I analyzed why Fight Class 3 is so peak
I... I understand it now. The real reason why Fight Class 3 is so peak. You know why? Let's go back 400 years.
There's one man-- William Shakespeare. It's all everyone can talk about. Even the town's perverts are less interested in ankles than they are in Shakespeare's retelling of Julius Caesar and Macbeth. But-- but what made his work so different? What made him better?
I know.
It was two particular things. First, it was the revolutionary female cast. Characters like Portia and Lady Macbeth were the adversaries of traditional Jacobean wives. Portia was crucial for the plot and was incredibly smart. Lady Macbeth was vicious, questioning her husband's authority-- and that in itself was something that absolutely baffled the Elizabethan audience. It was sensational. Fucking generational.
But that wasn't it-- the coexistence of Comedy and Tragedy. Socrates said that a story can either be a tragedy or a comedy-- that there is no coexistence. Shakespeare argued. And we see it in his work. For instance, immediately following the brutal murder of Duncan, Shakespeare places the comic, drunken Porter on stage, which brings momentary humour. It's dark comedy in its rawest form.
One other thing-- the illusion of morality. Brutus' and Lady Macbeth's intense internal conflicts about their morals are unrivalled.
Now, coming over to Fight Class 3, we see the same genius applied to the story by 2Hakk. This story-- it's a hilariously shot tragedy. There's no doubt in that. We see Jitae lose his mind and act like a chicken in the same few panels. It's humorously sad.
And the former thing. An amazing female cast for its time. In our time, finding stories where women are actually present and contributing to the plot is a rare occurrence. In this, Fight Class 3 builds a strong, well-written female cast, where the "girl boss" trope isn't cringe for once. The female characters aren't built for any gaze. Not the male, not the female. They're the most human I've ever seen. They're willing to be ugly, humorous, cruel, kind, and sacrificing. He didn't make the female cast "evil" for the sake of making them stronger. He also didn't make them all "motherly" to make them more accepted by the male fans. It's the epitome of feminist writing.
Then, we see that almost none of the characters are "good people", just desperate people doing what they can to survive, people driven by vengeance, or those that are bad for the sake of it. It's an amazing moral ambiguity.
Thus, I conclude that Fight Class 3 is a Shakespearean level of masterpiece.
(2hakk is this enough dick riding? Are you gonna give us season 2?)