u/JohnLazarusReborn

Apologies for the rough mixing, I'm not an expert at this stuff, but I tried to put the music in an order that made sense. Each clip is roughly 30-40 seconds long, and most of the film clips reference the scene from which the track comes.

Notes:

- No Connery selections here, interestingly enough.

- This is only the winners, I didn't have time to add all of the runners up, too.

- The tracks aren't the same order as they appeared on the chart.

Link to the chart

Tracklist:

1. Ice Chase

2. Come in 007, Your Time is Up

3. A Drive in the Country

4. Scaramanga's Fun House

5. Night at the Opera

6. Ride to Atlantis

7. Try

8. Flight to Space

9. Icarus

10. Backseat Driver

11. Bond 77

12. Wine with Stacey

13. Home

14. What's Keeping You Awake

15. The Climb

16. Gumbold's Safe

17. Pipeline

18. The Lovers

19. City of Lovers

20. Matera

21. We Have All The Time in the World

AVTAK finally gets a winning spot, which it definitely deserves. In fact, it seems like Barry's late period was the sweet spot for listeners, as "Octopussy's Theme" from OP and "Into Vienna" from TLD take the runner up spots. (While 60s Barry is more flashy, I think his last three scores are his most mature and might be his best.)

David Arnold isn't quite the romantic Barry is, but there's a few very good choices that I think will be popular with voters. Let's see what we decide.

Notes

- As always, the comment with the most upvotes after 24 hours wins.

- State the track name and the film it comes from.

- If possible, post a YouTube link.

- In each square, I will post the winner and the two runners up.

- Even though title songs are ineligible, orchestral versions of title songs are. Something like "Wine with Stacey" qualifies.

Links to previous charts:

Oscar Chart

Chart 1

Chart 2

Chart 3

Chart 4

Not many entries last round, but "Backseat Driver" takes it. Good to see a track from TND make the list. A pair of tracks from DAD, "Iced Inc." and "The Vanish" were the runners up.

This one should get more entries. In particular, there are two scores from other composers who get quite a bit funkier than Barry or Arnold. Curious to see what you all decide.

Notes

- As always, the comment with the most upvotes after 24 hours wins.

- State the track name and the film it comes from.

- If possible, post a YouTube link.

- In each square, I will post the winner and the two runners up.

- Even though title songs are ineligible, orchestral versions of title songs are. Something like "Wine with Stacey" qualifies.

Links to previous charts:

Oscar Chart

Chart 1

Chart 2

Chart 3

Chart 4

TMWTGG is my favorite Barry, but it is a place where he got a bit funkier. Thunderball has some tracks that have a nice jazzy groove and "Death of Fiona" got a runner up spot.

Now what about Arnold? Some of this scores, especially the later Brosnans, incorporated stuff from the world of jungle, drum n' bass and rave music. Curious to hear your thoughts.

Notes

- As always, the comment with the most upvotes after 24 hours wins.

- State the track name and the film it comes from.

- If possible, post a YouTube link.

- In each square, I will post the winner and the two runners up.

- Even though title songs are ineligible, orchestral versions of title songs are. Something like "Wine with Stacey" qualifies.

Links to previous charts:

Oscar Chart

Chart 1

Chart 2

Chart 3

Chart 4

Bill Conti pulled away to win another spot on our chart. "James and Felix on the way to Church" from LtK and "Tennyson" from Skyfall were the runners-up.

Barry's music isn't what I'd describe as particularly funky. Nor is much of the music in the Bond films. But what's the track from Barry you could see dancing to the most?

Notes

- As always, the comment with the most upvotes after 24 hours wins.

- State the track name and the film it comes from.

- If possible, post a YouTube link.

- In each square, I will post the winner and the two runners up.

- Even though title songs are ineligible, orchestral versions of title songs are. Something like "Wine with Stacey" qualifies.

Links to previous charts:

Oscar Chart

Chart 1

Chart 2

Chart 3

Chart 4

Surprised we haven't had a winner from Tomorrow Never Dies or Casino Royale, as those are Arnold's most celebrated scores. Some great choices, though. "Body Double" from TWINE and "Dirty Martini" from CR are the runners-up.

Now, which of what's the most tense track from a different composer? By the way, Norman, Newmann, Serra, and Kamen still haven't won yet.

Notes

- As always, the comment with the most upvotes after 24 hours wins.

- State the track name and the film it comes from.

- If possible, post a YouTube link.

- In each square, I will post the winner and the two runners up.

- Even though title songs are ineligible, orchestral versions of title songs are. Something like "Wine with Stacey" qualifies.

Links to previous charts:

Oscar Chart

Chart 1

Chart 2

Chart 3

Chart 4

Cro