u/Iti-Ngu-Ga
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u/Iti-Ngu-Ga — 20 days ago
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u/Iti-Ngu-Ga — 21 days ago
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u/Iti-Ngu-Ga — 21 days ago
The urban intervention of inserting a mosque capable of welcoming 1,000 worshipers within a low rise, residential neighbourhood, without dominating it, is masterful. Its presence is clear but modest, considering the size of the mosque relative to the two storey terrace houses around it. This is achieved by setting it back from the street, progressing through the Islamic garden, then gradually increasing in scale to the front portico, atrium with cafe to one side and study centre to the other, through to central ablution areas. The building then rises at the rear to the largest mass of the prayer hall, which shifts in geometry to face Mecca.
The geometry of the trees was developed through work with geometric artist Keith Critchlow, creating the underlying geometry of the mosque. It combines an Islamic ‘the Breath of the Compassionate’ pattern into a structural grid that supports the roof and is then brought to a point at the columns. It is a simple device that combines the structural logic of supporting a large span with few columns and a celebration of the structural material and its decorative possibilities, bringing to mind both Fosters’ Stansted Airport, and King's College Chapel.
The external brick tiles that clad the CLT structure are from traditional Cambridge Gault and are red brick colours. The protruding headers form a pattern of Arabic Kufic calligraphy that reads "say he is God (the) one".
Social and environmental sustainability were central to the competition-winning scheme and have been delivered. The intent was to produce a building in accordance with the spiritual belief that humanity’s role is as a responsible custodian of nature, meaning one should minimise their carbon footprint. The building has achieved net zero carbon energy on site in use.
The competing elements of the demand for car parking to suit large events with elderly congregations, creating an underground car park and the environmental consequences of embodied carbon have been recognised. The passive and active sustainable measures incorporated within the building meet and exceed some elements of the RIBA 2030 Climate Challenge targets and other elements of the design have future-proofed the building to allow for predicted climate change.
Material selection is exemplary, with the superstructure predominantly timber, low carbon concrete specified, and natural insulation resulting in minimal embodied carbon. The selection of Cradle to Cradle certified products also demonstrates the conscious efforts to minimise the building’s impact on the environment.
Water consumption is also low, meeting the RIBA 2030 Climate Challenge target and confirmed by meter readings. In the water-stressed area of East Anglia, this is particularly important. This project sees the transformation of an impermeable surface to a building with green roofs to assist with local surface runoff. Post occupancy evaluation data shows in use consumption is within 15% of the energy predictions, which suggests a narrowing of the performance gap.
Central Cambridge mosque is a demonstration of how architecture can embody religious and cultural philosophy and traditions while utilising sustainable and contemporary materials. It is a building of evident programmatic clarity and function, where one of those essential functions is religious contemplation and delight. It has created a new, 21st century, non-denominational British mosque that is both specific to its place and time and which resonates with wider Islamic and religious buildings. To have achieved this in Cambridge, with its world famous tradition of structural expression in religious architecture, yet without contrivance is a remarkable achievement.
u/AutoMughal — 24 days ago
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u/Iti-Ngu-Ga — 25 days ago
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u/Iti-Ngu-Ga — 25 days ago