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Muse – The Wow! Signal – Reviewed – Digital vs Vinyl record vs Dolby Atmos, which is the best edition?
▲ 30 r/audiophilemusic

Muse – The Wow! Signal – Reviewed – Digital vs Vinyl record vs Dolby Atmos, which is the best edition?

Hello,
Muse The Wow! Signal is the tenth studio album by the British rock band Muse. Conceived as a concept album, it revolves around the themes of cosmic mystery, extraterrestrial intelligence, and human connections, drawing inspiration from the famous 1977 radio astronomy event known as the Wow! Signal.

The album continues in Muse s signature style, blending epic rock with electronic and orchestral elements, while venturing further into science-fiction storytelling. Through its tracks, it explores the idea of potential contact with something beyond Earth, using space and extraterrestrial communication as metaphors for emotional and existential questions.

Unsurprisingly, this album suffers from extremely heavy dynamic range compression, just as we already observed when the first single was released. Some will argue that this is simply a characteristic of this style of music, which is expected to sound loud and powerful. However, with an average DR value of 4 (ranging from DR3 to DR5 depending on the track), the processing is clearly excessive, resulting in a completely squashed sound.
A comparison with the Dolby Atmos version shows that it is perfectly possible to preserve Muse’s signature sound while allowing for significantly greater dynamic range.

The graph here compares the spectrum of the Tidal MAX – 2026 (white curve) with the spectrum of the Colored vinyl record – 2026 (blue curve).The two spectral curves almost perfectly overlap across the entire frequency range, with only a slight boost in the vinyl above 10 kHz, varying between 1 and 3 dB.

With its dynamic and lively mix, the Dolby Atmos version makes full use of all available channels, as illustrated by the spatialization visualization video.

With The Wow! Signal, the immersive Dolby Atmos version stands out as the best way to fully experience the album, delivering a more dynamic and enveloping sound. For stereo listening, the vinyl edition offers a more enjoyable experience than the digital version, it’s a bit more “dynamic” with a sound that’s slightly less muffled.

The full review with all graphics and analyses is available here (link).

Enjoy listening

Jean-François

u/Media6292 — 8 days ago
▲ 12 r/audiophile

Muse – The Wow! Signal – Reviewed – Digital vs Vinyl record vs Dolby Atmos, which is the best edition?

hello,
Muse The Wow! Signal is the tenth studio album by the British rock band Muse. Conceived as a concept album, it revolves around the themes of cosmic mystery, extraterrestrial intelligence, and human connections, drawing inspiration from the famous 1977 radio astronomy event known as the Wow! Signal.

https://preview.redd.it/kowl2060wz9h1.jpg?width=1067&format=pjpg&auto=webp&s=e176aa5d597eb1c5fdb96df2a6e3a5fa6f885ccb

The album continues in Muse s signature style, blending epic rock with electronic and orchestral elements, while venturing further into science-fiction storytelling. Through its tracks, it explores the idea of potential contact with something beyond Earth, using space and extraterrestrial communication as metaphors for emotional and existential questions.

Unsurprisingly, this album suffers from extremely heavy dynamic range compression, just as we already observed when the first single was released. Some will argue that this is simply a characteristic of this style of music, which is expected to sound loud and powerful. However, with an average DR value of 4 (ranging from DR3 to DR5 depending on the track), the processing is clearly excessive, resulting in a completely squashed sound.
A comparison with the Dolby Atmos version shows that it is perfectly possible to preserve Muse’s signature sound while allowing for significantly greater dynamic range.

https://preview.redd.it/15yw8k81wz9h1.jpg?width=800&format=pjpg&auto=webp&s=02e2cdc0dd23eb0e0cf7529696ff3a36ffa72739

The graph below compares the spectrum of the Tidal MAX – 2026 (white curve) with the spectrum of the Colored vinyl record – 2026 (blue curve).The two spectral curves almost perfectly overlap across the entire frequency range, with only a slight boost in the vinyl above 10 kHz, varying between 1 and 3 dB.

https://preview.redd.it/pnqjf4b2wz9h1.jpg?width=800&format=pjpg&auto=webp&s=83b472783906cc557858de291eb2a5d5e89aea63

With its dynamic and lively mix, the Dolby Atmos version makes full use of all available channels, as illustrated by the spatialization visualization video.

https://preview.redd.it/pexniwv5wz9h1.jpg?width=562&format=pjpg&auto=webp&s=33525f07f94c41934293050f890aeb289b0b0557

With The Wow! Signal, the immersive Dolby Atmos version stands out as the best way to fully experience the album, delivering a more dynamic and enveloping sound. For stereo listening, the vinyl edition offers a more enjoyable experience than the digital version, it’s a bit more “dynamic” with a sound that’s slightly less muffled.

The full review with all graphics and analyses is available here (link).

Enjoy listening

Jean-François

reddit.com
u/Media6292 — 8 days ago
▲ 12 r/DolbyAtmosContent

Muse – The Wow! Signal – Reviewed – Digital vs Vinyl record vs Dolby Atmos, which is the best edition?

Hello,
Muse The Wow! Signal is the tenth studio album by the British rock band Muse. Conceived as a concept album, it revolves around the themes of cosmic mystery, extraterrestrial intelligence, and human connections, drawing inspiration from the famous 1977 radio astronomy event known as the Wow! Signal.

https://preview.redd.it/ryxjxs2qvz9h1.jpg?width=500&format=pjpg&auto=webp&s=c446bafe846e0b89296a89b0150ea3211789741d

The album continues in Muse s signature style, blending epic rock with electronic and orchestral elements, while venturing further into science-fiction storytelling. Through its tracks, it explores the idea of potential contact with something beyond Earth, using space and extraterrestrial communication as metaphors for emotional and existential questions.

