
Fifty Bartenders Walked Into My Restaurant On A Tuesday Afternoon. Nobody Complained Once.
Fifty Bartenders Walked Into My Restaurant On A Tuesday Afternoon. Nobody Complained Once.
I didn’t know they were coming.
Dale DeGroff’s training session at the Grand Hyatt let out mid-afternoon, and fifty of Seattle’s working bartenders were suddenly at my bar. Two of my breakfast and lunch servers had been on since 6 am, and they were watching the clock, waiting to go home. The bartender had started at 11 am. It had been a slow-ish lunch. Past tense.
Tickets backed up. Foreheads got wet. All three of them looked at the 50 people who just sat down in the bar and started moving faster without anyone asking them to.
Not one guest complained.
They weren’t shy about who they were or where they’d come from. We’re bartenders, they said. We were just in one of the banquet rooms for Dale DeGroff’s training. This was the closest bar. They said it the way you say something when you want the person across the bar to know you’re on the same team.
And then they got to work on us.
Not on the drinks. On the people. They talked to my servers by name once they learned it. They asked the bartender how long she’d been on. They laughed about the ticket times in a way that took the weight out of the room instead of adding to it. A few of them had been in the industry longer than some of my staff had been alive, and none of that showed impatience. They were building relationships with a skeleton crew they’d never met, at a bar they’d wandered into by proximity, on a Tuesday afternoon when we were barely holding it together.
I watched it happen as I became the food runner and busser for the rest of the afternoon.
I should say here that I own The Craft of the Cocktail. I’ve read it. I’ve used it. There are no photos of DeGroff in it, so I wouldn’t have recognized him if he’d been in front of me that afternoon. He may have been. I genuinely don’t know. What I know is that his students were there, and they behaved the way people behave when someone they respect has spent a day showing them what the work is actually about.
DeGroff came to New York originally to be an actor. He talked his way into his first bartending job at a party at Gracie Mansion with no experience and said afterward he felt immediately at home facing a bar full of people. The bar started as a stage. The bottles were props, the crowd was the audience, and the craft was the performance. He was exceptional at it. In 1987, Joe Baum hired him to run the Rainbow Room, 65 stories above Rockefeller Center, with instructions to ditch the soda gun, use fresh juice, and rebuild a classic cocktail program at a time when almost nobody in Midtown was doing that. He stayed nearly thirteen years. Two James Beard Awards followed. His book became the reference that a generation of bartenders learned from.
Somewhere in those decades, the performance model gave way to something quieter. What he teaches now isn’t only technique. He also teaches what keeps someone coming back. It’s teaching bartenders that your guests need to feel valued while they enjoy the craft cocktail you’ve made for them. His students had spent a day inside that idea, and they carried it over to us.
I’d spent years thinking about what made a great bartender in terms of what they could do under pressure. Speed. Composure. The ability to keep the room from feeling the chaos happening behind it. That’s real. I still believe it. What I hadn’t thought enough about was what it looks like when someone has spent a lifetime building something beyond the bar, a culture, a way of treating the work, and that thing walks into the room without them.
That’s what I watched. DeGroff didn’t have to be there. Whatever he’d built in that banquet room as part of their training had already done the work. Fifty bartenders walked into an understaffed bar on a hard Tuesday afternoon and spent the next two hours making my exhausted team feel like the best crew ever. One of them cleared glasses without being asked. Another waved off a wrong order and said don’t worry about it before my server finished the apology. They knew exactly what my staff was going through because they’d gone through it themselves, and they acted accordingly.
My bartender didn’t know who DeGroff was until after they’d gone. When I told her, she thought about it for a second and said they were the kindest group she’d had in months.
That’s the whole thing.
Whether you can teach someone to walk into a room that way, or whether it only develops after the performance stops feeling necessary, I still don’t know.
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