.)

MS. SHAPIRO: I'm new to this case, but I'm not new to the practice of law. I've been practicing law for over 30 years. I know the rules, ma'am.

MS. HUDSON: We're going off the record. I have nine minutes left, and I'm going to use them to ask some questions. If you want to make a record, you can add time and make whatever record you want.

MR. BACH: Okay.

MS. HUDSON: Okay? Will you agree that you will—this is not counting against my nine minutes?

MR. BACH: That's fine. But I want it on the record. I want a record of what's happened.

MS. HUDSON: You—you want a record of what's happened?

MR. BACH: Yes.

MS. HUDSON: You can make a record if—if you will—

MR. BACH: I would like to, if you will let me.

MS. HUDSON: If—I will let you if you will agree that it is not going to impact my nine minutes.

MR. BACH: I've already said fine to that. Do I need to say it again?

MS. HUDSON: Okay. You can make whatever record you want. I'm going to take a break.

MR. BACH: Okay. Can we go on the record for this?

MS. HUDSON: You don't need the video for this. You can just do it for the—

MR. BACH: I'll do it on the video. We're—I don't need the video.

THE VIDEOGRAPHER: We're still on the record.

MR. BACH: Are we on the record?

Yeah, I just want to say, we had a break less than an hour ago. We made clear to counsel that we didn't want another break, that this same witness is being deposed tomorrow. That this process is exhausting. That he's expected to testify for another seven hours plus breaks tomorrow.

She came back from a break and part of her questioning had nothing whatsoever to do with the claims and defenses in this case. She was clearly at the point where the questioning becomes optional and rhetorical, and she engaged in a series of questions aimed to drive a wedge between this deponent and his lawyer, and to tarnish the reputation of the lawyer. That is how she has used her time—

MS. HUDSON: This has nothing—

MR. BACH: Excuse me. I'm making a record.

MS. HUDSON: Then we are going to excuse the witness from the room because you are speaking and coaching the witness right now.

MR. BACH: I am not coaching the witness at all.

MS. HUDSON: This is totally inappropriate. This is totally inappropriate. You are coaching the witness. You are making a very long speaking objection. There is no purpose. There's no judge in the room. Everything that you're saying is—you can make an argument about it. We're not going to do this in front of the witness.

MR. BACH: Technically, a speaking objection is when there's a question pending and you object to the question.

MS. HUDSON: No.

MR. BACH: I'm not objecting to—

(Cross talk.)

MS. HUDSON: Speaking on the record is not permitted like this. You're objecting to the break. Objection noted. We're taking a break.

MR. BACH: All right. This isn't—this is silly.

MS. HUDSON: Okay.

MR. BACH: This is silly.

MS. HUDSON: I do not want you to coach the witness anymore and—

MS. SHAPIRO: We're not coaching the witness.

MS. HUDSON: —make other statements on the record about the witness. If you insist on doing that, the witness should leave the room. Okay?

MR. BACH: I am going to defer to you in every respect. Whatever I need to do to let you make my statement on the record, I'm going to do. Okay?

MS. HUDSON: Then you can excuse the witness from the room if you insist on making this statement.

MR. BACH: Okay. Jamey, go outside. Go outside, as I continue.

After we made clear our concerns about breaks, the witness is—

MS. HUDSON: Yeah. I would like to also note that you are not the—you are not the representative lawyer.

MR. BACH: If you cut me off again, I'm going to call Judge Liman on the phone now.

MS. HUDSON: You want to tell him that you, who are not defending the deposition, are wanting to make a ten-minute speaking objection?

MR. BACH: Can you let me speak and then you can make whatever speech you want about me and you can say whatever you want about me. But you are going to let me—

(Cross talk.)

MS. HUDSON: Yeah, Mr. Bach, you are not defending this deposition. You are a participant here who has decided to make a speech on the record.

MR. BACH: We're not kids on a playground. You just said if Mr. Heath left the room, I could make my statement. Now you're not letting me make my statement. Can I make my statement?

MS. HUDSON: You can make your statement over my objection. Okay? That you—

MR. BACH: Just let me know when I can make my—

MS. HUDSON: —you should—

MR. BACH: —statement. I'm just going to sit here and not say—

MS. HUDSON: —you should not be making any statement on the record.

MR. BACH: —anything until you tell me I can make my statement.

MS. HUDSON: If you—you are disrupting the deposition in order to make a statement as the non-defending lawyer in this deposition.

MR. BACH: Are you done?

MS. HUDSON: And if you—I don't agree. I excused the witness. If you want to continue, I'm just going to let you do this so we can finish this deposition. And then we're going to take a break, and we're going to take our last nine minutes. So if you want to make this statement, for whatever reason, go ahead.

MR. BACH: Are you done?

MS. HUDSON: I am done.

MR. BACH: Okay. Can I talk?

MS. HUDSON: You can talk.

MR. BACH: Okay.