Unsurprisingly, this album suffers from extremely heavy dynamic range compression, just as we already observed when the first single was released. Some will argue that this is simply a characteristic of this style of music, which is expected to sound loud and powerful. However, with an average DR value of 4 (ranging from DR3 to DR5 depending on the track), the processing is clearly excessive, resulting in a completely squashed sound.
A comparison with the Dolby Atmos version shows that it is perfectly possible to preserve Muse’s signature sound while allowing for significantly greater dynamic range.

https://preview.redd.it/l5vgxc6rvz9h1.jpg?width=800&format=pjpg&auto=webp&s=3d2014c205437dcae773f580f4afc00782ada711

The graph below compares the spectrum of the Tidal MAX – 2026 (white curve) with the spectrum of the Colored vinyl record – 2026 (blue curve).The two spectral curves almost perfectly overlap across the entire frequency range, with only a slight boost in the vinyl above 10 kHz, varying between 1 and 3 dB.

https://preview.redd.it/q5xgvmdsvz9h1.jpg?width=800&format=pjpg&auto=webp&s=d9af820b441dbd7c99f0cd69fef499351a57fc1e

With its dynamic and lively mix, the Dolby Atmos version makes full use of all available channels, as illustrated by the spatialization visualization video.

https://preview.redd.it/hm6zl7ftvz9h1.jpg?width=562&format=pjpg&auto=webp&s=b5f9c7314d26148236775a90d8e56ee3ce6f85f3

With The Wow! Signal, the immersive Dolby Atmos version stands out as the best way to fully experience the album, delivering a more dynamic and enveloping sound. For stereo listening, the vinyl edition offers a more enjoyable experience than the digital version, it’s a bit more “dynamic” with a sound that’s slightly less muffled.

The full review with all graphics and analyses is available here (link).

Enjoy listening

Jean-François

reddit.com
u/Media6292 — 8 days ago
▲ 5 r/SurroundAudiophile

Muse – The Wow! Signal – Reviewed – Digital vs Vinyl record vs Dolby Atmos, which is the best edition?

Hello,
Muse The Wow! Signal is the tenth studio album by the British rock band Muse. Conceived as a concept album, it revolves around the themes of cosmic mystery, extraterrestrial intelligence, and human connections, drawing inspiration from the famous 1977 radio astronomy event known as the Wow! Signal.

https://preview.redd.it/kotd6vudvz9h1.jpg?width=500&format=pjpg&auto=webp&s=43136fa74ef947abb2528629a1e808fc82f40fd3

The album continues in Muse s signature style, blending epic rock with electronic and orchestral elements, while venturing further into science-fiction storytelling. Through its tracks, it explores the idea of potential contact with something beyond Earth, using space and extraterrestrial communication as metaphors for emotional and existential questions.

Unsurprisingly, this album suffers from extremely heavy dynamic range compression, just as we already observed when the first single was released. Some will argue that this is simply a characteristic of this style of music, which is expected to sound loud and powerful. However, with an average DR value of 4 (ranging from DR3 to DR5 depending on the track), the processing is clearly excessive, resulting in a completely squashed sound.
A comparison with the Dolby Atmos version shows that it is perfectly possible to preserve Muse’s signature sound while allowing for significantly greater dynamic range.

https://preview.redd.it/yriki52fvz9h1.jpg?width=800&format=pjpg&auto=webp&s=352d6b83ab3a9478c3dd27bf0f5406f429341558

The graph below compares the spectrum of the Tidal MAX – 2026 (white curve) with the spectrum of the Colored vinyl record – 2026 (blue curve).The two spectral curves almost perfectly overlap across the entire frequency range, with only a slight boost in the vinyl above 10 kHz, varying between 1 and 3 dB.

https://preview.redd.it/kfgdgi6gvz9h1.jpg?width=800&format=pjpg&auto=webp&s=419f17da91dfd6af32beab743494ad3028f003bc

With its dynamic and lively mix, the Dolby Atmos version makes full use of all available channels, as illustrated by the spatialization visualization video.

https://preview.redd.it/y06ta5xhvz9h1.jpg?width=562&format=pjpg&auto=webp&s=357580ec8a73c028f6f246b54e969edbedcdf5f8

With The Wow! Signal, the immersive Dolby Atmos version stands out as the best way to fully experience the album, delivering a more dynamic and enveloping sound. For stereo listening, the vinyl edition offers a more enjoyable experience than the digital version, it’s a bit more “dynamic” with a sound that’s slightly less muffled.

The full review with all graphics and analyses is available here (link).

Enjoy listening

Jean-François

reddit.com
u/Media6292 — 8 days ago
▲ 11 r/DolbyAtmosContent

Sting – The Night Watch (Live at the Rijksmuseum) – Music in the atmosphere of a museum – Reviewed (stereo vs Dolby Atmos), with immersive 3D visualization video

Hello,
With The Night Watch (Live at the Rijksmuseum), Sting delivers an intimate live album recorded in the heart of Amsterdam’s famous Rijksmuseum as part of the Sounds Like Art project. Accompanied by guitarist Dominic Miller, he revisits a selection of iconic tracks from his career, blending classics from The Police with solo hits.
The recording highlights the museum s exceptional acoustics, whose natural reverberation fully contributes to the listening experience. Far from a spectacular production, this performance favors closeness to the artist and the authenticity of the interpretation.

https://preview.redd.it/bz6x45cvsu9h1.jpg?width=500&format=pjpg&auto=webp&s=72cd3765892fbc47686135a56744e1d4c37c4ed9

Available in both stereo and Dolby Atmos, this recording is a particularly interesting reference for assessing the ability of an immersive mix to reproduce the unique atmosphere of a truly singular venue.
The concert is available on ARTE s YouTube channel.

For this review, you will find 2 versions tested:

  • Ed 1: Tidal MAX – 2026
  • Ed 2: Tidal Dolby Atmos – 2026

This intimate Sting album is beautifully showcased by the recording quality. However, the limited dynamic range of the stereo version compromises the naturalness of the presentation compared to the Dolby Atmos version downmixed to stereo. Given that this performance was recorded in a museum, it deserved to preserve the full authenticity of both the recording and Sting’s outstanding performance.

https://preview.redd.it/t9ngn8kxsu9h1.jpg?width=800&format=pjpg&auto=webp&s=d61660f8e0fa6bec5ecf6eacdd813d78dc0279b0

This Dolby Atmos mix does not employ any moving sound effects on the music. Instead, its goal is to faithfully recreate the acoustic environment by using the surround channels to reproduce the venue’s natural reverberation and the audience’s applause. To fully appreciate the benefits of this Atmos mix, it should be compared directly with the stereo version. The added sense of the room’s acoustic space becomes immediately apparent, while the intimate front soundstage is preserved. This approach enhances the realism of the presentation, creating the impression that Sting is performing right in front of the listener. Although the dynamic range is well preserved, the overall presentation lacks a touch of refinement due to the lossy Dolby Digital Plus encoding (with 7.1.4 channel).

