What's going on with Il Turandot at the MET?
I grew up going to the MET with my father in the late 70s I'm 62 now. Over the years subscriptions got more expensive and I moved away. Dad got sick and I moved back. We were fortunate that they started live in HD and we'd go to every performance. It was easier to get Dad to NJ and go to the movie theater than going all the way into Manhattan from Staten Island. Since he passed I try the rush lottery once in awhile and only won once for a new Spanish? Opera. I'm old school so I put in for Il Turandot 2 dates and La Traviata. I loved the Zeferelli productions and hate all this bland modern stuff. So I won Turandot for last night, and got orchestra seats for $25. It seemed on our side every row had two to three empty seats. Then today I won again for tomorrow? The performances were wonderful but I wasn't wowed by the vocals. Is that why these shows have such high availability? I find it also odd that three different singers sing the main roles? Maybe these singers aren't liked as much as the others? When did this start happening?