As I've been saying, after we made clear that we're concerned about the breaks, we're concerned about the witness being tired, the next line of questioning had to do—had nothing to do with the case, but simply had to do with the client and his lawyer and trying to drive a wedge. And now, the questioning lawyer wants to take yet another break. It's clear from the content of her questioning that she's no longer focused on the merits of the case, and that she's conducted her substantive questioning.

I don't see another need for a break. I think the deposition is practically over. The client is tired and has to go tomorrow. I think this is abusive. I think it's unnecessary, and I object.

MS. HUDSON: All right. Ten minutes. Off the record. Thank you.

https://www.courtlistener.com/docket/69510553/1477/9/lively-v-wayfarer-studios-llc/

u/AssholeMedia — 4 days ago

Blake Lively's attorney actually whined like a child in a federal deposition.

MR. FRITZ: We've been going for about two hours. Why don't we take a break now?

MS. GOVERNSKI: When I'm done with this line of questioning.

MR. FRITZ: Well, no, actually, we're going to—

MS. GOVERNSKI: When I'm done with this question—I was in the middle of a question.

MR. FRITZ: You weren't in the middle of a question.

MS. GOVERNSKI: I was.

MR. FRITZ: You weren't.

MS. GOVERNSKI: The court reporter—can you read—

(Cross talk.)

MR. FRITZ: —we've been going for two hours and now you're trying to pose a question.

MS. GOVERNSKI: I will take a break after this.

So the court reporter, can you read back the question?

(Cross talk.)

MR. FRITZ: We're going to—

MS. GOVERNSKI: Kevin, there's a question pending.

(Cross talk.)

MR. FRITZ: There wasn't.

(Cross talk.)

MS. GOVERNSKI: Let's ask the court reporter.

MR. FRITZ: Frankly, with all due respect to the court reporter, I don't care what this court reporter said. I suggest that we take a break and then you start to ask another question.

MS. GOVERNSKI: That's not true.

MR. FRITZ: I've never seen anyone do that before.

MS. GOVERNSKI: Ash—there's a question pending. If she says no—

(Cross talk.)

MR. FRITZ: Nicole, we're going to come back at 11:25. You can put yourself—

(Cross talk.)

MS. GOVERNSKI: Kevin, if the court reporter says there is a question pending, I will—we should believe her. If not, then I'll step—Ash, please speak.

(Cross talk.)

MS. GOVERNSKI: Please respect Ash.

MR. FRITZ: I know the sequence. I know the sequence.

MS. GOVERNSKI: Ash, what was the sequence?

MR. FRITZ: With all due respect to the court reporter, it doesn't matter.

(Cross talk.)

MS. GOVERNSKI: Ash—

(Cross talk.)

MR. FRITZ: You started asked the question, which you didn't finish, after I asked for a break. It's inappropriate. So we're going to take a break now. We'll come back at 1:25.

MS. GOVERNSKI: Kevin, I'm allowed to ask—

(Cross talk.)

MR. FRITZ: Nicole—

MS. GOVERNSKI: Stop talking, Kevin.

Ash, please, was a question pending?

THE STENOGRAPHIC REPORTER: I would have to check.

MS. GOVERNSKI: Please check.

THE STENOGRAPHIC REPORTER: Here it is.

(The record read.)

MS. GOVERNSKI: Okay. Let's go on break. Ten minutes?

She answered that question. Right, Ash?

THE STENOGRAPHIC REPORTER: I don't know. I'll have to look at the—

MR. FRITZ: What happened after that? What happened after that?

(Cross talk.)

MR. FRITZ: So the record should reflect there was no question pending.

MS. GOVERNSKI: Well, I asked a question, but the record was not—

(Cross talk.)

MR. FRITZ: See you in ten minutes.

THE VIDEOGRAPHER: We are off the record. It's 1:16 p.m.

(Recess.)

https://www.courtlistener.com/docket/69510553/1477/9/lively-v-wayfarer-studios-llc/

reddit.com
u/AssholeMedia — 4 days ago

Ryan Reynolds is the Pot AND the Kettle.

Ryan Reynolds claims that Justin Baldoni was the worst of the worst. In fact, he used the words EMPYREAN HEIGHTS OF VILE. Ryan wants us to think that Justin is a sexual predator, meanwhile that has been Ryan Reynolds personal MO his entire career.

Blake Lively has been married to this man for over a decade and we are supposed to believe she felt sexually harassed by the Wayfarer men? Rather, she weaponized every single interaction.

For example, Ryan claimed he made eye contact with a nursing mother and stared at her intentionally. Blake sued Jamey Heath for briefly and accidentally making eye contact through a mirror while she was covered and surrounded by 3 other women and security standing outside. She had asked them to come to her trailer and what she did was called entrapment. Thank all the gods that it wasn't Justin who came in, because I promise you that is who she had hoped for. "Justin Baldoni Stares At...." It would have been awful.

