got a rejection today that complimented my "lovely prose" and passed anyway and I think that one hurt more than the form rejections
Yk the ones "Your writing is lovely and clearly accomplished, but I didn't connect with the project the way I'd need to in order to represent it effectively in a competitive market."
Translation: the sentences are fine, the book didn't grab me, good luck
I think I preferred the form rejections, honestly. At least those don't make you sit there going like okay so if the prose is good and you still don't want it, what's wrong with the BOOK
a form rejection you can blame on volume, on luck, on the agent having a full list. A personalized one that praises the writing and passes anyway points straight at the thing you can't see, which is that the story itself isn't doing what it needs to do, and now you have to figure out what that is with basically no information.
Thirty one queries in. Four of these "lovely prose" passes now. I'm starting to think my problem isn't the writing line by line, it's something structural in the premise or the stakes that isn't landing in the pages, and a polished query plus polished sample pages is actually hiding the problem instead of revealing it.
any suggestions are honored, busy much but still gonna read em all