Swinburne writing about Victor Hugo (from his book Essays and Studies)
Once only in my life I have seen the likeness of Victor Hugo’s genius. Crossing over when a boy from Ostend, I had the fortune to be caught in midchannel by a thunderstorm strong enough to delay the packet some three good hours over the due time. About midnight the thundercloud was right overhead, full of incessant sound and fire, lightening and darkening so rapidly that it seemed to have life, and a delight in its life.
At the same hour the sky was clear to the west, and all along the sea-line there sprang and sank as to music a restless dance or chase of summer lightnings across the lower sky: a race and riot of lights, beautiful and rapid as a course of shining Oceanides along the tremulous floor of the sea. Eastward at the same moment the space of clear sky was higher and wider, a splendid semicircle of too intense purity to be called blue; it was of no colour nameable by man; and midway in it between the storm and the sea hung the motionless full moon; Artemis watching with a serene splendour of scorn the battle of Titans and the revel of nymphs, from her stainless and Olympian summit of divine indifferent light.
Underneath and about us the sea was paved with flame; the whole water trembled and hissed with phosphoric fire; even through the wind and thunder I could hear the crackling and sputtering of the water-sparks. In the same heaven and in the same hour there shone at once the three contrasted glories, golden and fiery and white, of moonlight and of the double lightnings, forked and sheet; and under all this miraculous heaven lay a flaming floor of water.
That, in a most close and exact symbol, is the best possible definition I can give of Victor Hugo’s genius. And the impression of that hour was upon me the impression of his mind; physical, as it touched the nerves with a more vivid passion of pleasure than music or wine; spiritual, as it exalted the spirit with the senses and above them to the very summit of vision and delight.