
Whitney Biennial 2026: Taking the pulse and finding it feeble
The 2026 biennial, which offers “an intergenerational and international group of fifty-six artists, duos, and collectives,” is on view until August 23. The press has settled on “weird” to describe the 82nd biennial’s mood and ambiance. One reviewer called it “cute” for the number of stuffed animals and squishy toys. We might suggest it indicates the artists on view are largely overwhelmed by the current political and social crisis and turbulence, and are incapable of organizing a coherent response.
According to Scott Rothkopf, the Whitney’s director, the “weirdness” is intentional. “What (curators) Marcela (Guerrero) and Drew (Sawyer) have put together doesn’t try to simplify the strangeness of our times,” he said. “It allows visitors to encounter the world as artists are sensing it, structurally unstable and emotionally charged yet also full of possibility.”
Structurally unstable it certainly is, but what is peculiar and disturbing, as one encounters the various efforts, is the absence of any concrete feeling for, let alone understanding of, the objective experiences of masses of people over the past two years. The return of a fascist to the US presidency, the ongoing establishment of an oligarchic dictatorship, attacks on immigrants and killings of protesters, launching of illegal wars and genocide—are just part of the “strangeness” of it all.