link to the immersive video on Youtube

https://preview.redd.it/1e794myysu9h1.jpg?width=787&format=pjpg&auto=webp&s=cac445b9b2827ad03d976f5ebace26d76f109c79

This album offers the opportunity to discover Sting in an exceptional setting, presented in an intimate atmosphere with historical instruments. The recording reveals strong sonic potential, unfortunately not fully realized in the stereo version due to dynamic limitations that also reduce the natural feel of this intimate performance. It is the Dolby Atmos version that best conveys the realism and immersion within the Rijksmuseum, thanks to a mix that faithfully preserves the concert’s atmosphere. However, the absence of a lossless Dolby TrueHD Atmos edition is regrettable, as it would have allowed for an even higher level of fidelity to the original recording.

You can find all of the measurements and graphics here (link).

Enjoy listening,
Jean-François

reddit.com
u/Media6292 — 9 days ago
▲ 39 r/audiophilemusic

Sting – The Night Watch (Live at the Rijksmuseum) – Music in the atmosphere of a museum – Reviewed (stereo vs Dolby Atmos), with immersive 3D visualization video

Hello,
With The Night Watch (Live at the Rijksmuseum), Sting delivers an intimate live album recorded in the heart of Amsterdam’s famous Rijksmuseum as part of the Sounds Like Art project. Accompanied by guitarist Dominic Miller, he revisits a selection of iconic tracks from his career, blending classics from The Police with solo hits.
The recording highlights the museum s exceptional acoustics, whose natural reverberation fully contributes to the listening experience. Far from a spectacular production, this performance favors closeness to the artist and the authenticity of the interpretation.

Available in both stereo and Dolby Atmos, this recording is a particularly interesting reference for assessing the ability of an immersive mix to reproduce the unique atmosphere of a truly singular venue.
The concert is available on ARTE s YouTube channel.

For this review, you will find 2 versions tested:

  • Ed 1: Tidal MAX – 2026
  • Ed 2: Tidal Dolby Atmos – 2026

This intimate Sting album is beautifully showcased by the recording quality. However, the limited dynamic range of the stereo version compromises the naturalness of the presentation compared to the Dolby Atmos version downmixed to stereo. Given that this performance was recorded in a museum, it deserved to preserve the full authenticity of both the recording and Sting’s outstanding performance.

Link to the waveform graphs.

This Dolby Atmos mix does not employ any moving sound effects on the music. Instead, its goal is to faithfully recreate the acoustic environment by using the surround channels to reproduce the venue’s natural reverberation and the audience’s applause. To fully appreciate the benefits of this Atmos mix, it should be compared directly with the stereo version. The added sense of the room’s acoustic space becomes immediately apparent, while the intimate front soundstage is preserved. This approach enhances the realism of the presentation, creating the impression that Sting is performing right in front of the listener. Although the dynamic range is well preserved, the overall presentation lacks a touch of refinement due to the lossy Dolby Digital Plus encoding (with 7.1.4 channel).

Link to the immersive 3D video on youtube

This album offers the opportunity to discover Sting in an exceptional setting, presented in an intimate atmosphere with historical instruments. The recording reveals strong sonic potential, unfortunately not fully realized in the stereo version due to dynamic limitations that also reduce the natural feel of this intimate performance. It is the Dolby Atmos version that best conveys the realism and immersion within the Rijksmuseum, thanks to a mix that faithfully preserves the concert’s atmosphere. However, the absence of a lossless Dolby TrueHD Atmos edition is regrettable, as it would have allowed for an even higher level of fidelity to the original recording.

You can find all of the measurements and graphics here (link).

Enjoy listening,
Jean-François

 

u/Media6292 — 9 days ago
▲ 4 r/SurroundAudiophile

Sting – The Night Watch (Live at the Rijksmuseum) – Music in the atmosphere of a museum – Reviewed (stereo vs Dolby Atmos), with immersive 3D visualization video

Hello,
With The Night Watch (Live at the Rijksmuseum), Sting delivers an intimate live album recorded in the heart of Amsterdam’s famous Rijksmuseum as part of the Sounds Like Art project. Accompanied by guitarist Dominic Miller, he revisits a selection of iconic tracks from his career, blending classics from The Police with solo hits.
The recording highlights the museum s exceptional acoustics, whose natural reverberation fully contributes to the listening experience. Far from a spectacular production, this performance favors closeness to the artist and the authenticity of the interpretation.

https://preview.redd.it/jcpy7jt7qu9h1.jpg?width=500&format=pjpg&auto=webp&s=f2f8d28add4d9f34784ec165f76827c1cd6ed357

Available in both stereo and Dolby Atmos, this recording is a particularly interesting reference for assessing the ability of an immersive mix to reproduce the unique atmosphere of a truly singular venue.
The concert is available on ARTE s YouTube channel.

For this review, you will find 2 versions tested:

  • Ed 1: Tidal MAX – 2026
  • Ed 2: Tidal Dolby Atmos – 2026

This intimate Sting album is beautifully showcased by the recording quality. However, the limited dynamic range of the stereo version compromises the naturalness of the presentation compared to the Dolby Atmos version downmixed to stereo. Given that this performance was recorded in a museum, it deserved to preserve the full authenticity of both the recording and Sting’s outstanding performance.

https://preview.redd.it/kq096mi9qu9h1.jpg?width=800&format=pjpg&auto=webp&s=81ce36a1f492d00038efe692f968cfb26a360932

This Dolby Atmos mix does not employ any moving sound effects on the music. Instead, its goal is to faithfully recreate the acoustic environment by using the surround channels to reproduce the venue’s natural reverberation and the audience’s applause. To fully appreciate the benefits of this Atmos mix, it should be compared directly with the stereo version. The added sense of the room’s acoustic space becomes immediately apparent, while the intimate front soundstage is preserved. This approach enhances the realism of the presentation, creating the impression that Sting is performing right in front of the listener. Although the dynamic range is well preserved, the overall presentation lacks a touch of refinement due to the lossy Dolby Digital Plus encoding (with 7.1.4 channel).

