
Keys, aesthetics and noise
I've always enjoyed kinda far out modes and sounds. I understand keys as tools/existing narratives that allow composers to create expectations, tension, release, and a sense of "normalcy."
My question is this- if keys are really just preprogrammed patterns, then why is it frowned on to just write music that sounds good to me? I'm not looking to write atonal music, because that doesn't sound good to me. But this is an example of a track I made that my friend who knows much more about music theory than I said isn't really in a key because the strings and everything else are doing different things:
https://www.youtube.com/watch?v=J9UP-g3cI9Y&list=OLAK5uy_nAxfKvPmQKuoOEcmM2RjPinBjC9GOOhXA&index=9
I'm curious if maybe this song actually has a key. (I honestly forget what I was doing with the strings, but I know it made sense to me from my music theory understanding, with a little bit of tweaking by ear.
Can you provide other examples of songs that don't fit a key, but aren't atonal? Is it just different cultures that have different neural pathways programmed through repetition?
Any other words of wisdom for someone who has an extremely basic understanding of music theory but really enjoys the stranger yet beautiful noises in the world and in music, other than learn more music theory (I'm doing that, slowly but surely)?