Ear Training - Recognizing Chord Tones When The Root Is Not First?
When first learning to hear and recognize intervals or chord tones, the root is usually treated as the reference point. A common ear-training drill might involve hearing the root against other scale tones—for example: root to 2nd, root to 3rd, root to 5th, and so on. Then you move on to hearing chord tones such as 1–3–5, or 1–♭3–5–♭7.
However, many bass lines use inversions or start on chord tones other than the root—for example: 3–5–1 or 5–3–1–7.
How do you train your ear to recognize intervals and chord tones when the root is not the first note you hear?
For example, if a line starts 3–5–1, 5–1–3, or 5–3–1–7, what keeps your ear from interpreting that first note as the root simply because it’s the first note played?