3D immersive video on youtube

https://preview.redd.it/e8xfdlrbqu9h1.jpg?width=787&format=pjpg&auto=webp&s=d7c1cdcdf1cf1e0eed2ec18a2da7ce7ced4f9dd3

This album offers the opportunity to discover Sting in an exceptional setting, presented in an intimate atmosphere with historical instruments. The recording reveals strong sonic potential, unfortunately not fully realized in the stereo version due to dynamic limitations that also reduce the natural feel of this intimate performance. It is the Dolby Atmos version that best conveys the realism and immersion within the Rijksmuseum, thanks to a mix that faithfully preserves the concert’s atmosphere. However, the absence of a lossless Dolby TrueHD Atmos edition is regrettable, as it would have allowed for an even higher level of fidelity to the original recording.

You can find all of the measurements and graphics here (link).

Enjoy listening,
Jean-François

 

reddit.com
u/Media6292 — 9 days ago
▲ 34 r/audiophilemusic

Oscar Peterson Trio At Baker’s Keyboard Lounge, The Complete Recording- Jazz sacrificed to the loudness war: the end of high-quality jazz editions?

Hello,

At Baker’s Keyboard Lounge is a live album by the Oscar Peterson Trio, released in 2026 by Verve Records. It brings together previously unreleased recordings made in August 1960 at Detroit’s legendary Baker’s Keyboard Lounge. The trio Oscar Peterson on piano, Ray Brown on bass, and Ed Thigpen on drums delivers performances of remarkable intensity throughout the recording. Originally intended for a commercial release, these concerts remained unreleased for more than sixty years.

Are the editions released worthy of the exceptional musical quality of this Oscar Peterson Trio album?

For this review, you will find 3 versions tested:
Ed 1: SHM-CD JAPAN – 2026

  • Ed 2: Tidal MAX – 2026
  • Ed 3: Vinyl record – 2026

The waveform of the SHM-CD JAPAN – 2026 version shows an average dynamic range that seems acceptable with the DR10. However, it is noted that many tracks exhibit a DR of 8 or 9, indicating the use of a dynamic limiter, as confirmed by waveform analysis (red zones). Such processing is regrettable for a jazz album.

This vinyl edition, The Complete Recordings, includes three LPs and features the complete set of 27 tracks from the album. A single-LP version is also available, containing only nine tracks.

The graph here (link) compares the spectrum of the Vinyl record – 2026 (white curve) with the spectrum of the Tidal MAX – 2026 (blue curve). The two spectra overlap almost perfectly between 150 Hz and 5 kHz. Below 150 Hz, the vinyl’s level is up to 4 dB higher in the 60 150 Hz range, whereas it drops a few dB below 60 Hz. Above 5 kHz, both curves follow a similar general trend, though the vinyl exhibits a boost in the high frequencies between 12 and 20 kHz, peaking at 4 or 5 dB. The high-resolution spectrum shows parasitic frequency peaks around 30 kHz and 50 kHz, which have no impact on the perceived sound.

Listening to the vinyl, one immediately notices increased presence in the low end, the double bass is more prominent, providing a more pleasant listening experience while maintaining detail in the high frequencies. This aligns perfectly with the spectral analysis, suggesting that this 3LP edition is likely the best sonic representation of the album.
The album beautifully captures the atmosphere of the concert hall, immersing us right in the heart of the action alongside the musicians. You can even hear Oscar Peterson’s whisper.
However, despite the higher DR, it remains difficult to discern whether we are hearing a truly dynamic master or simply a less compressed version of the digital masters. This phenomenon regarding dynamic shifts is explained in the article: Does analog media force a dynamic on music? or Does Analog Media increase the dynamics?.

I cannot hide my disappointment. After receiving the Japanese SHM-CD edition and comparing the album across various formats, the conclusion is bitter: this jazz album has fallen victim to the Loudness War.
This is a concerning warning sign for the genre, and it is not an isolated case; we see the same trend in more recent recordings, such as Stacey Kent’s latest album, A Time for Love. All we ask for is sonic fidelity.
A jazz album is not a rock record that needs to sound ‘loud’ for marketing purposes. Jazz productions seem to be succumbing to this race for volume, and Oscar Peterson would undoubtedly be horrified by the treatment inflicted upon this recording.

Enjoy listening,
Jean-François

u/Media6292 — 12 days ago
▲ 26 r/audiophile

Oscar Peterson Trio At Baker’s Keyboard Lounge, The Complete Recording- Jazz sacrificed to the loudness war: the end of high-quality jazz editions?

Hello,

At Baker’s Keyboard Lounge is a live album by the Oscar Peterson Trio, released in 2026 by Verve Records. It brings together previously unreleased recordings made in August 1960 at Detroit’s legendary Baker’s Keyboard Lounge. The trio Oscar Peterson on piano, Ray Brown on bass, and Ed Thigpen on drums delivers performances of remarkable intensity throughout the recording. Originally intended for a commercial release, these concerts remained unreleased for more than sixty years.

https://preview.redd.it/065xnjwzk99h1.jpg?width=500&format=pjpg&auto=webp&s=8af583cb2e916f1cd5aee68bdce38492343c60c8

Are the editions released worthy of the exceptional musical quality of this Oscar Peterson Trio album?

