3 over 2
Ola!Ole!
People, who knows how a polyrhythm like in this case 3 over 2, that for me comes from Mac Miller Congratulations should be internalised or rather how was it created .
Should I be able to play 2 separately and then 3 separately of course both over same absolut duration (3 seconds 2 seconds, whatever), so basically once splitting the interval in 2 and the other time splitting same interval/same amount of time in 3?
And then just put them together left hand and right hand each keeping like an own internal metronome?
Or should it be more about the sound that we want to create ,if you listen the video you can hear that there is taa-ti-ti-taa, Taa-ti-ti-taa and so on?
I find the 1st method of having two brains,two metronomes ,one for each hand very difficult.
If I focus on the sound it gets easier.
That being said I am not necessarily finding it easy to reproduce it on the piano while playing the song,because there the 3 over 2 appears sparsely and not continuously so I need to quickly either get the two brains/metronomes activated either look for the taa-ti-ti-taa sound,and I find none easily while being in the 4/4 tempo to sowitch to this polyrhythm.
Nonetheless can anybody have an insight,or something to say about how a polyrhithm is born and if it comes as separated entities (for ex 2 instruments) so then 2 people each keeping it’s own rhythm/cadence or rather coming from the end sound?
Any tips how this could be naturally integrated oin ones skilss( be it piano or percussion)?
Thank you