u/Autumn_Lleaves

On Bastards vs. Trueborns (once more)

(I hope that it’s not me beating a dead horse, because I’ve seen the flame wars around the topic of Catelyn) But I’ve only recently found out about a real-life example on what happened when fathers favored bastards — I think it shows that Catelyn’s paranoia concerning Jon wasn’t as ridiculous in medieval society’s eyes as we readers (who have the advantage of reading Jon’s and Ned’s minds) know it to be.

In the 12th century, there lived Prince Yaroslav Osmomysl of Galich. He favored his concubine and his bastard son Oleg so much that he banished his actual wife and his son and heir Vladimir from the principality (when the kid was only about fifteen!). And before he died, he wanted Oleg to inherit. Vladimir, naturally, disagreed, a long civil strife with treasons and poisonings and rebellions ensued, and no one actually won for more than a few years. And as for posterity, both brothers sank into obscurity soon afterwards, until Vladimir was pulled out of it about 700 years later — by getting featured in the opera Prince Igor, as one of the most disgusting villains of opera in general, and with all the blame for the family strife pinned entirely on him.

Thankfully, Catelyn doesn’t know anything of the above (I don’t know if even GRRM knows — though it does seem to be what he would be interested in: an interfamilial war for the throne with no winners that ends in the dynasty dying out in the male line, hm, now where have we seen that before…). But it shows that yes, favoring a bastard could be a dangerous sign and could very much mean future trouble for the legitimate son. The Blackfyre Rebellions at least never succeeded — but some RL analogues did, if briefly.

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u/Autumn_Lleaves — 8 days ago
▲ 39 r/opera

Lohengrin, the Mariinsky

Just rewatched one of my favorite operas in what's certainly one of the most beautiful Wagner productions I know. L to R: Mikhail Petrenko (Heinrich the Fowler), Yulia Matochkina (Ortrud, Sergey Skorokhodov (Lohengrin), Elena Stikhina (Elsa), Pavel Yankovsky (Telramund), Gleb Peryazev (the herald).

u/Autumn_Lleaves — 2 months ago

Alysanne, Lady of Winterfell; Chapter 48

In this chapter, the sentence of >!Rhaella and Ysilla!< is publicly announced, and >!they, along with Rhaena,!< depart for Greywater Watch. Also, Tom isn't forgotten.

Title (link to the start): Alysanne, Lady of Winterfell

Author: Autumn_Llleaves (me)

Rating: T (save for a few fade-to-black suggestive scenes and some non-graphic violence)

Language: English

Length: currently 147,885 words

Status: ongoing

Summary: Jaehaerys dies of the Shivers along with Daenerys, which turns a severe blow to the Doctrine of Exceptionalism into a defeating one. Alysanne has to marry a man who isn’t her relation, and she chooses Alaric Stark.

Genres: family feels, politics and romance in varying proportions

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u/Autumn_Lleaves — 4 months ago
▲ 17 r/opera

Awesomest parents in opera

I've listened to Glinka's A Life for a Tsar for the first time (wonderful music!), and plot-wise, the sweetest part was Ivan Susanin being a great dad. Sure, he wants to delay his daughter Antonida's wedding at first, but only until a tsar is elected — and it made sense, because her fiancé Bogdan might have to leave to fight again if the war isn't over. But he clarifies he won't be forbidding them to meet in the meantime and that his blessing of the betrothal is ironclad — and, the moment he learns the election is almost over, he allows the wedding preparations to begin.

And as for his son, Vanya is an adopted orphan — and it makes zero difference to the plot; he could have been Ivan's own child and little would have changed at all. Ivan cherishes him as a son of his own, and Vanya loves him as a father and has a great relationship with his daughter. When Ivan is about to be killed, he laments that Vanya will be orphaned again, but he doesn't even doubt that Antonida will continue to treat him as family (as indeed she does, as the epilogue shows).

So, let's forget the Count von Walters and the Don Magnificos, which parents in opera are the best?

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u/Autumn_Lleaves — 4 months ago

Acolyte Vaegon, Chapter 2

In this chapter, Vaegon arrives at the Citadel, meets the Seneschal, and realizes equality doesn't only mean the perks of it.

Title (link to the start): Acolyte Vaegon

Author: Autumn_Llleaves (me)

Words: currently 3489

Status: in progress

Rating: T

Genre: slice-of-life, Westerosi high school, friendship, a little bit of family

Summary: Vaegon's early study time at the Citadel.

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u/Autumn_Lleaves — 4 months ago

Acolyte Vaegon

I've long wanted to write something Citadel-centric, and here it is. Acolyte Vaegon, the early days of Vaegon's studies at the Citadel. I plan it to be a low-stakes fic, mostly focused on, well, the studies and Vaegon's interactions with his peers and teachers. It will probably end around the time Vaegon forges his first links, so there won't be any Great Council-related politics. Some of my headcanons (like several non-canon Hightowers' name, or the coinage of Westeros) are the same as in Alysanne, Lady of Winterfell, but this fic will strive to be entirely canon-compliant.