For this review, you will find 3 versions tested:
Ed 1: SHM-CD JAPAN – 2026

  • Ed 2: Tidal MAX – 2026
  • Ed 3: Vinyl record – 2026

The waveform of the SHM-CD JAPAN – 2026 version shows an average dynamic range that seems acceptable with the DR10. However, it is noted that many tracks exhibit a DR of 8 or 9, indicating the use of a dynamic limiter, as confirmed by waveform analysis (red zones). Such processing is regrettable for a jazz album.

https://preview.redd.it/ymcuw7k1l99h1.jpg?width=1000&format=pjpg&auto=webp&s=52c616eaa1665a0fdee2b8a5e8625c54cfe04189

The vinyl edition, The Complete Recordings, includes three LPs and features the complete set of 27 tracks from the album. A single-LP version is also available, containing only nine tracks.

https://preview.redd.it/8drm8jz3l99h1.jpg?width=1999&format=pjpg&auto=webp&s=fdb48045ccad10b0f79ace075126d93525a1365f

The graph below compares the spectrum of the Vinyl record – 2026 (white curve) with the spectrum of the Tidal MAX – 2026 (blue curve). The two spectra overlap almost perfectly between 150 Hz and 5 kHz. Below 150 Hz, the vinyl’s level is up to 4 dB higher in the 60 150 Hz range, whereas it drops a few dB below 60 Hz. Above 5 kHz, both curves follow a similar general trend, though the vinyl exhibits a boost in the high frequencies between 12 and 20 kHz, peaking at 4 or 5 dB. The high-resolution spectrum shows parasitic frequency peaks around 30 kHz and 50 kHz, which have no impact on the perceived sound.

https://preview.redd.it/c99t8q75l99h1.jpg?width=800&format=pjpg&auto=webp&s=f87821478138f506449f35a715db29a29b65eb9d

Listening to the vinyl, one immediately notices increased presence in the low end, the double bass is more prominent, providing a more pleasant listening experience while maintaining detail in the high frequencies. This aligns perfectly with the spectral analysis, suggesting that this 3LP edition is likely the best sonic representation of the album.
The album beautifully captures the atmosphere of the concert hall, immersing us right in the heart of the action alongside the musicians. You can even hear Oscar Peterson’s whisper.
However, despite the higher DR, it remains difficult to discern whether we are hearing a truly dynamic master or simply a less compressed version of the digital masters. This phenomenon regarding dynamic shifts is explained in the article: Does analog media force a dynamic on music? or Does Analog Media increase the dynamics?.

I cannot hide my disappointment. After receiving the Japanese SHM-CD edition and comparing the album across various formats, the conclusion is bitter: this jazz album has fallen victim to the Loudness War.
This is a concerning warning sign for the genre, and it is not an isolated case; we see the same trend in more recent recordings, such as Stacey Kent’s latest album, A Time for Love. All we ask for is sonic fidelity.
A jazz album is not a rock record that needs to sound ‘loud’ for marketing purposes. Jazz productions seem to be succumbing to this race for volume, and Oscar Peterson would undoubtedly be horrified by the treatment inflicted upon this recording.

Enjoy listening,
Jean-François

reddit.com
u/Media6292 — 12 days ago
▲ 22 r/audiophilemusic

Pink Floyd – 8-Tracks – A benchmark to follow for future Pink Floyd vinyl releases? – Review (CD vs Vinyl record vs Streaming high resolution)

Hello,

8-Track is a new compilation dedicated to Pink Floyd, focusing on their most iconic era.
Curated with care by Steven Wilson, it offers a concise selection of the band s essential tracks.
The album stands out for its smooth sequencing, designed to create a coherent listening experience.

It notably includes the full version of Pigs on the Wing (previously available on the 1977 Animals 8-track cartridge release.), a rare and highly appreciated addition for fans.
This compilation highlights timeless classics in a refreshed and thoughtfully assembled presentation.

This album exemplifies what every release should strive for: outstanding dynamics across all tested formats, from CD and vinyl to high-resolution streaming.
Dynamic range has been fully preserved, with no signs of loudness-driven compression.

The graph here (link) compares the spectrum of the Blue Vinyl Record – 2026 (white curve) with the spectrum of the vinyl of Dark Side Of The Moon released in 2023 for the anniversary (blue curve). The spectrum of the 8-Tracks vinyl largely overlaps with that of the 2023 anniversary edition of Dark Side of the Moon up to approximately 10 kHz. However, in the red-highlighted region, clear spectral anomalies can be observed, with a rise of around 10 dB at 14 kHz followed by a drop of nearly 30 dB extending to 17 kHz.
These irregularities are characteristic of a cutting issue that is sometimes encountered vinyls cuts produced at Bernie Grundman. By contrast, the 8-Tracks vinyl edition exhibits the spectral behavior expected from a properly executed cut.

When listening, these anomalies can result in less natural extreme high frequencies and a harsher, more aggressive presentation of certain instruments, such as guitars. In this respect, the 8-Tracks edition should serve as a benchmark for future Pink Floyd anniversary vinyl releases.

We hope that future anniversary editions, such as The Wall, will maintain this same level of quality.

You can also find the full analysis (all graphs and measurements) HERE (link).

Enjoy listening,
Jean-François

u/Media6292 — 17 days ago
▲ 11 r/audiophile

Pink Floyd – 8-Tracks – A benchmark to follow for future Pink Floyd vinyl releases? – Review (CD vs Vinyl record vs Streaming high resolution)

Hello,

8-Track is a new compilation dedicated to Pink Floyd, focusing on their most iconic era.
Curated with care by Steven Wilson, it offers a concise selection of the band s essential tracks.
The album stands out for its smooth sequencing, designed to create a coherent listening experience.

https://preview.redd.it/mreanjdi0b8h1.jpg?width=500&format=pjpg&auto=webp&s=21043555924af55b3553f8ee8252113b25c8d0a8

It notably includes the full version of Pigs on the Wing (previously available on the 1977 Animals 8-track cartridge release.), a rare and highly appreciated addition for fans.
This compilation highlights timeless classics in a refreshed and thoughtfully assembled presentation.

This album exemplifies what every release should strive for: outstanding dynamics across all tested formats, from CD and vinyl to high-resolution streaming.
Dynamic range has been fully preserved, with no signs of loudness-driven compression.

https://preview.redd.it/ialsspxj0b8h1.jpg?width=800&format=pjpg&auto=webp&s=431d6b7d0a9d441c02af0ac906f8eade4cbf6256

The graph below compares the spectrum of the Blue Vinyl Record – 2026 (white curve) with the spectrum of the vinyl of Dark Side Of The Moon released in 2023 for the anniversary (blue curve). The spectrum of the 8-Tracks vinyl largely overlaps with that of the 2023 anniversary edition of Dark Side of the Moon up to approximately 10 kHz. However, in the red-highlighted region, clear spectral anomalies can be observed, with a rise of around 10 dB at 14 kHz followed by a drop of nearly 30 dB extending to 17 kHz.
These irregularities are characteristic of a cutting issue that is sometimes encountered vinyls cuts produced at Bernie Grundman. By contrast, the 8-Tracks vinyl edition exhibits the spectral behavior expected from a properly executed cut.

https://preview.redd.it/n9cm0pol0b8h1.jpg?width=1000&format=pjpg&auto=webp&s=9e3f94a42e91cfd3d8192750b3a9099b096d45f2

When listening, these anomalies can result in less natural extreme high frequencies and a harsher, more aggressive presentation of certain instruments, such as guitars. In this respect, the 8-Tracks edition should serve as a benchmark for future Pink Floyd anniversary vinyl releases.