Another time, Justin said he didn't want the sex scenes in the movie to resemble porn. Blake said she'd never seen porn (although she once described her improvising sex scenes to resemble "soft porn" in one of the Simple Favors interviews.) Justin, at this point, was already having to explain everything to Blake in depth and detail and even getting her to do simple things was exhausting so he explained that he KNEW what porn looked like as he was trying to retain creative control to which Blake was trying to strip. No pun intended. Weaponized.

Justin experienced his first Russian Bath which is like a luxury sauna or spa. He invited people. Weaponized.

A Russian spa was offensive, but not this:

  1. Ryan thought it was funny to stare at a nursing mother.

2. Ryan got openly aroused when Hugh Jackman began peeling a banana. The skit quickly turned sexual, with Ryan Reynolds making a joke about porn.

3. Ryan taught his 7 year old daughter about blow jobs in front of over a dozen men. On the DVD commentary, Ryan admits that his daughter did not want to say the line that involved him sucking Uncle Hugh’s “dick”, but conceded when he made it clear she would be replaced if she didn’t.

4. Ryan made jokes about having his newborn daughter suck on his breasts. In another interview that can be seen in this clip, he explains how he had to sit his daughter down and explain that penises don’t “work that way” in regards to breastfeeding.

5. Ryan Reynolds has made countless references to his penis, or a penis in general. Many are them can be seen here.

6. Surrounding the It Ends With Us movie, Ryan has made sexual references to Colleen Hoover, insinuating his penis was in a Sony executives mouth. He also told Justin Baldoni that he would get someone’s face tattooed on his perineum in return for a favor.

7. Ryan sexually harassed Joe Keery on multiple occasions. From calling him a “damn snack” to sexualizing him with a banana, Ryan even coerced Joe to sit on his lap in front of an audience.

  1. In Deadpool 3, Ryan made references to Nicepool’s penis.

9. Ryan made all kinds of inappropriate remarks regarding his co star, Olivia Wilde. Apparently, he won the “lady lottery” because he got to touch her breasts.

10. Ryan casually mentions sex and cocaine at the MTV Movie Awards.

11. Ryan casually bringing up sex to a female reporter who asked about his family.

12. Ryan claims that he played the song Let’s get It On while his wife was in labor. Sexualizing birth is something psychopaths do.

13. Ryan has improvised kissing several men in his career including:

  • Jason Bateman
  • Henrik Lundqvist
  • Conan O’Brien
  • Andrew Garfield
  • Nathan Fillion (described as almost kissing)
  • Jake Gyllenhaal (described as nuzzling his neck)

14. Ryan randomly brings up his sex life on the Today Show and also here with Ellen DeGeneres.

15. Ryan tells a 13 year old boy that his Deadpool costume is a body condom.

16. In this article, Ryan Reynolds discusses his first sexual encounter with Blake Lively. This is just one of several versions. Another story he told was that he begged her for sex on a train until she caved.

17. Ryan says he would rather punch himself in his testicles until he can no longer have children rather than to have more male children.

18. Ryan used sexual euphemisms on his own Wrexham team.

19. Sexual scenes were added between Ryan’s character in Spirited and a GHOST.

20. Ryan posted a nude scene with Sandra Bullock for her birthday. In the scene, their naked bodies are pressed together, front to front.

21. Ryan showed up to SNL with nothing but sex jokes.

...and on and on and on. These people are effing ridiculous.

u/AssholeMedia — 2 months ago
▲ 36 r/u_AssholeMedia+1 crossposts

Blake Lively speaking June 3, 2026

Blake Lively was an unannounced guest speaker at an annual Sanctuary for Familes event yesterday, June 3rd 2026. Manatt provides probono work for the organization as well as "support". Money.

On Mondays hearing, June 1st, Mrs Kluger from Sanctuary for Families showed up with a giant sign telling Elsie of Elsrich TV that Justin Baldoni had a porn addiction and that he tried to coerce Blake Lively into unscripted nudity. That is the propaganda of Esra Hudson.

There is no mention of Blake Lively on any platform leading up to the event. Is it coincidence that Blake Lively shows up at a DV survivor event 2 days after Elsie confronted Sigrid in front of the court house and forced Sigird to say Blake WOULD be advocating?

She used the NAACP donations to cover up the death of Joi Harris on Deadpool 2 and to apologize for partying in a slave hall at her Plantation wedding after using Black Face to harass boys and selling 100 dollar muffins during Black History Month using the Blues and the history OF SLAVERY TO MAKE MONEY AS AN ENTITLED RICH WHITE WOMAN, Blake Lively uses her trangressions and twists them somehow into awards and honor and ADMIRATION its like I'm in the Twilight Zone.

I digress or I'll have a stroke.

It's too late. Any advocacy work that Blake Lively does at this point is not only nothing more than a PR move but its a slap in the face of every woman alive.

This woman needs to GO.

u/AssholeMedia — 4 months ago