Title & link: Acolyte Vaegon

Author: Autumn_Llleaves (me)

Words: currently 1658

Status: in progress

Rating: T

Genre: slice-of-life, Westerosi high school, friendship, a little bit of family

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u/Autumn_Lleaves — 4 months ago
▲ 21 r/opera

Tashkent Opera's Tamerlano

Just watched an abridged version of Händel's Tamerlano (the Tashkent Opera and Ballet Theatre brought it to the Mariinsky). I knew beforehand that it was abridged, so it wasn't a disappointment — it's still my favorite Händel, and an opera of his I haven't heard before except for a short clip in the Youtube mix.

It hasn't just been shortened — it has also been edited by a Kirill Richter to include Uzbek traditional music. I knew it in advance too, and I was pleasantly surprised that most of the time, it blended together with Händel very well! The arias were mostly, as far as I could judge, kept authentic, but recitativos were accompanied by Uzbek folk-style melodies and background singing.

The main characters' number was reduced to four, and Irene got renamed Saray Mulk Khanum (after one of Timur's actual wives). Asteria, though, kept her name from the libretto which, of course, she shares with none of Bayezid's real daughters. What was it with baroque librettists and calling Turkish women Asteria? In Vivaldi's Scanderbeg, Sultan Murad's daughter is also called that.

The production was meh — Regietheater being edgy and weird for no reason except being edgy and weird. Now, with baroque operas, I am perfectly aware that their original stagings were the 18th-century version of Regietheater, so I wouldn't demand historical accuracy (my favorite baroque production and one of my favorite opera stagings in general is David McVicar's version of Giulio Cesare with the setting moved to 19th-century India). But this staging didn't make much sense — for example, why was Bajazet all covered in white makeup? No one else was.

The singing was lovely, but a particular standout was Juan Sancho as Bajazet. Absolutely gorgeous voice and very good acting (even within the limited space the staging gave his character). I'll definitely keep an eye (or ear?) out for his work.

All in all, I'm so, so happy I attended it! Even if shortened, it's the first Händel opera I've seen live! (And even his oratorios I've only watched live twice — Saul in 2021 and Messiah in 2024)

In the picture, left to right: Saray Mulk Khanum (Yulduz Rajabova), Tamerlano (Zhenisbek Piyazov), Asteria (Verónica Cangemi), and Bajazet (Juan Sancho).

u/Autumn_Lleaves — 4 months ago

Characters in Fire and Blood with under-utilized potential?

Okay, I know that F&B is an in-universe history book encompassing more than a hundred years, so it couldn’t include everyone’s stories by default. Still, I think most readers would agree that some characters ended up severely underused.

The most infamous case is probably Viserra, aka the most convoluted death in the world of ASoIaF. A close second is probably Jaehaera, but her death (whether suicide or murder) at least makes sense plot-wise, even if it’s infuriating to the readers.

There is also Jocelyn Baratheon, who just… vanishes from the plot. She doesn’t even get the classic “death by childbirth” exit: she just stops being mentioned. That’s despite her being Jaehaerys and Alysanne‘s sister and daughter-in-law and Rhaenys’s mother. We get a footnote on the fate of Orryn Baratheon who played no part in the plot after getting exiled, but there is zilch on Jocelyn.

For me, one of my favorite characters is the severely underappreciated Elinor Costayne. She survived a marriage ti Maegor, a horrible miscarriage, and either found Maegor’s body or killed him herself — and then she had enough bravery, charisma and patience to become one of the Seven Speakers! J & A wouldn’t have sent her if she had been a traumatized wreck. With her, it’s at least understandable why she leaves the plot: she joins the Faith and removes herself from politics. But I would have loved to read more detailed explorations of her character.

Among the male characters, the most infuriating case for me is probably Rodrik Arryn. Seriously, he was just there to beget Aemma. That’s despite him being the master of laws! I can understand Manfryd Redwyne (the master of ships) staying in the background, as he didn’t seem to do anything spectacular and most of that era’s naval glory was won by Corlys. But one of J & A’s reign’s crowning achievements is said to be a codex of laws, yet Rodrik Arryn is never mentioned as working on it!

Strangely, even though he is a frequent on-page presence, I increasingly realize Septon Barth is likewise a case. Apart from that single episode with Aerea’s death, he is mostly just there as a function. We know very little of how he became Jaehaerys’s friend, how he got into politics, etc., and, apart from a handful of quotes, we know little of his own opinions on the royal family. I can understand that the Hands we are told about at length are mostly the scheming ones (Rogar, Otto, Unwin…), but Barth was also J & A’s personal friend, and outside of politics, IMHO, he is mentioned less than he could be.

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u/Autumn_Lleaves — 4 months ago

Grief and Guilt

I was rereading Fire and Blood and realized that it was written there in plain English who advocated for the pardon of the two oathbreaker knights from Maegor's Kingsguard (as well as their more loyal brothers in arms, for that matter). So here is a side-story to Alysanne, Lady of Winterfell where Alysanne reveals that it was she who got clemency for Olyvar Bracken and Raymund Mallery, and Alaric is a jerk, but catches up to the fact by the end.

Title and link: Grief and Guilt

Author: Autumn_Llleaves (me)

Rating: T (mentions of mature content, but no descriptions beyond T level)

Length: 1925 words

Status: Complete

Genre: heavy angst, family feels, some romance mostly at the beginning

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u/Autumn_Lleaves — 5 months ago