We hope that future anniversary editions, such as The Wall, will maintain this same level of quality.

You can also find the full analysis (all graphs and measurements) HERE (link).

Enjoy listening,
Jean-François

reddit.com
u/Media6292 — 17 days ago
▲ 27 r/hifiaudio+2 crossposts

HIGH END Vienna 2026: Exceptional Systems and the Best Sound of the Show in video

Hello,

This year, in 2026, the high End Show is taking place in Vienna (after Munich).
The event runs over four days and features more than 500 Hi-Fi and High-End brands showcased across a lots of listening rooms.

I invite you to take a video tour of the show, complete with the authentic sounds of the event.

https://youtu.be/YGd6wT4V_9Q

Enjoy your visit!

List of featured brands:
Absolare, Acapella Audio Arts, ACCUSTIC ARTS, Acoustical Systems, Advance Paris, Aesthetix, Airt Audio, ALSYVOX, AMG, Amphion, AMR, Analogue Audio Association, Ancient Audio, Antipodes Audio, Apertura Audio, Apollum, ARETAI, Argento Audio, Aries Cerat, Ars-Sonum, Athenamuse, Atlantis Lab, Atlas Cables, Atoll, Audes, Audeze, Audio Group Denmark, Audio Note, Audio Physic, Audio Research, Audio-Technica, Audioprim, Audioquest, Audiovector, Auer Acoustics, Aurender, Avantgarde Acoustic, AVM, Ayon Audio, Ayre Acoustics, B.Audio, Bassocontinuo, Boenicke Audio, Boulder, Brinkmann, Brodmann Acoustics, Bryston, Burmester, Cabasse, Cambridge Audio, Canever Audio, CANOR, Canton, Cardas Audio, Cayin, Cessaro, Chord Company, Chord Electronics, Clearaudio, Commaxx / Lenco, Constellation Audio, Critical Mass Systems, Cyrus Audio, 3D Lab, Dan D'Agostino, dCS, Degritter, Diapason, Doshi Audio, DS Audio, Davis Acoustics, Dual, Duelund, Dutch & Dutch, Dynaudio, Dyptique Audio, Dyrholm Audio, Eagle Cable, EAT European Audio Team, ELAC, Electrocompaniet, EMM Labs, Engström, Erzetich, Esprit, FalkenOhr, Feliks, FiiO, Final Audio, FinkTeam, Focal Naim, Fosi Audio, Fyne Audio, Gauder Akustik, GIK Acoustics, Göbel High End, Goldmund, Gramy-H / Djabe, Graphite Audio, Grimm Audio, Gryphon, Gustard, Harbeth, Harman, Hemingway Audio, Hidizs, Hifi Rose, Hifiman, HIFISTAY, hORNS, HRS, Hypex Electronics, Ideon Audio, iFi Audio, In-Akustik, Indiana Line, Innuos, Iso Acoustics, IsoAcoustics, J.Sikora, Java, Jorma Audio, Joseph Audio, JVC / Kenwood, Kaiser Acoustics, KECES Audio, Keith Monks, Kharma, Kimber Kable, Klaudio, Klipsch, Kora, Kroma Atelier, Kubala-Sosna, Kuzma, LAB12, Lake People, Lampizator, Lansche Audio, Lehmannaudio, LINKWITZ.audio, Linn, Linsoul, Little Fwend, LOEWE, Lumen White, Lumin, Lundahl Transformers, Luxman, Magico, Majority Audio, Marten, Martina Schoener / ArtDuSon, MartinLogan, Master Fidelity, MASTERSOUND, Matrix Audio, Matter, MAVIS LAB, MBL, MegaTech Electronics, Melco, MEZE Audio, MoFi, Moon, Moonriver Audio, MP&S Klangwelten, MSB Technology, Mundorf, Nagaoka, Neat Acoustics, NEO HIGH END, Network Acoustics, Nirvana Audio, Nordost, Nordyx Audio, NOVAUDIO, Nubert, Nuprime, OePhi Audio, Omega Audio Concepts, Ophidian Audio, Orpheus, Ortofon, Panasonic / Technics, Pathos Acoustics, Peak Consult, Perlisten Audio, Phasemation, Pink Faun, PMC, Portento Audio, Pro-ject, PS Audio, PSI Audio, Purist Audio Design, Puritan Audio, QLN, Qobuz, Quad, Quadraspire, Questyle, RAAL, Raidho, Reed, REMTON Audio, Revival Audio, Revox, Riviera Audio Labs, Rotel, Ruark, Sangean, SB Acoustics, Scheu Analog, SEPEA Audio, Shanling, Shunyata Research, Sieveking Sound, Sigma Acoustics, Silent Angel, Silent Wire, Siltech, Sivga, SME, SMSL, SOLEN Audio, Solid Tech, Solidsteel, SOtM, SOULNOTE, Soulution, Soundaware Audio, STAR AUDIO, STAX, Stein Music, Stenheim, StreamUnlimited, STROMTANK, SUPATRAC, SVS, Swisscables, System Audio, T+A, TAD, Taiwan Audio Association, Takumi Analog, TANNOY, TCI Cables, TechDAS, Telos Audio Design, Thierry & Wango Audio, Thorens, THÖRESS, Thrax Audio, Thuono Audio, Tonar, Topping, Transparent Audio, TRIGON, TRINAUDIO, Triode, Turnbull Audio, TW Electronics, TW-Acustic, UberLight, UNITRA, UniVicoustic, VAC, Velodyne Acoustics, Venture Audio, Viborg Audio, Vienna Acoustics, Vinyl Audio Laboratory, Viva Audio, Volumio, Voxativ, VTL, WADAX, Wand Analogue Products, Warwick Acoustics, WBT, Weiss Engineering, WestendAudioSystems, Wiener Lautsprecher Manufaktur, WiiM, Wilson Audio, Wilson Benesch, WOD Audio, Wolf Von Langa, XLO, Ya Horng Electronic, Yamaha, Ypsilon, Zavfino 1877Phono, ZELLATON, ZenSati, Zhuhai HiVi / Swan Speakers, Zingali Acoustics

u/Media6292 — 27 days ago
▲ 12 r/audiophile

Paul McCartney – The Boys of Dungeon Lane – Reviewed (stereo vs Dolby Atmos), Included new 3d immersive video rendering

