Mary, Queen of REI: Why does modern opera staging have to look this cheap?
I went to see Mary, Queen of Scots at San Francisco Opera and this was probably my biggest disappointment at the opera.
The curtain was already up when I arrived. There was a metal structure, a tent and a few ladders onstage. I really thought the crew was still setting up. Then I realized: That IS the set.
Then everyone started appearing in puffer jackets. Mary, Queen of Scots rolls in with Rimowa suitcases. The tent stays for the entire opera.
I know this production wasn’t created specifically by SF Opera. I also have zero problem with modern staging. Like give her a modern luxury residence, sharp tailoring, anything that communicates that these people are royalty and aristocracy. But we got puffers, ladders and a tent.
The music was great and Heidi Stober was fantastic. It felt like a high-level musical performance happening inside a school production with a $200 set budget.
The best part was seeing audience members in kilts and Scottish-inspired outfits. Some of them looked like they had a bigger costume budget than the production.
Why does “modern” opera staging so often translate into intentionally bare and cheap-looking? I don’t understand why Mary, Queen of Scots needed to look like Mary, Queen of REI.