
u/ConversationRoyal187

Looking for sources/books on the Yopitzincas and Pre-Columbian Guerrero in general
reddit.comFound these on the edge of a cornfield in England.
2 small bones I found on the edge of a corn field in the UK,any ideas as to what they are?
My history before Cristobal colon
The granite Stela 11 from Kaminaljuyu, in Guatemala, portrays one of the earliest Maya rulers dressed as a divine being. The king's branching headdress expresses his personification as the world tree that unites the layers of the heavens, earth and underworld. 200-50 BCE [1569x1883]
Hidden in Maya wall writings: A named astronomer emerges from 1,200-year-old calculations
phys.orgNew Artefacts from Peñico,wooden and bone birds,snakes and tadpoles.
Discovery of lost Pima village reveals indigenous resistance in Colonial Mexico
heritagedaily.comSeahenge mentioned in Francis Pryor’s book, “Scenes from Prehistoric Life”
Can’t really say I agree with him on the thought that Seahenge HAD to ripped from the ground but whatevs.
He also mentions the theory that cadavers were placed on the central upturned stump.
Were there Anglo Saxon regional dialects?
Getting into Anglo-Saxon history and was wondering if there were dialects,as opposed to separate languages like Saxon and Jutish?
Thanks in advance!
The Great Temple of Tlatelolco from the Codex Azcatitlan
The great temple of Tlatelolco as pictured in the Codex Azcatitlan, mid-17th Century.
This page, opposite the coronation of the elder Moteuczoma, shows several episodes highlighting the role of Tenochtitlan's partners in his wars of expansion. Tlatelolco's place-name glyph is shown at the pyramid's base, on which is also superimposed a temple and the glyph for the town of Chalca Atenco. To its left are Chalca captives wearing the quauhcozcatl or slave collar attached to ropes. They are held prisoner by Nezahualcoyotl, ruler of Texcoco.
To the captives' right is a fire drill referring to the Toxhiuhmolpilia or binding of years ceremony of Moteuczoma's reign in 1455. At the top right this ceremony is also shown celebrated at Chalco Atenco and the town of Acolman. Below the two smaller temples two men lie dead with one--connected to the temple by a line--possibly a Chalca lord. Underneath them is shown the death of Tlatelolco's tlatoani Cuauhtlahtoa, who is succeeded by Moquihuix, leader of the city until the Mexica civil war of 1473.
The European influenced three-dimensional style of the temple stands out in this codex more than others. Its prominence here and in earlier scenes where it is shown both in the mythical homeland of Aztlan and constructed in Mexico before Tenochtitlan's together with the coronation of the Tlatelolco's first tlatoani--otherwise described in detail only in the city's famous annals--and the attention it pays to local episodes while illustrating the conquest, have been used to argue the book originated there.
Whereas some scholars have seen the Azcatitlan's presentation of history as somewhat "objective", the artists' decision to use this three-dimensional form primarily for Tlatelolco's temple and bi-dimensional depictions of Tenochtitlan's temple for most of the codex has lead others to speculate this was intended as a subversive message meant to delegitimize the Tenochcas in the eyes of its Mexica audiences.
Regardless, the attention given to Tlatelolcan narratives in general during the early colonial era--the Florentine Codex among them--was a frustration voiced by fellow Mexica rivals. The Nahua historian Alvarado Tezozomoc, who was of royal Tenochca lineage and compiled his own history, the Cronica Mexicayotl, based on the traditions told to him by other highborn noblemen from Tenochtitlan, addressed this directly while writing to their descendants:
>And as for Tlatelolco: never will [these accounts] be taken from us, for truly they were not only in [the Tlatelolca’s] keeping. But these accounts of the ancient ones, this book of their accounts in Mexico, we have inherited. These accounts are indeed in our keeping. Therefore we too, but especially our sons, our grandsons, our offspring, those who will issue from us, they too will always guard them.
In 1521, under the orders of Pedro de Alvarado the great temple of Tlatelolco was captured and set ablaze by the conquistador Gutierre de Badajoz during the war between the Mexica and allied Spanish/Tlaxcallan forces. For this he was awarded a coat of arms with two golden towers by the Spanish Crown.
Full Codex is available here: https://gallica.bnf.fr/ark:/12148/btv1b84582686/f6.item
References
Barlow, R. (1944). Gutierre de Badajoz, conquistador del Cu de Tlatelolco. Tlatelolco a través de los tiempos. Memorias de la Academia de la Historia, 2. México
Barlow, R. (1949). El Códice Azcatitlan. Journal de La Société Des Américanistes, 38, 101–135. http://www.jstor.org.kbcc.ezproxy.cuny.edu/stable/24720803
Francisco, D. (2016). Codex Chimalpahin : society and politics in Mexico Tenochtitlan, Tlatelolco, Texcoco, Culhuacan, and other Nahua altepetl in central Mexico : the Nahuatl and Spanish annals and accounts collected and recorded by don Domingo de San Antón Muñón Chimalpahin Quauhtlehuanitzin. University Of Oklahoma Press.
Navarrete, F. (2004). The Hidden Codes of the Codex Azcatitlan. Res (Cambridge, Mass.), 45(45), 144–160.
Rajagopalan, A. H. (2019). Reading Between the Lines: An Indigenous Account of Conquest on the Missing Folios of Codex Azcatitlan. Iberoamericana (Madrid, Spain), 19(71), 51–76.
Milagro-Quevedo Axe and Mold. Guayas, Ecuador. ca. 702 - 1532 AD. - Museo Casa del Alabado
Archaeologists have discovered Minanbé, a remarkably intact Maya city hidden deep in Mexico’s Calakmul Biosphere Reserve. The site features pyramids, plazas, palaces, and carved monuments, offering new insight into Maya civilization after remaining concealed for over 1,000 years.
heritagedaily.comThis Chimú-Inca bottle (1470-1532 AD) is a testament to the first contact between Europeans and native peoples. It depicts a man with European features (beard, mustache), likely a Spaniard like Alonso de Molina, capturing the indigenous people's awe at the arrival of the conquistadors.
Credits: Tesoros de Wiracocha
The Four Heavens by David Stuart arrived today.
A ceramic Veracruz seated figure in ceremonial attire, from Mexico, 550-950 CE. Despite the Mexican authorities urging Sotheby's to stop the sale of this artifact, it was still sold 3 days ago [2856x2970]
Maya Wood Mask. Inlaid with jade, pyrite, and shell. Mexico. ca. 250-750 AD. - Latin American Studies
Sun God, K'inich Ajaw???