Hello,

The Boys of Dungeon Lane by Paul McCartney is an autobiographical work inspired by his childhood in Liverpool.
Across fourteen tracks, he reflects on his memories, youthful friendships, and the passage of time.
Musically, the album blends melodic pop, rock, intimate ballads, and psychedelic influences.

https://preview.redd.it/np1lp8n1715h1.jpg?width=500&format=pjpg&auto=webp&s=b57eb9ec0c229e65bf2582b3b05b0ec609ba676f

It is unfortunate to see a new album by an artist of this stature handled in such a way, particularly with such heavy use of dynamic limiting on the stereo version. Paul McCartney does not need loudness processing for a new album to succeed.

https://preview.redd.it/1s31iqf2715h1.jpg?width=800&format=pjpg&auto=webp&s=8114e5f69ae36587c2a0cb02573fb9433732e7c9

In this context, it becomes preferable to turn to the Dolby Atmos version in order to recover the full dynamic range of the recording, along with a more refined and evolving spatial presentation depending on the tracks
However, it is regrettable that listeners must rely only on a Dolby Digital Plus encode, a lossy format that slightly reduces the subtlety and precision of the sound reproduction.

Below, a color gradient has been added to reflect perceived height: sounds that remain at the level of the main speakers are displayed in blue, while their color gradually shifts toward red as they rise higher. This visualization makes it easier to observe the elevation of sounds within the room.

https://preview.redd.it/6xfrtae0715h1.png?width=1440&format=png&auto=webp&s=26b1e32d4485672f0e0183bfb350a7d35aabdb71

Youtube link

You can also find the full analysis (including all graphs and measurements) HERE (link).

Enjoy listening,
Jean-François

reddit.com
u/Media6292 — 1 month ago
▲ 8 r/audiophilemusic

Paul McCartney – The Boys of Dungeon Lane – Reviewed (stereo vs Dolby Atmos), Included new 3d immersive video rendering

Hello,

The Boys of Dungeon Lane by Paul McCartney is an autobiographical work inspired by his childhood in Liverpool.
Across fourteen tracks, he reflects on his memories, youthful friendships, and the passage of time.
Musically, the album blends melodic pop, rock, intimate ballads, and psychedelic influences.

It is unfortunate to see a new album by an artist of this stature handled in such a way, particularly with such heavy use of dynamic limiting on the stereo version. Paul McCartney does not need loudness processing for a new album to succeed.

In this context, it becomes preferable to turn to the Dolby Atmos version in order to recover the full dynamic range of the recording, along with a more refined and evolving spatial presentation depending on the tracks
However, it is regrettable that listeners must rely only on a Dolby Digital Plus encode, a lossy format that slightly reduces the subtlety and precision of the sound reproduction.

Below, in the vidéo, a color gradient has been added to reflect perceived height: sounds that remain at the level of the main speakers are displayed in blue, while their color gradually shifts toward red as they rise higher. This visualization makes it easier to observe the elevation of sounds within the room.

Youtube link

You can also find the full analysis (including all graphs and measurements) HERE (link).

Enjoy listening,
Jean-François

u/Media6292 — 1 month ago
▲ 6 r/DolbyAtmosContent

Paul McCartney – The Boys of Dungeon Lane – Reviewed (stereo vs Dolby Atmos), Included new 3d immersive video rendering

Hello,

The Boys of Dungeon Lane by Paul McCartney is an autobiographical work inspired by his childhood in Liverpool.
Across fourteen tracks, he reflects on his memories, youthful friendships, and the passage of time.
Musically, the album blends melodic pop, rock, intimate ballads, and psychedelic influences.

https://preview.redd.it/sem1o9u6615h1.jpg?width=500&format=pjpg&auto=webp&s=2abdc6168a1b8dc6988fa16e469680eb9c500594

It is unfortunate to see a new album by an artist of this stature handled in such a way, particularly with such heavy use of dynamic limiting on the stereo version. Paul McCartney does not need loudness processing for a new album to succeed.

https://preview.redd.it/m5wwxxp7615h1.jpg?width=800&format=pjpg&auto=webp&s=7f6a1b66767b255d83ad3ea275331f3b65ad3dbf

In this context, it becomes preferable to turn to the Dolby Atmos version in order to recover the full dynamic range of the recording, along with a more refined and evolving spatial presentation depending on the tracks
However, it is regrettable that listeners must rely only on a Dolby Digital Plus encode, a lossy format that slightly reduces the subtlety and precision of the sound reproduction.

Below, a color gradient has been added to reflect perceived height: sounds that remain at the level of the main speakers are displayed in blue, while their color gradually shifts toward red as they rise higher. This visualization makes it easier to observe the elevation of sounds within the room.

Youtube link

https://preview.redd.it/cl4czci5615h1.png?width=1440&format=png&auto=webp&s=cf1180991610141248f4aa0deb89e77f39896866

You can also find the full analysis (including all graphs and measurements) HERE (link).

Enjoy listening,
Jean-François

reddit.com
u/Media6292 — 1 month ago
▲ 9 r/SurroundAudiophile

Paul McCartney – The Boys of Dungeon Lane – Reviewed (stereo vs Dolby Atmos), Included new 3d immersive video rendering

Hello,

The Boys of Dungeon Lane by Paul McCartney is an autobiographical work inspired by his childhood in Liverpool.
Across fourteen tracks, he reflects on his memories, youthful friendships, and the passage of time.
Musically, the album blends melodic pop, rock, intimate ballads, and psychedelic influences.

https://preview.redd.it/ok4polqb515h1.jpg?width=500&format=pjpg&auto=webp&s=7dbfa2a87688f2cb2f04011f666f3eb74ee935a9

It is unfortunate to see a new album by an artist of this stature handled in such a way, particularly with such heavy use of dynamic limiting on the stereo version. Paul McCartney does not need loudness processing for a new album to succeed.

https://preview.redd.it/fehxgrqc515h1.jpg?width=800&format=pjpg&auto=webp&s=829b061adb3fa48ee9f272114919c164d5177a18

In this context, it becomes preferable to turn to the Dolby Atmos version in order to recover the full dynamic range of the recording, along with a more refined and evolving spatial presentation depending on the tracks
However, it is regrettable that listeners must rely only on a Dolby Digital Plus encode, a lossy format that slightly reduces the subtlety and precision of the sound reproduction.

Below, a color gradient has been added to reflect perceived height: sounds that remain at the level of the main speakers are displayed in blue, while their color gradually shifts toward red as they rise higher. This visualization makes it easier to observe the elevation of sounds within the room.

Youtube link

https://preview.redd.it/1shwdkgq515h1.png?width=1440&format=png&auto=webp&s=be0c7028351485f7395aaf1d85f235a5918e1d3b

You can also find the full analysis (including all graphs and measurements) HERE (link).

Enjoy listening,
Jean-François

reddit.com
u/Media6292 — 1 month ago
▲ 8 r/audiophile

The secrets of a High End turntable RESURRECTION revealed by its designer Pierre Ruffaud.

Hello,

Today, I’m pleased to present an interview with Pierre Riffaud, designer of high-end turntables. In this interview, he reveals all the details and engineering secrets behind his latest creation Resurrection. The interview is conducted in French, but English subtitles are available.

You’ll discover comprehensive information about this remarkable 85 kg turntable, featuring a 35 kg one-piece platter, designed to deliver exceptional performance and precision.

full presentation on Youtube

Enjoy listening,

Jean-François

u/Media6292 — 1 month ago
▲ 4 r/DolbyAtmosContent

Dominique Fils-Aimé My World Is The Sun – Ambassador of the Vienna HIGH END 2026 – and the interview with sound engineer Jacques Roy – Review (High Res 24 96 vs Dolby Atmos vs pureaudiostreaming in 7.1.4 vs Vinyl record…)

Hello,

Dominique Fils-Aimé presents My World Is The Sun, her fifth studio album. This new recording continues her artistic journey, blending jazz, soul, and contemporary influences.

https://preview.redd.it/f10oz3e9z13h1.jpg?width=500&format=pjpg&auto=webp&s=4c0fbc65373a037e9538ce6bcc724f1f21a52ead

The album explores themes related to identity, nature, and personal reflection. The arrangements favor a stripped-down approach, highlighting the voice and instrumental textures. Overall, the production is polished, attentive to detail, and balanced in its sound.

Dominique Fils-Aimé will also be the brand ambassador of the HIGH END 2026 exhibition, which will take place in Vienna in June.

https://preview.redd.it/p73rsn4az13h1.jpg?width=470&format=pjpg&auto=webp&s=637b0b25e7f005af6ec3786bba4c0532562e9539

For this review, I invite you to read the interview with sound engineer — and musician — Jacques Roy, who explains in detail the entire production process, from recording to stereo and Dolby Atmos mixing, as well as the specific work carried out to achieve a faithful binaural version. Jacques Roy does not hesitate to multiply vocal takes and overdubs in order to add depth and dimension, both in stereo and Atmos. Each track therefore contains between 200 and 300 individual tracks.

In addition to traditional formats such as standard streaming and vinyl records, we also tested this album on the audiophile streaming service Pure Audio Streaming, particularly in its PCM 7.1.4 and binaural versions. A highly successful first experience for this audiophile audio streaming platform.

This stereo version offers a remarkable sound, taking full advantage of the high-resolution format to capture all the subtleties of the recording, both in the instruments and in Dominique Fils-Aim’s voice. The stereo version features a very wide soundstage that literally extends beyond the speakers. It showcases the meticulous and precise results of Jacques Roy’s mixing.

The waveform of the Tidal Max – 2026 version shows a good dynamic range confirmed with DR10. In terms of dynamics, several tracks stand out for their high range (DR12), and fortunately, only four songs have limited dynamics (DR9).

https://preview.redd.it/o4k4riibz13h1.jpg?width=800&format=pjpg&auto=webp&s=f01ab46c2a6e1e2059831aff60f17de88b3ee5b5

The Dolby Atmos format is the true revelation of this album. The music like Sea of Clouds, fully explores the possibilities of immersive sound, with a composition designed in 360 degrees for the placement and movement of the musical elements.

The PCM 7.1.4 streaming version is the best immersive format available for playback on a 7.1.4 system. Indeed, this version is taken directly from the ADM master, which can contain up to 128 audio channels or objects (10 channels for the bed and up to 118 audio objects in a Dolby Atmos ADM master). This differs from the Dolby Digital TrueHD Atmos format, which is limited to 16 channels/objects. As a result, there is no reduction in the number of objects caused by Dolby Digital TrueHD Atmos compression.

When listening, all the nuances, spatial precision, and fine details are preserved, exactly as they would be heard in a 7.1.4 Atmos studio. This allows full enjoyment of the Dolby Atmos mix of this album, which makes excellent use of spatialization, with vocals perfectly integrated into the music.

pureaudiostreaming.com is now a leading streaming service for immersive audio listening. If you create an account, you’ll have access to the first 30 seconds of each track on the album.
It is one of the best Atmos mixes of 2026.

The binaural version is offered in lossless PCM format, derived directly from the original Atmos version, providing an immersive listening experience through headphones while preserving all the detail, clarity, and depth. In addition, Jacques Roy has done a tremendous job of creating an immersive version that perfectly respects the original sound balance, which is altered by the binaural encoding compared to the stereo version (available on pureaudiostreaming.com)

You can also find the full analysis (including interview, all graphs and measurements) HERE (link).

Youtube link

https://preview.redd.it/4e854r1dz13h1.png?width=1080&format=png&auto=webp&s=5f07eb5f1ee70e4b1c6ad0d2989777129ea4b97b

Enjoy listening,
Jean-François

reddit.com
u/Media6292 — 1 month ago